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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Randall, Beverly Marilyn. Gender, Body, and Age in the Writings of Simone de Beauvoir, Marguerite Duras and Simone Schwarz-Bart. Dissertation Abstracts International LVIII (1997): 2686A.

Reyes, Angelita Dianne. Crossing the Bridge: The Great Mother in Selected Novels of Toni Morrison, Paule Marshall, Simone Schwarz-Bart, and Mariama Bâ. Dissertation Abstracts International 46[6] (1985): 1619A.

Rice-Maximin, Micheline. “The Maroon in Guadeloupean Literature.” West Virginia University Philological Papers 32 (1986): 15-20.

Riesz, János. “Der Mythos ‘Afrika’ in Ti Jean L’horizon von Simone Schwarz-Bart.” Entwicklungen im Karibischen Raum 1960-1985. Ed. Wolfgang Binder. Erlangen: Universitätsbund, 1985. 87Rogers, Nathalie Buchet. “Oralité et écriture dans Pluie et vent sur Télumée Miracle.” The French Review 65.3 (1992): 435-48.

Roget, Wilbert J. “Ti Jean L’horizon.” World Literature Today: A Literary Quarterly of the University of Oklahoma LV (1981): 163.

Rohou, G. “Télumée des Antilles.” La Quinzaine littéraire 151 (1972): 8-9.

Rolland, Dominique. “La Femme espoir pour la démocratie.” Diagonales 33 (1995): 2-3.

Romero-Cesareo, Ivette. Witnessing. Women’s Testimonial Narrative in French and Spanish Caribbean. Dissertation Abstracts International (1993): 3744A.

Rosello, Mireille. “Pluie et vent sur Télumée Miracle.” Présence francophone: Revue internationale de langue et de littérature 36 (1990): 73-90.

---. Littérature et identité créole aux Antilles. Paris: Karthala, 1992.

Rosser, Miriam Margaret. Feminine Textualities of Loss, Mourning, and Compensation: Locating the Gendered Postcolonial Subject at ‘Home’ and in Relation to the ‘Nation’: A Study of Five Francophone Novels by Simone Schwarz-Bart, Maryse Condé, Werewere Liking, Assia Djebar and Calixthe Beyala. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 63[10], 3544. 2003. Columbia University.

Rumpf, Helmtrud. “Identität Und Literarischer Diskurs Auf Den Kleinen Antillen.” Frankophone Literaturen ausserhalb Europas. Ed. János Riesz. Bayreuther Beiträge zur Literaturwissenschaft: 9. Frankfurt: Peter Lang, 1987. 47-62.

---. “La búsqueda de la identidad cultural en Guadalupe: Las novelas Pluie et vent sur Telumée Miracle y Ti Jean l’horizon de Simone Schwarz-Bart.” Revista de Crítica Literaria Latinoamericana 15.30 (1989): 231-48.

Ruprecht, Alvina. “Performance transculturelle. Une poétique de l’interthéâtralité chez Simone Schwarz-Bart.” Poétiques et imaginaires. Francopolyphonie littéraire des Amériques. Ed.

Pierre Laurette and Hans-George Ruprecht. Paris: L’Harmattan, 1995. 313-23.

Ruscito, Donatella. Tracées de la résistance et traversée de la parole dans le roman caribéen.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 62[4], 1416. 2001. University of Toronto.

Salvodon, Marjorie. “In Between Borders: Writing Exile in Ton beau capitaine by Simone SchwarzBart.” RLA: Romance Languages Annual 8 (1996): 130-33.

---. “Becoming Itinerant: Ti Jean l’horizon by Simone Schwarz-Bart.” RLA: Romance Languages Annual 11 (1999): 95-103.

Santiago Torres, Frances Jackeline. Tanbou lwen tini bon son: L’oral comme reconstitution historique dans l’œuvre de Simone Schwarz-Bart. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 59[9], 3462. 1999. City University of New York.

Scarboro, Ann Armstrong. External Reality / Internal Focus. The Writer as Modern Day Maroon in Joseph Zobel’s La rue cases-nègres, Simone Schwarz-Bart’s Pluie et vent sur Télumée

Miracle and Daniel Maximin’s L’isolé soleil. Dissertation Abstracts International LII.9 (1992):

3274A.

---. “A Shift Toward the Inner Voice and Creolité in the French Caribbean Novel.” Callaloo: A Journal of

African Diaspora Arts and Letters 15.1, The Literature of Guadeloupe and Martinique (1992):

12-29.

Scarpa, Giulia. “Milkman and Ti Jean: The Mythical Journey in Toni Morrison and Simone SchwarzBart.” Caribana 3 (1992): 111-22.

Scharfman, Ronnie. “Mirroring and Mothering in Simone Schwarz-Bart’s Pluie et vent sur Telumée Miracle and Jean Rhys’ Wide Sargasso Sea.” Yale French Studies.62 (1981): 88-106.

---. “Exiled From the Shoah. André and Simone Schwarz-Bart’s Un plat de porc aux bananes vertes.” Auschwitz and After. Race, Culture and “The Jewish Question” in France. Ed. L. D. Kritzman.

New York; London: Routledge, 1995. 250-63.

Scheel, Charles Werner. Magical Versus Marvelous Realism as Narrative Modes in French Fiction.

Dissertation Abstracts International LII (1991): 2549A.

Smith, Maria Thecla. Slain in the Spirit: A Vodun Aesthetic in Selected Works of Simone SchwarzBart, Zora Neale Hurston, and Paule Marshall. Dissertation Abstracts International, Section A:

The Humanities and Social Sciences 61[3], 978. 2000. Louisiana State University, 2000.

Souza, Pascale Marie De. “When Anancy Meets the Desaragnes: An Arachnean Reading of The Bridge of Beyond.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 3 (2000): 57-68.





---. “Rêves de l’exil et réalités de l’absence dans Ton beau capitaine de Simone Schwarz-Bart.” Essays in Theatre/Etudes Théâtrales 20.1 (2001): 43-50.

---. “Flotsam in the Migratory Wake. Relating the Plight of the Old in Frangipani House and Un plat de porc aux bananes vertes.” Comparative Literature Studies (Urbana) XXXIX (2002): 146-61.

---. “When I Means We. A Reading of School in French Caribbean Apprenticeship Novels.” Studies in Twentieth Century Literature XXVI (2002): 261-84.

Talbot, Emile J. “Pluie et vent sur Télumée Miracle.” The French Review 47 (1974): 669-70.

Tcheuyap, Alexi and Ruthmarie H. Mitsch. “Creolist Mystification: Oral Writing in the Works of Patrick Chamoiseau and Simone Schwarz-Bart.” Research in African Literatures 32.4 (2001): 44-60.

Terrée-Potino, E. “Ti Jean l’horizon.” Esprit 42 (1980): 190-91.

Tégé-MacMillin, Marlène. Le thème de l’évasion dans l’œuvre de Simone Schwarz-Bart et dans celle d’Albertine Sarrazin. Dissertation Abstracts International 53 (1992): 3210A.

Toureh (Mbaye), Fanta. L’Imaginaire dans l’œuvre de Simone Schwarz-Bart. Approche d’une mythologie antillaise. Paris: L’Harmattan, 1987.

Trapp, Dorothea Elisabeth. Literaturwissenschaft als empirisch verfahrende Sozialwissenschaft, aufgezeigt am Beispiel von Pluie et vent sur Télumée Miracle von Simone Schwarz-Bart.

Bonn: Romanistischer, 2000, 286.

Walcott, Elizabeth. Ti Jean, a Caribbean Hero. Dissertation Abstracts International 56[2], 547A. 1995.

Boston University.

Wallace, Karen Smyley. “The Female and the Self in Simone Schwarz-Bart’s Pluie et vent sur Télumée Miracle.” The French Review LIX.3 (1986): 428-36.

---. “Créolité and the Feminine Text in Simone Schwarz-Bart.” The French Review LXX.4 (1997): 554Wegimont, Marie A. “Schwartz-Bart’s Pluie et vent sur Télumée Miracle.” Explicator 56.3 (1998): 160Wells, Catherine. “La poétique de la relation conjugale. Simone et André Schwarz-Bart dans le lit de Procuste.” Tangence (Rimouski) 62 (2000): 100-22.

Willen, Margaret. “La case de Télumée. Site de résistance.” Revue francophone X.2 (1995): 85-99.

Williams-Ginsberg, Helen T. Challenging Narrative Boundaries and the Fictions of Culture. Works by Anne Hébert, Simone Schwarz-Bart and Calixthe Beyala. Dissertation Abstracts International LVI (1995): 964A.

Wilson, Elizabeth Betty. “History and Memory in Un plat de porc aux bananes vertes and Pluie et vent sur Telumée Miracle.” Callaloo: A Journal of African Diaspora Arts and Letters 15.1, The Literature of Guadeloupe and Martinique (1992): 179-89.

Wintzen, Renée. “Literarische Anklage.” Dokumente 23 (1967): 238-39.

Yow, Laura Genevieve. So Sad as Silence: Modernity and the Unspeakable. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 62[10], 3389. 2002. Yale University.

Zimra, Clarisse. “In the Name of the Father. Chronotopia, Utopia and Dystopia in Ti Jean l’horizon.” L’esprit créateur XXXIII.2 (1993): 59-72.

---. “What’s in a name. Elective Genealogy in Schwarz-Bart’s Early Novels.” Studies in Twentieth Century Literature XVII (1993): 97-118.

TELCHID, SYLVIANE

Haigh, Sam. “Between Speech and Writing: ‘La nouvelle littérature antillaise?’” Comparing Postcolonial Literatures: Dislocations. Ed. Ashok Bery, Patricia Murray, and Wilson Harris.

Basingstoke, England; New York, NY: Macmillan; St. Martin’s, 2000. 193-204.

TIROLIEN, GUY

Alante-Lima, Willy. Clefs pour Guy Tirolien. Fort-de-France: CRDP Antilles-Guyane, 1990.

---. Guy Tirolien, l’homme et l’œuvre. Paris - Dakar: Présence africaine, 1991.

Condé, Maryse. “Afrique, mon beau mythe: Entretien avec Guy Tirolien.” Notre Librairie 74 (1984): 26Gallagher, Mary. “Contemporary French Caribbean Poetry: The Poetics of Reference.” Forum for Modern Language Studies 40.4 (2004): 451-62.

Hoffmann, Francois. “French Negro Poetry.” Yale French Studies.21, Poetry Since the Liberation (1958): 60-71.

Jahier, Marie-Claire and Sybille Patou. “Poésie engagée. Poètes antillais et africains.” L’Ecole des lettres des collèges (Paris) XCVI.4 (2004): 25-72.

Jones, Edward A. “Other Poets of the Négritude School.” Voices of Négritude. The Expression of Black Experience in the Poetry of Senghor, Césaire and Damas. Ed. Edward A. Jones. Valley Forge: Judson Press, 1971. 75-115.

Lima, W. “Feuilles vivantes au matin.” Présence africaine: Revue culturelle du monde noir 103 (1977):

171-75.

Renaudot, Patrick. “Feuilles caraïbes. Antilles et Haïti, ces îles à l’économie exsangue offrent un fameux terreau littéraire. A l’ombre d’Aimé Césaire, le grand aîné, pousse la génération de la négritude.” Magazine littéraire 189 (1982): 42-44.

Rice-Maximin, Micheline. “The Maroon in Guadeloupean Literature.” West Virginia University Philological Papers 32 (1986): 15-20.

Tirolien, Guy and Michel Tétu. Guy Tirolien, de Marie-Galante à une poétique afro-antillaise. Paris:

Editions Caribéennes, 1991.

VALVERDE, JOCELYN

Armstrong, S.C.A.R. “The New Cultural Orientation in Caribbean Literature in French and Jocelyn Valverde’s Entre pierre et soleil.” The French Review 65.2 (1991): 216-25.

Scarboro, Ann Armstrong. “Aimé Césaire, René Dépestre and Jocelyn Valverde: Three Generations of Caribbean Salt Thieves.” Concerning Poetry 17.2 (1984): 121-34.

---. “The New Cultural Orientation in Caribbean Literature in French and Jocelyn Valverde’s Entre pierre et soleil.” The French Review 65.2 (1991): 216-25.

---. “Rooted in French Caribbean Culture. Jocelyn Valverde: Interview and Poems.” Revista Interamericana Review 31.1-4 (2001).

VIPART, SERGE DE

Alante-Lima, Willy. “Serge de Vipart: Artiste et poète guadeloupéen.” Présence africaine: Revue culturelle du monde noir 147.3 (1988): 71-84.

WARNER-VIEYRA, MYRIAM

Aas-Rouxparis, Nicole. “Femmes échouées de Myriam Warner-Vieyra: Naufrage ou espoir?” Französisch Heute 3 (1997): 236-42.

---. “Une Sénégalaise avec une âme antillaise: Myriam Warner-Vieyra.” Women in French Studies 9 (2001): 234-43.

Anagnostopoulou[-Hielscher], María. Subjectivités féminines et réécriture des histoires antillaises dans l’œuvre romanesque de Maryse Condé, Simone Schwarz-Bart, et Myriam Warner-Vieyra.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 60[4], 1140. 1999. Rice University.

---. “From Silence to Words: Feminine Journeys of Self-Discovery in Myriam Warner Vieyra’s Juletane.” West Virginia University Philological Papers 45 (1999): 82-89.

Badders, Anne Lancaster. “Les plis dans les puits: Identity and Narrative in Myriam Warner-Vieyra’s Juletane.” Paroles Gelées: UCLA French Studies 13 (1995): 75-90.

Berrian, Brenda F. “Myriam Warner-Vieyra Interviewed by Brenda Berrian.” Etudes GermanoAfricaines: Revue annuelle de germanistique africaine/Jahresschrift für Afrikanische Germanistik/Annual Review 7 (1989): 125-26.

Brodzki, Bella. “Reading/Writing Women in Warner-Vieyra’s Juletane.” Studies in Twentieth Century Literature XVII (1993): 63-77.

Bruner, Charlotte H. “First Novels of Girlhood.” College Language Association Journal 31.3 (1988):

324-38.

Cazenave, Odile. “Inscription de la folie et de l’irrationnel dans les textes de femmes.” Revue francophone VII.2 (1992): 107-29.

---. “Représentations de la folie dans les textes de Warner-Vieyra.” Littérature et maladie en Afrique.

Image et fonction de la maladie dans la production littéraire. Actes du congrès de l’APELA, Nice, spet 1991. Ed. Jacqueline Bardolph. Paris: L’Harmattan, 1994. 115-33.

Clemente, Linda M. “Reevaluating Sanity in Warner-Vieyra’s Le quimboiseur l’avait dit...” and Juletane.” Perceptions of Values in French Literature. Ed. Freeman G. Henry. Amsterdam;

Atlanta, GA: Rodopi, 1995. 79-91.

Cuasante Fernández, Elena. “La Otra. La extranjera en Juletane de Warner-Vieyra.” Francofonía [Cádiz] 10 (2001): 21-35.

Díaz Narbona, Immaculada and Elena Cuasante Fernández. “Le corps des femmes. Le lieu de l’exil.” La littérature au féminin. Ed. Montserrat Serrano Mañes, Maria Carmen Molina Romero, and Lina Avendaño Anguita. 642p. Filología francesa: Estudios lingüísticos y literarios.

Universidad de Granada, 2002. 181-92.

Ekotto, Frieda. “Language and Confinement in Francophone Women Writers.” L’esprit créateur XXXVIII.3 (1998): 73-83.

Fragd, Lulamae. U Got2 Dis B4 U Re/From Disease to Revival: Reading the Themes of Madness in PanAfrican Women’s Literature. Dissertation Abstracts International 56[5], 1769A. 1995.

University of California, Berkeley.



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