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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Pollard, Charles W. “Traveling with Joyce: Derek Walcott’s Discrepant Cosmopolitan Modernism.” Twentieth Century Literature: A Scholarly and Critical Journal 47.2 (2001): 197-216.

---. New World Modernisms: T.S. Eliot, Derek Walcott, and Kamau Brathwaite. Charlottesville:

University of Virginia Press, 2004.

Ramazani, Jahan. “The Wound of History: Walcott’s Omeros and the Postcolonial Poetics of

Affliction.” PMLA: Publications of the Modern Language Association of America 112.3 (1997):

405-17.

---. The Hybrid Muse: Postcolonial Poetry in English. Chicago, Ill.: University of Chicago Press, 2001.

Ramchand, Kenneth. An Introduction to the Study of West Indian Literature. Sudbury-on-Thames:

Nelson Caribbean, 1976, 183.

Ramsaran, J. A. “West Indian Gallery: The Works of Derek Walcott.” Black World 24.8 (1975): 39-48.

---. “Derek Walcott: New World Mediterranean Poet.” World Literature Written in English 21.1 (1982):

133-47.

Reichardt, Ulfried. “Diaspora Studies and the Culture of the African Diaspora: The Poetry of Derek

Walcott, Kamau Brathwaite and Linton Kwesi Johnson.” Diaspora and Multiculturalism:

Common Traditions and New Developments. Ed. Monika Fludernik. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 66. Amsterdam: Rodopi, 2003. 287-327.

Reiss, Timothy J. “Caribbean Knights: Quijote, Galahad, and the Telling of History.” Studies in the Novel 29.3 (1997): 297-322.

Richards, David. “‘So Where Is Cythera?’ Walcott’s Painted Islands.” Kunapipi: Journal of Postcolonial Writing 25.1 (2003): 43-52.

Roberts, Adam. “Dropping the ‘H’: Derek Walcott’s Omeros (1990).” English: The Magazine of the English Association 51.199 (2002): 45-62.

Rodman, Selden. “Derek Walcott.” Tongues of Fallen Angels. Ed. Selden Rodman. New York: New Directions, 1974. 233-59.

Rohlehr, Gordon. “Facing the Past: Some Themes in the Writings of Eric Williams, George Lamming, and Derek Walcott.” Pelican.July-October 1964 (1964): 13-16.

---. “Derek Walcott’s The Gulf and Other Poems.” Black Images: A Critical Quarterly on Black Arts and Culture 1.1 (1972): 66-69.

Rothman, David J. “Caribbean Dialect and Cultural Identity in Derek Walcott’s ‘The Schooner Flight.’” PSA News: Newsletter of the Poetry Society of America 41 (1993): 30-35.

Rowell, Charles Henry. “An Interview With Derek Walcott: Part 1.” Callaloo: A Journal of African Diaspora Arts and Letters.34 (1988): 80-89.

Sahr, Wolf Dietrich. “The Traveller and the Transport Driver: Concepts of Postmodernity in the Caribbean.” Anales del Caribe: Centro de Estudios del Caribe 19-20 (1999): 273-92.

Sajé, Natasha and George Browning Handley. “Sharing in the Exhilaration: An Interview with Derek Walcott.” Ariel: A Review of International English Literature 32.2 (2001): 129-42.

Sampietro, Luigi. “Beating a Four-Stress Line: Derek Walcott’s The Schooner Flight.” Imagination and the creative impulse in the new literatures in English. Ed. Maria Teresa Bindella and Geoffrey V. Davis. Amsterdam: Rodopi, 1993. 67-77.

Sandoval Sánchez, Alberto. “Paul Simon’s The Capeman: The Staging of Puerto Rican National Identity As Spectacle and Commodity on Broadway.” Latino/a Popular Culture. Ed. Michelle Habell Pallán and Mary Romero. New York, NY: New York University Press, 2002. 147-61.

Sauerberg, Lars Ole. “Repositioning Narrative: The Late-Twentieth-Century Verse Novels of Vikram Seth, Derek Walcott, Craig Raine, Anthony Burgess, and Bernadine Evaristo.” Orbis litterarum: Revue danoise d’histoire littéraire 59.6 (2004): 439-64.

Savory Fido, Elaine. “Strategies for Survival: Anti-Imperialist Theatrical Forms in the Anglophone Caribbean.” Imperialism and Theatre: Essays on World Theatre, Drama and Performance. Ed.

J. Ellen Gainor. xv, London: Routledge, 1995. 243-56.

Scaglia, Cristina. “The Teatro Nazionale of Milan goes Caribbean with the Complicity of Derek Walcott’s Ti-Jean.” Caribana 4 (1994): 35-41.

Sickle, John B. Van. “The Design of Derek Walcott’s Omeros.” The Classical World 93.1 (1999): 7-28.

Sinnewe, Dirk. “Replaying Crusoe: the hybridization of language and culture in Derek Walcott’s Pantomime.” Wadabagei: Journal of the Caribbean and Its Diaspora 2.2 (1999): 87-113.

---. Divided to the Vein? Derek Walcott’s Drama and the Formation of Cultural Identities. Würzburg:

Königshausen & Neumann, 2001, 138.

Smith, Stan. “Darkening English: Post-Imperial Contestations in the Language of Seamus Heaney and Derek Walcott.” English: The Magazine of the English Association 43.175 (1994): 39-55.

Steele, Peter. “Derek Walcott: Prizing and appraising.” Quadrant: An Australian Quarterly Review 38.9 (1994): 55 (10).

Stevens, Camilla. “‘The Future of Old Trinidad’: The Performance of National Cultural Identity in Two Plays by Derek Walcott.” Modern Drama 46.3 (2003): 450-69.

Stewart, Marian. “Walcott and Painting.” Jamaica Journal 45.May (1981): 56-68.

Stewart, Susan. “Derek Walcott’s Omeros.” PMLA: Publications of the Modern Language Association of America 113.1 (1998): 130.





Styron, Rose. “Derek Walcott: An interview.” The American Poetry Review 26.3 (1997): 41 (6).

Taylor, Patrick David Michael. “Myth and Reality in Caribbean Narrative: Derek Walcott’s Pantomime.” World Literature Written in English 26.1 (1986): 169-77.

Taylor, Patrick David Michael. The Narrative of Liberation: Historical Consciousness in the AfroCaribbean. Dissertation Abstracts International 47[1], 193A-4a. 1986.

Taylor, Robert. “Derek Walcott.” The Crisis: A Record of the Darker Races 106.3 (1999): 30 (4).

Terada, Rei. Derek Walcott’s Poetry: American Mimicry. Boston: Northeastern University Press, 1992.

Thieme, John. “A Caribbean Don Juan: Derek Walcott’s Joker of Seville.” World Literature Written in English 23.1 (1984): 62-75.

---. Derek Walcott. Manchester: Manchester University Press, 1999.

---. “Beyond Manicheism: Derek Walcott’s Henri Christophe and Dream on Monkey Mountain.” Comparing Postcolonial Literatures: Dislocations. Ed. Ashok Bery, Patricia Murray, and Wilson Harris. Basingstoke, England; New York, NY: Macmillan; St. Martin’s, 2000. 219-28.

Thomas, Ned. Derek Walcott: Poet of the Islands. Cardiff: Welsh Arts Council, 1980.

Thomson, Jeff. “Necessary Work: The Artist in Derek Walcott’s Tropic Zone.” Journal of Caribbean Studies 13.3 (1998): 191-200.

Todd, Loreto and Derek Alton Walcott. Derek Walcott, Selected Poems: Notes. Harlow: Longman, 1993.

Uhrbach, Jan R. “A Note on Language and Naming in Dream on Monkey Mountain.” Callaloo: A Journal of African Diaspora Arts and Letters.29 (1986): 578-82.

Voisset, Georges. “Trois archipels. Maunick, Glissant, Walcott - Sexuipoétique et géopolitique.” Ecritures caraïbes. Ed. Georges Voisset and Marc Gontard. Presses universitaires de Rennes, 2002. 107-19.

Walcott, Derek Alton and Frank M. Birbalsingh. “Derek Walcott: The Sea Is History.” Frontiers of

Caribbean Literatures in English. Ed. Frank M. Birbalsingh.New York: St. Martin’s, 1996. 22Walcott, Derek Alton and William Baer. Conversations With Derek Walcott. Ed. William Baer. Jackson:

University Press of Mississippi, 1996.

Walcott, Elizabeth. Ti Jean, a Caribbean Hero. Dissertation Abstracts International 56[2], 547A. 1995.

Boston University.

Walmsley, Anne. “Dimensions of Song: A Comment on the Poetry of Derek Walcott and Edward Brathwaite.” Bim 13.July-December (1970): 152-67.

Watts, Margaret. “The Gulf and Other Poems by Derek Walcott.” Legon Journal of the Humanities 1 (1974): 131-36.

Wieland, James. “‘Confronting His Madness’: History as Amnesia in the Poetry of Derek Walcott.” New Literature Review 7 (1979): 73-83.

---. “‘Making Radiant the Moment’: Notes Towards a Reading of Derek Walcott’s Sea Grapes.” ACLALS Bulletin 5.3 (December) (1980): 112-21.

---. The Ensphering Mind: History, Myth, and Fictions in the Poetry of Allen Curnow, Nissim Ezekiel, A.D. Hope, A.M. Klein, Christopher Okigbo, and Derek Walcott. Washington, D.C.: Three Continents, 1988.

Wienen, Mark W. Van. “Derek Walcott and the Poetics of Responsibility From The Fortunate Teller to Omeros.” World Literature Written in English 37.1-2 (1998): 24-41.

Williams, Edward M. “Truth and Representation: The Confrontation of History and Mythology in Omeros.” Callaloo: A Journal of African Diaspora Arts and Letters 24.1 (2001): 276-86.

Wilson, Elizabeth Betty. “Translating Caribbean Landscape.” Palimpsestes 12 (2000): 15-29.

Zoppi, Isabella Maria. “Omeros, Derek Walcott and the Contemporary Epic Poem.” Callaloo: A Journal of African Diaspora Arts and Letters 22.2 (1999): 509-28.

ST VINCENTGENERAL STUDIES

Abrahams, Roger D. “Folklore and Communication on St. Vincent.” Folklore: Performance and Communication. Ed. Dan Ben-Amos and Kenneth S. Goldstein. Approaches to Semiotics: 40.

The Hague: Mouton, 1975. 287-300.

---. “Storytelling Events: Wake Amusements and the Structure of Nonsense on St. Vincent.” The Journal of American Folklore 95.378 (1982): 389-414.

---. “A Riddling on St. Vincent.” Western Folklore 42.4 (1983): 272-95.

---. “Folktales and Event-Centered Analysis: Anansi Stories on St. Vincent.” Le Conte, Pourquoi?

Comment?/Folktales, Why and How? Ed. Geneviève Calame-Griaule, Veronika GörögKarady, and Michèle Chiche. Colloques Internationaux du C.N.R.S. Paris: Centre Nat. de la Recherche Scientifique, 1984. 485-509.

Young, Virginia Heyer. Becoming West Indian: Culture, Self, and Nation in St.Vincent.

Washington;London: Smithsonian Institution Press, 1993.

KEANE, SHAKE Nanton, Philip. “Shake Keane’s ‘Nonsense’: An Alternative Approach to Caribbean Folk Culture.” Small Axe: A Caribbean Journal of Criticism 14 (2003): 71-92.

THOMAS, H.NIGEL Marsh-Lockett, Carol P. “The Colonial State as Supreme Being: Visions and Revisions in H. Nigel Thomas’ Spirits in the Dark.” South Atlantic Review 62.4 (1997): 18-29.

TRINIDAD AND TOBAGO

GENERAL STUDIES

The Woman, the Writer, and Caribbean Society: Critical Analyses of the Writings of Caribbean Women. Ed. Helen Pyne-Timothy. Los Angeles, CA: Centre for African American Studies, University of California, 1998.

Tussen droom en werkelijkheid: Een keuze uit de literaire pagina van de ware tijd. Ed. Jan Bongers.

Paramaribo: Okopipi, 2001. 1-307.

Aho, William R. “Sex Conflict in Trinidad Calypsoes 1969-1979.” Revista Interamericana Review 11.1 (1981): 76-81.

Beckles, Hilary McD. “Capitalism, Slavery and Caribbean Modernity.” Callaloo: A Journal of African Diaspora Arts and Letters 20.4 (1997): 777-89.

Civil, Gabrielle. From Body to Nation, Black Women’s Poetry in the United States, Haiti, and Canada.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 61[4], 1388. 2000. New York University.

Dupuy, Alex. “Toussaint-Louverture and the Haitian Revolution: A Reassessment of C.L.R. James’s Interpretation.” C.L.R. James: His Intellectual Legacies. Ed. Selwyn R. Cudjoe and William E.

Cain. Amherst: University of Massachusetts Press, 1995. 106-17.

Edmondson, Belinda Joy. “Race, Tradition, and the Construction of the Caribbean Aesthetic.” New Literary History: A Journal of Theory and Interpretation 25.1, Literary History and Other Histories (1994): 109-20.

Gilkes, Michael. The West Indian Novel. Boston: Twayne Publishers, 1981, 168.

Hill, Errol. The Trinidad Carnival: Mandate for a National Theatre. Austin: University of Texas Press, 1972.

King, Bruce. West Indian Literature. Ed. Bruce King. London: Macmillan, 1979.

Mendes, Alfred. “A Commentary.” From Trinidad: An Anthology of West Indian Writing. Ed. Reinhard Sander. New York: Africana Publishing Company, 1978. 21-26.

Midgett, Douglas K. “Cricket and Calypso: Cultural Representation and Social History in the West Indies.” Culture, Sport, Society 6.2/3 (2003): 239-68.

Morrison, Dorothy. Trinidad Field Recordings in the Archive of Folk Culture. Washington, D.C.: Lib. of Congress Archive of Folk Culture, 1982, 1.

Myers, Helen. Music of Hindu Trinidad: Songs From the India Diaspora. Chicago, IL: University of Chicago Press, 1998, xxxii, 510.

Quevedo, Raymond. Atilla’s Kaiso: A Short History of Trinidad Calypso. St.Augustine, Trinidad:

University of the West Indies Department of Extra-Mural Studies, 1983.

Rohlehr, Gordon. “Calypso Reinvents Itself.” Carnival: Culture in Action-The Trinidad Experience. Ed.

Milla Cozart Riggio. Worlds of Performance. New York, NY: Routledge, 2004. 213-27.

Roo, Jos de. “Een belangrijk werk voor de Antillen: Kenneth Ramchand’s The West Indian Novel and its Background.” Kristòf 2.5 (1975): 244-51.

Sander, Richard W. The Trinidad Awakening: West Indian Literature of the Nineteen-Thirties. New York: Greenwood Press, 1988.

Taylor, Patrick David Michael. “Ethnicity and Social Change in Trinidian Literature.” Trinidad ethnicity.

Ed. Kevin Yelvington. London: Macmillan Caribbean, 1993. 254-74.

Theroux, Paul Edward. V.S. Naipaul: An Introduction to His Works. New York / London: Africana Pub.

Corp / Deutsch, 1972, 144.

Thorpe, Marjorie. “Mythe and the Caribbean Woman Writer.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 34-40.

Walcott, Derek Alton. “Necessity of Négritude.” Critical Perspectives on Derek Walcott. Ed. Robert D.

Hamner.Washington, DC: Three Continents, 1993. 20-23.

Warner, Keith Q. The Trinidad Calypso: A Study of the Calypso As Oral Literature. London:

Heinemann, 1983.

ALEXIS, ANDRÉ

Chariandy, David. “Haunted diasporas: the second generation stories of André Alexis.” The Journal of West Indian Literature 12.1-2 (2004): 79-89.



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