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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Antoine-Dunne, Jean. “Time and Space in Their Indissoluble Connection: Towards an Audio-Visual Caribbean Aesthetic.” The Montage Principle: Eisenstein in New Cultural and Critical Contexts. Ed. Jean Antoine-Dunne, Paula Quigley, and Geoffrey Nowell-Smith. Critical Studies: 21. Amsterdam: Rodopi, 2004. 125-52.

Asein, Samuel Omo. “Derek Walcott: The Man and His Ideas.” Literary Half-Yearly 17.2 (1976): 59-79.

---. “Walcott’s Jamaica Years.” Literary Half-Yearly 21.2 (1980): 23-41.

Ashaolu, Albert Olu. “Allegory in Ti-Jean and His Brothers.” World Literature Written in English 16 (1977): 203-11.

Austin, Norman. “Homer and the Sunrise in Derek Walcott’s Omeros.” The Classical World 93.1 (1999): 29-42.

Baugh, Edward. “Metaphor and Plainness in the Poetry of Derek Walcott.” Literary Half-Yearly 11.2 (1970): 47-58.

---. “The Poem As Autobiographical Novel: Derek Walcott’s Another Life in Relation to Wordsworth’s Prelude and Joyce’s Portrait.” Awakened Conscience: Studies in Commonwealth Literature.

Ed. C. D. Narasimhaiah. New Delhi: Sterling, 1978. 226-35.

---. Derek Walcott: Memory As Vision: ‘Another Life’. London: Longman, 1978.

---. “Painters and Painting in Another Life.” The Caribbean Quarterly 26.March-June (1980): 83-93.

---. “Derek Walcott (1930- ).” Fifty Caribbean Writers. A Bio-Bibliographical Critical Sourcebook. Ed.

Daryl Cumber Dance. New York: Greenwood Press, 1986. 462-73.

---. “Ripening With Walcott.” Critical Perspectives on Derek Walcott. Ed. Robert D.

Hamner.Washington, DC: Three Continents, 1993. 278-85.

---. “Derek Walcott and the Centering of the Caribbean Subject.” Research in African Literatures 34.1 (2003): 151-59.

Beckman, Susan. “The Mulatto of Style: Language in Derek Walcott’s Drama.” Canadian Drama

6.Spring (1960): 71-89.

Bedient, Calvin. “Derek Walcott, Contemporary.” Parnassus: Poetry in Review 9.Fall-Winter (1981):

31-44.

Bensen, R. “The Painter as Poet: Derek Walcott’s Midsummer.” The Literary Review: An International Journal of Contemporary Writing 29.3 (1986): 257-68.

Bloom, Harold. Derek Walcott. Ed. Harold Bloom. Philadelphia, PA: Chelsea House Publishers, 2003.

Bobb, June D. Beating a Restless Drum: the Poetics of Kamau Brathwaite and Derek Walcott.

Trenton, NJ: Africa World Press, 1998.

Bonsignori, Umberto. Derek Walcott: Contemporary West Indian Poet and Playwright. Dissertation Abstracts International 33, 2548A. 1972. Ann Arbor, MI.

Breiner, Laurence A. “Tradition, Society, the Figure of the Poet.” The Caribbean Quarterly 26.MarchJune (1980): 1-12.

---. “Walcott’s Early Drama.” The Art of Derek Walcott. Ed. Stewart Brown. Chester Springs, PA:

Dufour, 1991. 69-81.

Breslin, Paul. Nobody’s Nation: Reading Derek Walcott. Chicago, IL: University of Chicago Press, 2001, viii, 333.

Breslow, Stephen. “Derek Walcott: 1992 Nobel laureate in literature.” World Literature Today: A Literary Quarterly of the University of Oklahoma 67.2 (1993): 267 (5).

---. “Derek Walcott: 1992 Nobel Laureate in Literature.” Twayne Companion to Contemporary World Literature: From the Editors of World Literature Today, I: Parts 1-5; II: Parts 6-8, Appendices, Index. Ed. Pamela A. Genova. New York, NY: Twayne; Thomson Gale, 2003. 411-16.

Brown, Lloyd W. “Dreamers and Slaves: The Ethos of Revolution in Walcott and Leroi Jones.” The Caribbean Quarterly 17.September-December (1971): 36-44.

---. “Caribbean Castaway New World Odyssey: Derek Walcott’s Poetry.” The Journal of Commonwealth Literature 11.2 (1976): 149-59.

---. “Dreamers and Slaves-The Ethos of Revolution in Walcott and Leroi Jones.” Critical Perspectives on Derek Walcott. Ed. Robert D. Hamner.Washington, DC: Three Continents, 1993. 193-201.

Brown, Stewart. “Spoiler, Walcott’s People’s Patriot.” Wasafiri 9 (1988): 10-15.

---. The Art of Derek Walcott. Ed. Stewart Brown. Bridgend;Chester Springs, PA: Seren Books;Dufour, 1991.

Burian, Peter. “‘All That Greek Manure under the Green Bananas’: Derek Walcott’s Odyssey.” The South Atlantic Quarterly 96.2 (1997): 359-78.

---. “‘You Can Build a Heavy-Beamed Poem Out of This’: Derek Walcott’s Odyssey.” The Classical World 93.1 (1999): 71-82.

Burnett, Paula. “Hegemony or Pluralism? The Literary Prize and the Post-Colonial Project in the Caribbean.” Commonwealth Essays and Studies 16.1 (1993): 1-20.

---. Derek Walcott: Politics and Poetics. Gainesville, FL: University Press of Florida, 2000, xiii, 380.

---. “Opening New Doors: A Glimpse of Wilson Harris and Derek Walcott.” Theatre of the Arts: Wilson

Harris and the Caribbean. Ed. Hena Maes-Jelinek and Bénédicte Ledent. Cross/Cultures:

Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 61-82.

Burton, Richard D. E. “Derek Walcott and the Medusa of History.” Caliban 3 (1980): 3-48.

Busia, Abena P. A. and Alison Saar. “Fashioning a self in the contemporary world: notes toward a

personal meditation on memory, history and the aesthetics of origin.” African Arts 37 (2004):





54-63.

Callahan, Lance. “Flowers in the Shadow: Derek Walcott and the Poetics of ‘We Little Nations.’” Ariel:

A Review of International English Literature 32.1 (2001): 173-83.

---. In the Shadows of Divine Perfection: Derek Walcott’s Omeros. New York: Routledge, 2003.

Campaña, Mario. “La lección de Derek Walcott.” Cuadernos Hispanoamericanos: Revista Mensual de Cultura Hispánica.541-542 (1995): 267-69.

Casteel, Sarah Phillips. “Autobiography as Rewriting: Derek Walcott’s Another Life and Omeros.” The Journal of Commonwealth Literature 34.2 (1999): 9 (24).

Chioles, John. “Omeros: Walcott and the Tradition.” Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Ed. Timothy J. Reiss.Trenton, NJ: Africa World, 2002. 71Ciccarelli, Sharon L. “Reflections Before and After Carnival: An Interview With Derek Walcott.” Chant of Saints: A Gathering of Afro-American Literature, Art, and Scholarship. Ed. Michael S.

Harper, Robert B. Stepto, and John Hope Franklin. Urbana: University of Illinois Press, 1979.

296-309.

Cimarosti, Roberta. “Metaphor and Metonymy in Derek Walcott’s Poetry.” Annali di Ca’ Foscari:

Rivista della Facoltà di Lingue e Letterature Straniere dell’università di Venezia 35.1-2 (1996):

131-53.

Clocia, Stefanie. “To Hell and Back: The Katabasis and the Impossibility of Epic in Derek Walcott’s Omeros.” The Journal of Commonwealth Literature 35.2 (2000): 87-104.

Collier, Gordon. “Artistic Autonomy and Cultural Allegiance: Aspects of the Walcott-Brathwaite Debate Re-Examined.” Literary Half-Yearly 20.1 (1979): 93-105.

---. “Walcott’s Reflections on Caribbean Creativity.” Agenda 39.1-3 (2002): 185-97.

Collins, Loretta Kaye. “‘We Shall All Heal’: Ma Kilman, the Obeah Woman, as Mother-Healer in Derek Walcott’s Omeros.” Literature and Medicine 14.1 (1995): 146-62.

Colson, Theodore. “Derek Walcott’s Plays: Outrage and Compassion.” World Literature Written in English 12 (1973): 80-96.

Cooper, Carolyn Joy. A Different Rage: A Thematic and Structural Analysis of the Poetry of Derek Walcott, 1948-1976. Dissertation Abstracts International 39, 4265A. 1979. Ann Arbor, MI.

Criswell, Stephen Edward. Folklore and the Folk in Derek Walcott’s Omeros and Edward Kamau Brathwaite’s The Arrivants. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 58[5], 1716. 1997. University of Southwestern Louisiana. 1997.

Davis, Gregson. “‘With No Homeric Shadow’: The Disavowal of Epic in Derek Walcott’s Omeros.” The South Atlantic Quarterly 96.2 (1997): 321-34.

---. The Poetics of Derek Walcott: Intertextual Perspectives. Ed. Gregson Davis. Durham, NC: Duke University Press, 1997.

---. “‘Pastoral Sites’: Aspects of Bucolic Transformations in Derek Walcott’s Omeros.” The Classical World 93.1 (1999): 43-50.

DeRose, Michelle Diane. Caliban Takes up His Pen: The Epic Poetry of Kamau Brathwaite, Derek Walcott, and Andrew Salkey. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 57[7], 3027-28. 1997. University of Iowa. 1996.

Dick, Rhona and Milton Keynes. “Remembering Breen’s Encomium: ‘Classic Style,’ History and

Tradition in Derek Walcott’s Omeros.” The Journal of Commonwealth Literature 35.2 (2000):

105-16.

Dieke, Ikenna. Archetypal Patterns in African, Afro-American and Caribbean Literature. Dissertation Abstracts International 44[7], 2140A. 1984.

Donoghue, Denis. “Themes from Derek Walcott.” Parnassus: Poetry in Review 6.1 (1977): 88-100.

Espinosa, Mónica Jeanne. A Terrible Beauty Is Born: Problems of Identity in Two Caribbean Poets.

Dissertation Abstracts International 49[10], 3020A. 1989.

Fabre, Michel. “The Poetical Journey of Derek Walcott.” Commonwealth Literature and the Modern World. Ed. Hena Maes-Jelinek. Brussels: Didier, 1975. 61-67.

Farrier, David. “Charting the ‘Amnesiac Atlantic’: Chiastic Cartography and Caribbean Epic in Derek Walcott’s Omeros.” The Journal of Commonwealth Literature 38.1 (2003): 23-38.

Figueroa, John J. M. “A Note on Derek Walcott’s Concern with Nothing.” Revista Interamericana Review 4 (1974): 422-28.

---. “Some Subtleties of the Isle: A Commentary on Certain Aspects of Derek Walcott’s Sonnet Sequence, Tales of the Islands.” World Literature Written in English 15 (1976): 190-228.

---. “Omeros. The Art of Derek Walcott.” Ed. Stewart Brown. Chester Springs, PA: Dufour, 1991. 193Figueroa, Víctor. Each Man is an Island: The Archipelago of Luis Palés Matos, Aimé Césaire, and Derek Walcott. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 61[9], 3550. 2001. Harvard University.

Fleming, Carrol B. “The Plays and the Poems of Derek Walcott: Singing the True Caribbean.” Americas 34.3 (1982): 8-11.

Fokkema, Aleid. “On the (False) Idea of Exile: Derek Walcott and Grace Nichols.” (Un)Writing Empire.

Ed. Theo D’haen. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 30.

Amsterdam: Rodopi, 1998. 99-113.

Fox, Robert Elliot. “Derek Walcott: History as Dis-Ease.” Callaloo: A Journal of African Diaspora Arts and Letters 9.2 (27) (1986): 331-40.

Fulford, Sarah. “Painting the Sublime in Visible Syntax: Derek Walcott’s Tiepolo’s Hound.” The Cambridge Quarterly 33.1 (2004): 11-28.

Fumagalli, Maria Cristina. “Derek Walcott’s Omeros and Dante’s Commedia.” The Cambridge Quarterly 29.1 (2000): 17-36.

---. The Flight of the Vernacular: Seamus Heaney, Derek Walcott and the Impress of Dante.

Amsterdam: Rodopi, 2001.

Fumagalli, Maria Cristina. “Special Issue on Derek Walcott.” Agenda 39.1-3 (2002).

---. “Epitaph for the Young: Culture or Mimicry?” Agenda 39.1-3 (2002): 51-76.

---. “Derek Walcott’s Epitaph for the Young: A Poem in XII Cantos: Modernist Texts and the Caribbean Experience.” Intertextuality and Modernism in Comparative Literature. Ed. Emily Salines and Raynalle Udris. Dublin, Ireland: Philomel, 2002. 271-89.

---. “Bridges Across Chasms: Derek Walcott’s The Bounty and Creolization.” Bridges Across Chasms:

Towards a Transcultural Future in Caribbean Literature. Ed. Bénédicte Ledent. Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 303-11.

Garuba, Harry. “The Island Writes Back: Discourse-Power and Marginality in Wole Soyinka’s The Swamp Dwellers, Derek Walcott’s The Sea at Dauphin, and Athol Fugard’s The Island.” Research in African Literatures 32.4 (2001): 61-76.

George, Gordon. “Perished vision: An evaluation of three of Derek Walcott’s plays from the 1980s.” Caribbean Studies 27.3-4 (1994): 409 (4).

Gibbons, Rawle. “‘Band Meet Band’: Carnival and Text in a Production of Walcott’s Drums and Colours.” Caribe 2000: Definiciones, identidades y culturas regionales y/o nacionales/Caribbean 2000: Regional and/or National Definitions, Identities and Cultures. Ed.

Lowell Fiet and Janette Becerra. Sargasso: 4. San Juan, Puerto Rico: Sargasso/Caribe 2000Facultad de Humanidades, Universidad de Puerto Rico, 2000. 95-105.

Gurpegui, José Antonio. “Derek Walcott: A Mediterranean Caribbean.” Agenda 39.1-3 (2002): 210-18.

Hambuch, Doris. “‘Rester au pays natal’: Derek Walcott’s Omeros and Edouard Glissant’s Les Indes.” Colonizer and Colonized. Ed. Theo D’haen and Patricia Krüs. Textxet: Studies in Comparative Literature (Textxet): 26. Amsterdam: Rodopi, 2000. 299-306.

Hammer, Robert D. “Creolizing Homer for the Stage: Walcott’s The Odyssey.” Twentieth Century Literature: A Scholarly and Critical Journal 47.3 (2001): 374-90.

Hamner, Robert D. “Mythological Aspects of Derek Walcott’s Drama.” Ariel: A Review of International English Literature (Calgary) 8.3 (1977): 35-58.

---. “Conversation with Derek Walcott.” World Literature Written in English 16 (1977): 409-20.

---. “Derek Walcott’s Theater of Assimilation.” West Virginia University Philological Papers 25 (1979):

86-93.

---. Derek Walcott. Boston: Twayne, 1981.

---. “Aspects of National Character: V.S. Naipaul and Derek Walcott.” Language and Literature in Multicultural Contexts. Ed. Satendra Nandan and James A. Maraj. Suva, Fiji: University of the South Pacific, 1983. 179-88.

---. “Dramatizing the New World’s African King: O’Neill, Walcott and Césaire on Christophe.” The Journal of West Indian Literature 5.1-2 (1992): 30-47.

---. “Derek Walcott.” Twentieth-Century Caribbean and Black African Writers, First Series. Ed. Bernth Lindfors and Reinhard Sander. Dictionary of Literary Biography (DLB): 117. Detroit, MI: Gale, 1992. 290-312.



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