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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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---. “‘The Odyssey’: Derek Walcott’s dramatization of Homer’s Odyssey.” Ariel: A Review of International English Literature 24.4 (1993): 101 (8).

---. Critical Perspectives on Derek Walcott. Washington, DC: Three Continents Press, 1993.

---. Derek Walcott. Upd. ed. New York; Toronto: Twayne Publishers; Maxwell Macmillan, 1993.

---. Epic of the Dispossessed: Derek Walcott’s Omeros. Colombia, MO: University of Missouri Press, 1997.

---. “From Winslow Homer to Marcel Duchamp and the Fortunate Flaw in Derek Walcott’s Omeros.” Ariel: A Review of International English Literature 31.3 (2000): 75 (29).

Hannan, Jim. “Crossing Couplets: Making Form the Matter of Walcott’s Tiepolo’s Hound.” New Literary History: A Journal of Theory and Interpretation 33.3 (2002): 559-79.

Hardcastle, John. “Carlos’ Task: Pictures of Language and English Teaching.” Changing English:

Studies in Reading and Culture 9.1 (2002): 7-21.

---. “Carlos’ Task: Pictures of Language and English Teaching.” Changing English 9.1 (2002): 7-21.

Hart, David W. “Caribbean Chronotopes: From Exile to Agency.” Anthurium: A Caribbean Studies Journal 2.2 (2004).

Heaney, Seamus. “The Language of Exile.” Parnassus: Poetry in Review 8.1 (1980): 5-11.

Henriksson, Line. “Who Is F***ing Helen? The Representation of Bodies and Voices in Derek Walcott’s Omeros and Tony Harrison’s V.” World Literature Written in English 39.1 (2001): 86-96.

Herdeck, Donald E. Three Dynamite Authors: Derek Walcott (Nobel 1992), Naguib Mahfouz (Nobel 1988), Wole Soyinka (Nobel 1986). Ed. Donald E. Herdeck. Colorado Springs, Col.: Three Continents Press, 1995.

Hill, Errol. Derek Walcott. London: Macmillan, 1984.

Hirsch, Edward and Derek Alton Walcott. “An Interview with Derek Walcott.” Contemporary Literature 20.3 (1979): 279-92.

Hirsch, Edward. “Derek Walcott: Either Nobody – or a Nation.” Georgia Review 49.1 (1995): 307 (7).

Hoegberg, David E. “Unstable Identities: Allusion and Hybridity in Walcott’s Omeros.” Journal of Caribbean Literatures 1.1 (1997): 53-66.

Hofmeister, Timothy P. “Iconoclasm, Elegy and Epiphany: Derek Walcott Contemplating the Bust of Homer.” International Journal of the Classical Tradition: The Official Journal of the International Society for the Classical Tradition 1.1 (1994): 107 (22).

---. “Two New Works by Derek Walcott.” International Journal of the Classical Tradition: The Official Journal of the International Society for the Classical Tradition 1.4 (1995): 136 (11).

---. “The Wolf and the Hare: Epic Expansion and Contextualization in Derek Walcott’s Omeros.” International Journal of the Classical Tradition: The Official Journal of the International Society for the Classical Tradition 2.4 (1996): 536 (19).

---. “Classical Analogy as Discursive Act: A Reading of Derek Walcott’s As John to Patmos.” The South Atlantic Quarterly 96.2 (1997): 275-92.

---. “‘This Is We Calypso’: An Ithacan and Antillean Topos in Derek Walcott’s Omeros.” The Classical World 93.1 (1999): 51-70.

Hogan, Patrick Colm. “Mimeticism, Reactionary Nativism, and the Possibility of Postcolonial Indentity

in Derek Walcott’s Dream on Monkey Mountain.” Research in African Literatures 25.2 (1994):


Hollingsworth, Joyce Tingle. The Empowering Re-Memberings of History and Myth in the Poetry of Three African Caribbean Writers: Walcott, Brathwaite, and Philip. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 63[4], 1349. 2002. University of North Carolina, Greensboro. 2002.

Huggan, Graham. “Blue Myth Brooding in Orchid: A Third-World Reappraisal of Island Poetics.” The Journal of West Indian Literature 1.2 (1987): 20-28.

---. “A Tale of Two Parrots: Walcott, Rhys, and the Uses of Colonial Mimicry.” Contemporary Literature 35.4 (1994): 643-60.

Innes, Christopher. “Dreams of Violence: Moving Beyond Colonialism in Canadian and Caribbean Drama.” Theatre Matters: Performance and Culture on the World Stage. Ed. Richard Boon and Jane Plastow. Cambridge Studies in Modern Theatre. Cambridge, England: Cambridge University Press, 1998. 76-96.

Ismond, Patricia. “Walcott Versus Brathwaite.” The Caribbean Quarterly 17.September-December 1971 (1971): 54-71.

---. “Walcott’s Later Drama: From Joker to Remembrance.” Ariel: A Review of International English Literature 16.3 (1985): 89-101.

---. “Self-Portrait of an Island: St. Lucia through the Eyes of Its Writers.” The Journal of West Indian Literature 1.1 (1986): 59-73.

---. “West Indian Literature as an Expression of National Cultures: The Literature of St. Lucia.” World Literature Written in English 29.2 (1989): 104-15.

---. “Walcott Versus Brathwaite.” Critical Perspectives on Derek Walcott. Ed. Robert D.

Hamner.Washington, DC: Three Continents, 1993. 220-36.

---. Abandoning Dead Metaphors: the Caribbean Phase of Derek Walcott’s Poetry. Kingston:

University Press of the West Indies, 2001.

---. “Landscape as Possibility: Derek Walcott’s ‘Guyana.’” Agenda 39.1-3 (2002): 236-57.

Issen, Laura Michelle. Expressions of Socioeconomic and Cultural Complexities in Works by Derek

Walcott, Jamaica Kincaid, and Michelle Cliff. Dissertation Abstracts International, Section A:

The Humanities and Social Sciences 61[8], 3180. 2001. University of Texas, Austin. 2000.

Izevbaye, D. S. “The Exile and the Prodigal: Derek Walcott as West Indian Poet.” The Caribbean Quarterly 26.March-June (1980): 70-82.

James, Louis. “Landscape Locked in Amber.” Commonwealth Newsletter 6 (1974): 14-15.

Jiménez Williams, Iván. “Paradigmas de identidad caribeña frente a la globalización en Derek Walcott y Luis Rafael Sánchez.” El artista caribeño como guerrero de lo imaginario. Ed. Rita De Maeseneer, An Van Hecke, and Silvio Torres Saillant. Madrid; Frankfurt: Iberoamericana;

Vervuert, 2004. 165-78.

Johnson, Lemuel A. “The Inventions of Paradise: The Caribbean and the Utopian Bent.” Poetics Today 15.4, Loci of Enunciation and Imaginary Constructions: The Case of (Latin) America, I (1994): 685-724.

Juhász, Mininberg Emeshe. Estética insular y poética de la identidad en el Caribe: Paradiso, L’isolé soleil y Omeros. Dissertation Abstracts International 57[6], 2486A. 1996. Yale University, 1996.

Juneja, Renu. “Derek Walcott.” Post-Colonial English Drama: Commonwealth Drama Since 1960. Ed.

Bruce King. x, New York; London: St. Martin’s; Macmillan, 1992. 236-66.

Kellman, Anthony. “Projective Verse as a Mode of Socio-Linguistic Protest.” Ariel 21.2 (1990): 45-57.

---. “Projective Verse as a Mode of Socio-Linguistic Protest.” Ariel: A Review of International English Literature 21.2 (1990): 47-57.

Kessler, Joyce. “All the Horned Island’s Birds: The Transformative African Symbols of Walcott’s Omeros.” Arkansas Review 5.1-2 (1996): 1-9.

King, Bruce. West Indian Literature. Ed. Bruce King. London: Macmillan, 1979.

---. “Derek Walcott: The Artist and Community.” Individual and Community in Commonwealth Literature. Ed. Daniel Massa. Msida: University of Malta Press, 1979. 84-89.

---. Derek Walcott and West Indian Drama: ‘Not Only a Playwright but a Company’, the Trinidad Theatre Workshop 1959-1993. Oxford: Clarendon Press, 1995.

---. Derek Walcott: a Caribbean Life. Oxford: Oxford University Press, 2000.

---. “Religion and Education in Derek Walcott’s St Lucia.” Missions of Interdependence: A Literary Directory. Ed. Gerhard ed. and introd. Stilz. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 58. Amsterdam: Rodopi, 2002. 65-74.

King, Lloyd. “Derek Walcott: THe Literary Humanist in the Caribbean.” The Caribbean Quarterly

16.December (1970): 36-42.

King, Nathalie R. “‘I-tie-all my people-together’: New World appropriations of the Yoruba deity Oshun

in Toni Morrison’s Tar Baby and Derek Walcott’s Omeros.” Journal of Caribbean Studies 15.1Kosters, Onno. “Tijdelijk verblijf: Derek Walcott, Omeros.” Raster: Tijdschrift in boekvorm 70.61 (1995):


Lane, M. Travis. “At Home in Homelessness: The Poetry of Derek Walcott.” Dalhousie Review 53 (1973): 325-38.

---. “A Different ‘Growth of a Poet’s Mind’: Derek Walcott’s Another Life.” Ariel: A Review of International English Literature (Calgary) 9.4 (1978): 65-78.

Lawton de Torruella, Elena. “Caribbean Domestic Spaces in Four Modes: Walcott, Hippolyte, Brathwaite and Rhys.” Torre: Revista de la Universidad de Puerto Rico 7.26 (2002): 657-62.

Livingston, James T. “Derek Walcott’s Omeros: Recovering the Mythical.” Journal of Caribbean Studies 8.3 (1991): 131-40.

Lock, Charles. “Derek Walcott’s Omeros: Echoes from a White-Throated Vase.” The Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 41.1 (2000): 9 (23).

Macarie, Gilles. “‘Not His, but Her Story’: The Place of Women in Derek Walcott’s Poetry.” Commonwealth Essays and Studies 26.1 (2003): 71-74.

Makris, Paula Catherine. “Beyond the Classics: Legacies of Colonial Education inC.L.R. James and Derek Walcott.” Revista Interamericana Review 31.1-4 (2001).

Martin-Jordache, Corina. “Postcolonialism and the Experience of Place: Derek Walcott’s Another Life.” Dalhousie Review 81.3 (2001): 389-407.

Martin, Jonathan. “Nightmare history: Derek Walcott’s Omeros.” The Kenyon Review 14.4 (1992): 197 (8).

Martyniuk, Irene. “The Irish in the Caribbean: Derek Walcott’s Examination of the Irish in Omeros.” South Carolina Review 32.1 (1999): 142-48.

Mason, D. “Derek Walcott: Poet of the New World.” The Literary Review: An International Journal of Contemporary Writing 29.3 (1986): 269-75.

McClure, Charlotte S. “Helen of the ‘West Indies’: History or Poetry of a Caribbean Realm.” Studies in the Literary Imagination 26.2 (1993): 7-20.

Mccorkle, J. “Re-Mapping the New World: The Recent Poetry of Derek Walcott.” Ariel 17.2 (1986): 3McDougall, Russell John. A Casement, Triple-Arch’d: Cultural Kinetics: The Fusion of Music, the Dance and the Word in African and Caribbean Culture. Dissertation Abstracts International 47[5], 1721A. 1986.

Mierlo, Wim van. “Derek Walcott of Het Gevecht met de geschiedenis.” De Vlaamse gids: Algemeen tweemaandelijks tijdschrift 77.2 (1993): 2-8.

Mikics, David. “Derek Walcott and Alejo Carpentier: Nature, History, and the Caribbean Writer.” Magical Realism: Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B.

Faris. Durham, NC: Duke University Press, 1995. 371-404.

Minkler, Julie A. “Helen’s Calibans: A Study of Gender Hierarchy in Derek Walcott’s Omeros.” World Literature Today: A Literary Quarterly of the University of Oklahoma 67.2 (1993): 272 (5).

Morris, Mervyn. “Derek Walcott.” West Indian Literature. Ed. Bruce King.London: Macmillan, 1979.


---. “Walcott and the Audience for Poetry.” Critical Perspectives on Derek Walcott. Ed. Robert D.

Hamner.Washington, DC: Three Continents, 1993. 174-92.

Morrison, James V. “Homer Travels to the Caribbean: Teaching Walcott’s Omeros.” The Classical World 93.1 (1999): 83-99.

---. “Shipwreck Encounters: Odyssean Wanderings, The Tempest, and the Post-Colonial World.” Classical and Modern Literature: A Quarterly 20.4 (2000): 59-90.

Nelson, Emmanuel S. “Black America and the Anglophone Afro-Caribbean Literary Consciousness.” Journal of American Culture 12.4 (1989): 53-58.

Nepaulsingh, Colbert I. “Islands and Continents.” Latino Review of Books: A Publication for Critical Thought and Dialogue 2.2 (1996): 8-10.

Neri, Francesca. “Modern Versus Postmodern Models of Identity in Caribbean Literature.” Colonizer and Colonized. Ed. Theo D’haen and Patricia Krüs. Textxet: Studies in Comparative Literature (Textxet): 26. Amsterdam: Rodopi, 2000. 277-87.

Nettleford, Rex. “Derek Walcott.” The Caribbean Quarterly 38.4 (1992): III-143.

Nichols, Ashton. “Colonizing Consciousness: Culture and Identity in Walcott’s Another Life and Wordsworth’s Prelude.” Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity. Ed. Helen Ryan-Ransom. Bowling Green, OH: Popular, 1993. 173-89.

Okpewho, Isidore. “Walcott, Homer, and the ‘Black Atlantic.’” Research in African Literatures 33.1 (2002): 27-44.

Olaniyan, Tejumola. The Poetics and Politics of ‘Othering’: Contemporary African, African-American, and Caribbean Drama and the Invention of Cultural Identities. Dissertation Abstracts International 52[8], 2922A. 1992. Cornell University.

---. “Corporeal/Discursive Bodies and the Subject: Dream on Monkey Mountain and the Poetics of Identity.” Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity. Ed. Helen Ryan-Ransom. Bowling Green, OH: Popular, 1993. 155-71.

---. “Derek Walcott: Liminal Spaces/Substantive Histories.” Caribbean Romances: The Politics of Regional Representation. Ed. Belinda Joy Edmondson. New World Studies. Charlottesville, VA: University Press of Virginia, 1999. 199-214.

Paquet, Sandra Pouchet. “Beyond Mimicry: The Poetics of Memory and Authenticity in Derek Walcott’s Another Life.” Memory and Cultural Politics: New Approaches to American Ethnic

Literatures. Ed. Amritjit Singh, Joseph T. Skerrett, Jr., and Robert E. Hogan. Boston:

Northeastern University Press, 1996. 194-210.

Parker, Michael and Roger Starkey. Postcolonial Literatures: Achebe, Ngugi, Desai, Walcott.

Basingstoke: Macmillan, 1995.

Pesch, Natascha. “Walcott, Dante, Homer-Dilation and Intertextuality in Derek Walcott’s Caribbean Epic Omeros.” Studies: Das Wissenschaftsforum für Studierende 1 (1996): 37-40.

Phillips, Rowan Ricardo. “Derek Walcott: imagination, nation and the poetics of memory.” Small Axe: A Caribbean Journal of Criticism.11 (2002): 112-32.

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