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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Misrahi-Barak, Judith. “Beginners’ Luck among Caribbean-Canadian Writers: Nalo Hopkinson, André Alexis and Shani Mootoo.” Commonwealth Essays and Studies 22.1 (1999): 89-96.

Sugars, Cynthia. “‘There’s No Place Like Home’: The Unhomely Paradox of André Alexis’s Childhood.” Kunapipi: Journal of Postcolonial Writing 25.2 (2003): 7-23.

Verduyn, Christl. “‘Breath on a Window Pane’: Identity, Community and Nation in André Alexis’ Childhood.” Identity, Community, Nation: Essays on Canadian Writing. Ed. Danielle Schaub and Christl Verduyn. Canadian Studies Series. Jerusalem, Israel: Magnes, 2002. 18-33.

ANTHONY, MICHAEL

Barratt, Harold. “Michael Anthony and Earl Lovelace: The Search for Selfhood.” ACLALS Bulletin Fifth Series.3 (1980): 62-73.

---. “Michael Anthony.” Twentieth-Century Caribbean and Black African Writers, Second Series. Ed.

Bernth Lindfors and Reinhard Sander. Dictionary of Literary Biography (DLB): 125. Detroit, MI:

Gale, 1993. 3-7.

Carter, Steven R. “Michael Anthony’s All That Glitters: A Golden West Indian Experimental Mystery.” The Journal of West Indian Literature 2.1 (1987): 41-54.

Cerutti, Ornella. “Michael Anthony’s Carnival: Myth and Non-Myth.” Cross-cultural Voices:

Investigations into the Post-Colonial. Ed. Claudio Gorlier and Isabella Maria Zoppi. Roma:

Bulzoni, 1997. 257-80.

Dance, Daryl Cumber. “Michael Anthony (1932- ).” Fifty Caribbean Writers. A Bio-Bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 19-25.

Edwards, Paul and Kenneth Ramchand. “The Art of Memory: Michael Anthony’s The Year in San Fernando.” The Journal of Commonwealth Literature 7 (1969): 59-72.

Harney, Stefano. “Nation Time: Earl Lovelace and Michael Anthony Nationfy Trinidad.” Commonwealth: Essays and Study 13.2 (1991): 31-39.

Luengo, Anthony. “Growing Up in San Fernando: Change and Growth in Michael Anthony’s The Year in San Fernando.” Ariel: A Review of International English Literature (Calgary) 6.2 (1975): 81Misrahi-Barak, Judith. “The Detours of Narrative Voice: A Precondition of Self-Narration in Caribbean Literature.” Commonwealth Essays and Studies 19.1 (1996): 71-75.

Niven, Alastair. “‘My Sympathies Enlarged’: The Novels of Michael Anthony.” Commonwealth Essays and Studies 2 (1976): 45-62.

Noel, Dexter. “The Muses Inhabit Mayaro: Michael Anthony’s Cricket in the Road.” The International Fiction Review: A Biannual Periodical Devoted to International Fiction 5 (1978): 61-62.

Salick, Roydon. “‘Author Knows Best’: Revisiting Michael Anthony’s Green Days by the River.” Commonwealth Essays and Studies 25.2 (2003): 57-71.

Sander, Reinhard. “The Homesickness of Michael Anthony: The Predicament of a West Indian Exile.” Literary Half-Yearly 16.1 (1975): 95-124.

---. “The Homesickness of Michael Anthony: The Predicament of a West Indian Exile.” World Literature Written in English.21 (1982): 148-59.

Sander, Reinhard W. “The Caribbean Writer at Home: An Interview with Michael Anthony.” World Literature Written in English 33-34.2-1 (1993): 3-16.

Smyer, Richard. “Enchantment and Violence in the Fiction of Michael Anthony.” World Literature Written in English 21.1 (1982): 148-59.

BELGRAVE, VALERIE

Belgrave, Valerie. “On Combining Batik Art and Novel Writing.” Caribbean Women Writers: Essays

from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley: Calaloux, 1990. 317Thoughts on the Choice of Theme and Approach in Writing Ti Marie.” Caribbean Women Writers:

Essays from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley: Calaloux, 1990. 325-27.

Harney, Stefano. “Men Goh Respect All o’ We: Valerie Belgrave’s Ti Marie and the Invention of Trinidad.” World Literature Written in English 30.2 (1990): 100-19.

Smith, Faith L. “Beautiful Indians, Troublesome Negroes, and Nice White Men: Caribbean Romances and the Invention of Trinidad.” Caribbean Romances: The Politics of Regional Representation.

Ed. Belinda Joy Edmondson. New World Studies. Charlottesville, VA: University Press of Virginia, 1999. 163-82.

Tanifeani, William. “Interview with Valerie Belgrave: Novelist, Visual Artist.” Wasafiri 11 (1990): 24-25.

BISSOONDATH, NEIL DEVINDRA

Davetian, Benet. “Out of the melting pot and into the fire: An essay on Neil Bissoondath’s book on multiculturalism.” Canadian Ethnic Studies 26.3 (1994): 135 (6).

Fourny, Jean-François. “In Defense of the State: On Neil Bissoondath’s Selling Illusions, Michael Linden’s The Next American Nation, and Tzvetan Todorov’s Morals of History.” Research in African Literatures 28.4 (1997): 142-53.

Kruk, Laurie. “‘All Voices Belong to Me’: An Interview with Neil Bissoondath.” Canadian Literature: A Quarterly of Criticism and Review.180 (2004): 53-69.

Li, Xiaoping. “A Response to Neil Bissoondath’s Illusions.” Journal of Canadian Studies 30.2 (1995):

130 (8).

Misrahi-Barak, Judith. “The Cityscape in a Few Caribbean-Canadian Short Stories.” Journal of the Short Story in English 31 (1998): 9-22.





Peepre, Mari. “Home, Hybridity, and the Caribbean Diasporas.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature. Ed. Bénédicte Ledent. Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 221-31.

Riemenschneider, Dieter. “Intercultural Communication: Minority Writing in the Post-Colonial World:

The Caribbean-Canadian Connection.” Crabtracks: Progress and Process in Teaching the

New Literatures in English. Ed. Gordon Collier and Frank Schulze-Engler. Cross/Cultures:

Readings in the Post/Colonial Literatures in English: 59. Amsterdam: Rodopi, 2002. 383-400.

Van Thoorn, Penny. “Positioning Neil Bissoondath: Post-Colonial, Multicultural and National Formations.” New Literatures Review.27 (1994): 78-90.

Willinsky, J. “The educational politics of identity and category.” Interchange 29.4 (1989): 385-402.

BLONDEL, EAULIN

Thorpe, Marjorie. “Mythe and the Caribbean Woman Writer.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 34-40.

BRAND, DIONNE

Bannerji, Himani. “Dionne Brand (1953- ).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 46-57.

Birbalsingh, Frank M. “Dionne Brand: No Language Is Neutral.” Frontiers of Caribbean Literatures in English. Ed. Frank M. Birbalsingh.New York: St. Martin’s, 1996. 120-37.

Brathwaite, Edward Kamau. “Dionne Brand’s Winter Epigrams in Poets and Politics.” Canadian Literature: A Quarterly of Criticism and Review.105 (1985): 18-30.

Brydon, Diana. “Reading Dionne Brand’s ‘Blues Spiritual for Mammy Prater.’” Inside the Poem: Essays and Poems in Honour of Donald Stephens. Ed. W. H. New. Toronto: Oxford University Press, 1992. 81-87.

---. “Postcolonial Gothic: Ghosts, Iron and Salt in Dionne Brand’s At the Full and Change of the Moon.” Ebony, Ivory & Tea. Ed. Zbigniew Bialas and Krzysztof Kowalczyk-Twarowski. Prace

Naukowe Uniwersytetu Slaskiego w Katowicach (PNUSK): 2203. Katowice, Poland:

Wydawnictwo Uniwersytetu Slaskiego, 2004. 211-27.

Casas, Maria Caridad. “Orality and the Body in the Poetry of Lillian Allen and Dionne Brand: Towards an Embodied Social Semiotics.” Ariel: A Review of International English Literature (Calgary) 33.2 (2002): 7-32.

Clarke, George Elliott. “Harris, Philip, Brand: Three authors in search of literate criticism.” Journal of Canadian Studies 35.1 (2000): 161-89.

Forster, Sophia. “‘Inventory Is Useless Now but Just to Say’: The Politics of Ambivalence in Dionne Brand’s Land to Light On.” Studies in Canadian Literature/Etudes en littérature canadienne 27.2 (2002): 160-82.

Garvey, Johanna X. K. “‘The Place She Miss’: Exile, Memory, and Resistance in Dionne Brand’s Fiction.” Callaloo: A Journal of African Diaspora Arts and Letters 26.2 (2003): 486-503.

Georgis, Dina. “Mother Nations and the Persistence of ‘Not Here.’” Canadian Woman Studies/Les Cahiers de la Femme 20.2 (2000): 27-34.

Goldman, Marlene. “Mapping the Door of No Return: Deterritorialization and the Work of Dionne Brand.” Canadian Literature: A Quarterly of Criticism and Review 182 (2004): 13-28.

Hunter, L. “After Modernism: alternative voices in the writings of Dionne Brand, Claire Harris, and Marlene Philip.” The University of Toronto Quarterly: A Canadian Journal of the Humanities 62.2 (1992/1993): 256-81.

Johnson, Erica L. “Unforgetting Trauma: Dionne Brand’s Haunted Histories.” Anthurium: A Caribbean Studies Journal 2.1 (2004).

Luft, Joanna. “Elizete and Verlia Go to Toronto: Caribbean Immigrant Sensibilities at ‘Home’ and Overseas in Dionne Brand’s In Another Place, Not Here.” Essays on Canadian Writing 77 (2002): 26-49.

Mccallum, Pamela and Christian Olbey. “Written in the Scars: History, Genre, and Materiality in Dionne Brand’s In Another Place, Not Here.” Essays on Canadian Writing.68 (1999): 159 (24).

McCutcheon, Mark. “She Skin Black as Water: The Movement of Liquid Imagery in Dionne Brand’s In Another Place, Not Here.” Post Identity 3.2 (2002): 133-52.

Misrahi-Barak, Judith. “The Cityscape in a Few Caribbean-Canadian Short Stories.” Journal of the Short Story in English 31 (1998): 9-22.

O’Callaghan, Evelyn. “Settling into ‘Unhomliness’: Displacement in Selected Caribbean and Caribbean Canadian Women’s Writing.” Kunapipi: Journal of Postcolonial Writing 26.1 (2004): 182-95.

Olbey, Christian. “Dionne Brand in Conversation.” Ariel: A Review of International English Literature 33.2 (2002): 87-102.

Renk, Kathleen J. “Her Words Are Like Fire. The Storytelling Magic of Dionne Brand.” Ariel: A Review of International English Literature 27.4 (1996): 97-111.

Sanders, Leslie. “‘I Am Stateless Anyway’: The Poetry of Dionne Brand.” Zora Neale Hurston Forum 3.2 (1989): 19-29.

Saul, Joanne. “‘In the Middle of Becoming’: Dionne Brand’s Historical Vision.” Canadian Woman Studies/Les Cahiers de la Femme 23.2 (2004): 59-63.

Smyth, Heather Ann. “Sexual Citizenship and Caribbean-Canadian Fiction: Dionne Brand’s In Another Place, Not Here and Shani Mootoo’s Cereus Blooms at Night.” Ariel: A Review of International English Literature 30.2 (1999): 141-60.

Sturgess, Charlotte. “Sprits and transformation in Dionne Brand’s sans souci and other stories.” Etudes Canadiennes/Canadian Studies: Revue Interdisciplinaire des études canadiennes en France 19.35 (1993): 223-29.

---. “Dionne Brand: Writing the Margins.” Caribbean Women Writers: Fiction in English. Ed. Maryse Condé and Thorunn Lonsdale. New York, NY: St. Martin’s, 1999. 202-16.

Ventura, H. “Dionne Brand: ‘Photograph’. L’apparentement de l’artiste dans une nouvelle des Caraïbes ou la poétique de la trace, Entre image photographique et magie de l’empreinte.” La

Nouvelle anglo-saxonne contemporaine: Réflexions sur un genre. Ed. Liliane Louvel. Licorne:

63. Poitiers: UFR Langues Littératures, Université de Poitiers, 2002. 61-71.

Walcott, Rinaldo and Leslie Sanders. “At the Full and Change of CanLit: An Interview with Dionne Brand.” Canadian Woman Studies/Les Cahiers de la Femme 20.2 (2000): 22-26.

Wiens, Jason. “‘Language Seemed to Split in Two’: National Ambivalence(s) and Dionne Brand’s ‘No Language Is Neutral.’” Essays on Canadian Writing 70 (2000): 81-102.

Wild, Brendan John. Overhearing Dionne Brand: Genre and the Organic Intellectual Project.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 64[7], 2497. 2004. University of Alberta. 2003.

Zackodnik, Teresa. “‘I am blackening in my way’: Identity and place in Dionne Brand’s No Language is Neutral.” Essays on Canadian Writing.57 (1995): 194-211.

CHEN, WILLI Lass, Rolf H. “‘Nigrescent Ganesh’: Cultural Nationalism and the Culture of Writing in Chen, Glissant, and Naipaul.” Writing the Nation: Self and Country in the Post-Colonial Imagination. Ed. John C. Hawley. Critical Studies: 7. Amsterdam: Rodopi, 1996. 1-22.

CLARKE, LEROY

Fernández Olmos, Margarite and Heidi Holder. “‘My Work Is Obeah’: An Interview With Poet/Painter LeRoy Clarke.” Healing Culture: Art and Religion as Curative Practices in the Caribbean and

Its Diaspora. Ed. Margarite Fernández Olmos and Lizabeth Paravisini-Gebert. New York, NY:

Palgrave, 2001. 203-09.

DE BOISSIÈRE, RALPH

Birbalsingh, Frank M. “The Novels of Ralph de Boissière.” The Journal of Commonwealth Literature 9 (1970): 104-08.

Sander, Reinhard. “A Caribbean Writer in Australia: An Interview with Ralph de Boissière.” Komparatistische Hefte 5-6 (1982): 195-208.

ESPINET, RAMABAI

Pyne-Timothy, Helen. “The Double Vision: Ethnic Identity and the Caribbean Woman Writer.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen PyneTimothy. Los Angeles: University of California; Center for African American Studies, 1998.

140-51.

GUY, ROSA

Cameron, Ann M. “Rosa Cuthbert Guy (1925- ).” Writers of multicultural fiction for young adults: a biocritical sourcebook. Ed. M. Daphne Kutzer. Westport, Conn: Greenwood Press, 1996. 137-48.

Robinson, Cherrel V. “Love and Sex in Rosa Guy’s Trilology: The Friends, Ruby and Edith Jackson.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 187-98.

HARRIS, CLAIRE



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