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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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---. “Desirada, a new conception of identity. An interview with Maryse Condé.” World Literature Today:

A Literary Quarterly of the University of Oklahoma LXXIV.3 (2000): 519-28.

---. “Condé, Le cœur à rire et à pleurer. Contes vrais de mon enfance.” World Literature Today: A Literary Quarterly of the University of Oklahoma LXXIV (2000): 342-43.

McCusker, Maeve. “‘Troubler l’ordre de l’oubli’. Memory and forgetting in French Caribbean autobiography of the 1990s.” Forum for Modern Language Studies XL (2004): 438-50.

McKay, Melissa Lynn. “Exile and identity in the plays of Condé.” Paroles Gelées: UCLA French Studies XV.2 (1997): 105-13.

---. Maryse Condé Et Le Théâtre Antillais. New York [et al.]: Lang, 2002.

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Miller, Christopher L. “After Negation: Africa in Two Novels by Maryse Condé.” Postcolonial Subjects:

Francophone Women Writers. Ed. Mary Jean Green et al. Minneapolis: University of Minnesota Press, 1996. 173-85.

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Mitchell, Keith Bernard. In the Wake of the World: Legacies of Colonial and Postcolonial Violence in the Contemporary West Indian Novel. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 65[4], 1357-58. 2004. University of North Carolina, Chapel Hill.

Mitsch, Ruthmarie H. “Maryse Condé’s Mangroves.” Research in African Literatures 28.4 (1997): 54Miura, Nobukata. “Maryse Condé et Lafcadio Hearn, un rendez-vous manqué?” The Romanic Review XCIV (2003): 451-56.

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---. “Exile and Homecoming: Maryse Condé’s La vie scélérate.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 176-86.

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Moss, Jane. “Postmodernizing the Salem Witchcraze: Maryse Condé’s I, Tituba, Black Witch of Salem.” Colby Quarterly 35.1 (1999): 5-17.

Moudileno, Lydie and Francis Higginson. “Portrait of the Artist as Dreamer: Maryse Condé’s Traversee de la mangrove and Les derniers rois mages.” Callaloo: A Journal of African Diaspora Arts and Letters 18.3 (1995): 626-40.





---. “Maryse Condé and the Fight against Prejudice: Making Room for the Haitian Neighbor.” Thamyris:

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---. “Le Rire de la grand-mère: Insolence et sérénité dans Desirada de Maryse Condé.” The French Review 76.6 (2003): 1151-60.

---. “La gastronomie furtive de Condé.” The Romanic Review XCIV (2003): 421-27.

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Mugnier, Françoise. “De l’impertinence à la subversion dans Célanire cou-coupé de Condé.” Nottingham French Studies XLII.2 (2003): 104-12.

Munley, Ellen. “Mapping the Mangrove: Empathy and Survival in Traversée de la mangrove.” Callaloo:

A Journal of African Diaspora Arts and Letters 15.1, The Literature of Guadeloupe and Martinique (1992): 156-66.

---. “Du silence de la mort à la parole de la vie. A l’écoute de l’eau et du vent dans Traversée de la mangrove.” L’eau. Source d’une écriture dans les littératures féminines francophones. Ed.

Yolande Helm and Evelyne Wilwerth. Francophone cultures and literatures 4. New York: Peter Lang, 1995. 113-27.

Murdoch, H. Adlai. Tracking the Colonial Signifier. Cross-Cultural Readings in Identity-Construction Analyses of Condé, Glissant, Schwarz-Bart, Flaubert and Stendhal. Dissertation Abstracts International LI (1990): 4141A-2A.

---. “Divided Desire: Biculturality and the Representation of Identity in En attendant le bonheur.” Callaloo: A Journal of African Diaspora Arts and Letters 18.3 (1995): 579-92.

---. “En attendant le bonheur: Creole Conjunctions and Cultural Survival.” Creole Identity in the French Caribbean Novel. Ed. H. Adlai Murdoch. Gainesville: University Press of Florida, 2001. 62Creole Identity in the French Caribbean Novel. Gainesville: University Press of Florida, 2001.

N’Zengou-Tayo, Marie-José. “Children in Haitian Popular Migration As Seen by Maryse Condé and Edwige Danticat.” Winds of change. The transforming voices of Caribbean women writers and scholars. Ed. Adele S. Newson and Linda Strong-Leek. New York [et al.]: Lang, 1998. 93-100.

---. “The Martinican Writers of the Créolité Movement and History: Giving Back a Voice to the Disenfranchised.” The Francophone Caribbean Today: Literature, Language, Culture. Studies in Memory of Bridget Jones. Ed. Gertrud Aub-Buscher and Beverley Ormerod. Barbados Jamaica - Trinidad and Tobago: University of West Indies Press, 2003. 125-37.

Naudin, Marie. “La vie scélérate.” The French Review LXI (1987): 987-88.

---. “Condé, la Guadeloupe face à la France.” Revue francophone 7.1 (1992): 77-83.

---. “Maryse Condé: La Guadeloupe face à la France.” Revue francophone 7.1 (1992): 77-83.

Ndiaye, Christiane. “De Césaire à Condé, Quelques Retours Au Pays Natal.” De paroles en figures.

Essais sur les littératures africaines et antillaises. Ed. Christiane Ndiaye and Josias Semujanga. Montréal: L’Harmattan Inc., 1996. 137-77.

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Nesbitt, Nick F. “Le sujet de l’histoire: Mémoires troublées dans Traversée de la mangrove et le cœur à rire et à pleurer.” Maryse Condé: Une Nomade inconvenante. Ed. Madeleine Cottenet-Hage and Lydie Esther Moudileno. (Matoury, French Guiana): Ibis Rouge, 2002. 113-19.

---. “Stepping Outside the Magic Circle. The Critical Thought of Condé.” The Romanic Review XCIV (2003): 391-404.

---. Voicing Memory: History and Subjectivity in French Caribbean Literature. Charlottesville: University of Virginia Press, 2003.

Ngandu Nkashama, Pius. “L’Afrique en pointillé dans Une saison à Rihata de Maryse Condé.” Notre Librairie 74 (1984): 31-37.

Ngaté, Jonathan. “Maryse Condé and Africa: The Making of a Recalcitrant Daughter?” A Current Bibliography on African Affairs 19.1 (1986): 5-20.

Noakes, Beverley Ormerod. “Money, Race and Cultural Identity in the Work of Maryse Condé.” Essays in French literature 37 (2000): 126-43.

Norgaisse, Jean. “La déchirure de l’espace. Desirada de Condé.” The Romanic Review XCIV (2003):

329-43.

Nyatetu-Waigwa, Wangari Wa. “From Liminality to a Home of Her Own?: The Quest Motif in Maryse Condé’s Fiction.” Callaloo: A Journal of African Diaspora Arts and Letters 18.3 (1995): 551-64.

Nzabatsinda, Anthère. “Passage d’africanité chez Condé.” The Romanic Review XCIV (2003): 265-75.

Okpanachi, Sunday. “L’Antillais en Afrique. Du mirage à l’image. Une réflexion sur Hérémakhonon de Maryse Condé et Ti Jean l’horizon de Simone Schwarz-Bart.” Peuples noirs, peuples africains VII.40 (1984): 51-63.

---. “Une saison à Rihata de Maryse Condé et Juletane de Myriam Warner-Vieyra.” Ecriture française dans le monde VI.15-16 (1984): 80-86.

Onyeoziri, Gloria Nne. “L’ironie et le fantastique dans Traversée de la mangrove de Condé.” Nouvelles écritures francophones. Vers un nouveau baroque? [Textes présentés lors d’un colloque tenu à Dakar, Sénégal, du 4 au 7 mai 1998]. Ed. Jean Cléo Godin. Les Presses de l’université de Montréal, 2001. 404-19.

Orlando, Valérie. “Writing from An-Other Place: New Feminist Figurations of Francophone Africa and

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---. Maryse Condé et Ahmadou Kourouma: griots de l’indicible. New York, NY: Peter Lang, 2004, viii, 180.

Ousselin, Edward. “Condé, Histoire de la femme cannibale.” World Literature Today: A Literary Quarterly of the University of Oklahoma LXXVII.3-4 (2003): 82-83.

Paul, Maritza Adriana. “Pluie et vent sur Télumée Miracle and Moi, Tituba, sorcière noire de Salem:

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Perret, Delphine and Steve Arkin. “Dialogue with the Ancestors.” Callaloo: A Journal of African Diaspora Arts and Letters 18.3 (1995): 652-67.

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Pépin, Ernest. “Un écrivain-continent.” Maryse Condé: Une nomade inconvenante. Ed. Madeleine Cottenet-Hage and Lydie Esther Moudileno. (Matoury, French Guiana): Ibis Rouge, 2002. 41Pfaff, Françoise. Entretiens Avec Maryse Condé. Paris: Karthala, 1993.

---. “Entretiens avec Maryse Condé. De la parole au texte écrit.” L’œuvre de Maryse Condé. A propos d’une écrivaine politiquement incorrecte. Actes du colloque de l’œuvre de Maryse Condé, organisé par le Salon du Livre de la ville de Pointe-à-Pitre (Guadeloupe), 14-18 mars 1995.

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Philcox, Richard. “Traduire Traversée de la mangrove.” L’œuvre de Maryse Condé. A propos d’une écrivaine politiquement incorrecte. Actes du colloque de l’œuvre de Maryse Condé, organisé par le Salon du Livre de la ville de Pointe-à-Pitre (Guadeloupe), 14-18 mars 1995. Paris;



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