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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Powell, Patricia. “The Dynamics of Power and Desire in The Pagoda.” Winds of Change: The Transforming Voices of Caribbean Women Writers and Scholars. Ed. Adele S. Newson and Linda Strong-Leek.New York, NY: Peter Lang, 1998. 189-94.

Smith, Faith L. and Patricia Powell. “An Interview with Patricia Powell.” Callaloo: A Journal of African Diaspora Arts and Letters 19.2 (1996): 324-29.

Woodhull, Winifred. “Margin to Margin, China to Jamaica: Sexuality, Ethnicity, and Black Culture in Global Contexts.” Revista Canaria de Estudios Ingleses 48 (2004): 119-27.

QUAYLE, ADA

Paravisini-Gebert, Lizabeth. “The Alienation of Power: The Woman Writer and the Planter-Heroine in Caribbean Literature.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 3-11.

REID, VICTOR STAFFORD

Cooke, Michael G. “V. S. (Vic) Reid.” Twentieth-Century Caribbean and Black African Writers, Second Series. Ed. Bernth Lindfors and Reinhard Sander. Dictionary of Literary Biography (DLB): 125.

Detroit, MI: Gale, 1993. 256-60.

Dance, Daryl Cumber. “Vic Reid (1911- ).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 377-89.

Davies, Barrie. “Neglected West Indian Writers. No. 2. Vic Reid.” World Literature Written in English

11.November (1972): 83-85.

James, Louis. “Of Redcoats and Leopards: Two Novels by V.S. Reid.” The Islands in Between. 1968.

64-72.

RHONE, TREVOR DAVE

Frickey, Pierrette M. “Jamaica and Trinidad.” Post-Colonial English Drama: Commonwealth Drama since 1960. Ed. Bruce King. x, New York; London: St. Martin’s; Macmillan, 1992. 217-35.

Savory Fido, Elaine. “Strategies for Survival: Anti-Imperialist Theatrical Forms in the Anglophone Caribbean.” Imperialism and Theatre: Essays on World Theatre, Drama and Performance. Ed.

J. Ellen Gainor. xv, London: Routledge, 1995. 243-56.

RILEY, JOAN

Corhay-Ledent, Benedicte. “Between Conflicting Worlds: Female Exiles in Jean Rhys’s Voyage in the Dark and Joan Riley’s The Unbelonging.” Crisis and Creativity in the New Literatures in English. Ed. Geoffrey V. Davis and Hena Maes-Jelinek. Cross/cultures. Amsterdam: Rodopi, 1990. 499-510.

Fischer, Susan Alice. “Where in the World Is Transnational Feminism? Women Writers, Global Migration, and the City: Joan Riley’s Waiting in the Twilight and Hanan Al-Shaykh’s Only in London.” Tulsa Studies in Women’s Literature 23.1 (2004): 107-20.

Naidoo, Roshi. “Joan Riley and Remembrance: a Critical Reading of Romance.” Centre of

Remembrance: Memory and Caribbean Women’s Literature. Ed. Joan Anim-Addo. London:

Mango Publishing, 2002. 185-202.

Perry, Barbara Shaw. “Forging Subjectivity in the Jamaican-British Borderlands: Emotion and Identity in Joan Riley’s The Unbelonging.” Beyond the Blood, the Beach and the Banana: New Perspectives in Caribbean Studies. Ed. Sandra Courtman. Kingston,Jamaica: Ian Randle, 2004. 407-25.

Suarez, Isabelle Carrera. “Absent Mother(Land)s: Joan Riley’s Fiction.” Motherlands: Black Women’s Writing from Africa, The Caribbean and South Asia. Ed. Susheila Nasta. London: The Women’s Press, 1991. 290-309.

SALKEY, ANDREW

Ball, John Clement. “Towards a Transcultural London: Early West Indian Fiction and the Metropolis.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature. Ed.

Bénédicte Ledent. Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 117-26.

Birbalsingh, Frank M. “Andrew Salkey: Bright As Blisters.” Frontiers of Caribbean Literatures in English. Ed. Frank M. Birbalsingh.New York: St. Martin’s, 1996. 29-41.

Boxill, Anthony. “Andrew Salkey.” Twentieth-Century Caribbean and Black African Writers, Second Series. Ed. Bernth Lindfors and Reinhard Sander. Dictionary of Literary Biography (DLB): 125.

Detroit, MI: Gale, 1993. 270-75.

Carr, Bill. “A Complex Fate: The Novels of Andrew Salkey.” The Islands in Between. Ed. Bruce King.

1979. 100-08.

Dance, Daryl Cumber. “Andrew Salkey (1928- ).” Fifty Caribbean Writers. A Bio-Bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 418-27.

Dawes, Kwame S. N. “Andrew Salkey (1928-1995).” Writers of multicultural fiction for young adults: a bio-critical sourcebook. Ed. M. Daphne Kutzer. Westport, Conn: Greenwood Press, 1996. 351DeRose, Michelle Diane. Caliban Takes up His Pen: The Epic Poetry of Kamau Brathwaite, Derek Walcott, and Andrew Salkey. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 57[7], 3027-28. 1997. University of Iowa. 1996.

---. “‘Is the Lan’ I Want’: Reconfiguring Metaphors and Redefining History in Andrew Salkey’s Epic Jamaica.” Contemporary Literature 39.2 (1998): 212-37.

Ellis, David. “‘The Produce of More Than One Country’: Race, Identity, and Discourse in PostWindrush Britain.” JNT: Journal of Narrative Theory 31.2 (2001): 214-32.





Gray, C. R. “Mr.Salkey’s Truth and Illusion.” Jamaica Journal 2.June (1968): 46-54.

Ilona, Anthony. “Andrew Salkey.” Wasafiri 16 (1992): 44-47.

Nazareth, Peter. “New Books by Andrew Salkey of Jamaica.” Afriscope (1982): 22-23.

---. In the Trickster Tradition: The Novels of Andrew Salkey, Francis Ebejer and Ishmael Reed.

London: Bogle-L’Ouverture, 1994.

Ramchand, Kenneth. “Andrew Salkey.” Wasafiri 22 (1995): 82-84.

SCOTT, DENNIS

Bada, Valérie. “Slavery and Silence in Ina Césaire’s Mémoires d’isles and Dennis Scott’s An Echo in the Bone.” The Journal of the Midwest Modern Language Association 33-34.3 (2000): 86-93.

Creighton, Al. “Dennis Scott.” Twentieth-Century Caribbean and Black African Writers, Second Series.

Ed. Bernth Lindfors and Reinhard Sander. Dictionary of Literary Biography (DLB): 125. Detroit, MI: Gale, 1993. 276-80.

Juneja, Renu. “Recalling the Dead in Dennis Scott’s An Echo in the Bone.” Ariel: A Review of International English Literature (Calgary) 23.1 (1992): 97-114.

Pollard, Velma and Rex Nettleford. Dread Talk: The Language of Rastafari. Kingston, Jamaica;

Montreal, QC: Canoe; McGill-Queen’s University Press, 2000, xv, 117.

Savory Fido, Elaine. “Strategies for Survival: Anti-Imperialist Theatrical Forms in the Anglophone Caribbean.” Imperialism and Theatre: Essays on World Theatre, Drama and Performance. Ed.

J. Ellen Gainor. xv, London: Routledge, 1995. 243-56.

Smith, Ian D. “Language and Symbol in the Poetry of Dennis Scott.” Carib (Kingston) 1 (1979): 27-38.

---. “Dennis Scott (1939- ).” Fifty Caribbean Writers. A Bio-Bibliographical Critical Sourcebook. Ed.

Daryl Cumber Dance. New York: Greenwood Press, 1986. 428-38.

SEACOLE, MARY

“Traveling With Her Mother’s Tastes: The Negotiation of Gender, Race and Location in Wonderful Adventures of Mrs. Seacole in Many Lands.” Signs: Journal of Women in Culture & Society 26.4 (2001): 949.

Baggett, Paul. “Caught between Homes: Mary Seacole and the Question of Cultural Identity.”

MaComère: Journal of the Association of Caribbean Women Writers and Scholars 3 (2000):

45-56.

Gunning, Sandra. “Traveling with Her Mother’s Tastes: The Negotiation of Gender, Race, and Location in Wonderful Adventures of Mrs. Seacole in Many Lands.” Signs 26.4 (2001): 949-81.

Hawthorne, Evelyn J. “Self-Writing, Literary Traditions, and Post-Emancipation Identity: The case of Mary Seacole.” Biography: An Interdisciplinary Quarterly 23.2 (2000): 309-31.

McKenna, Bernard. “‘Fancies of Exclusive Possession’: Validation and Dissociation in Mary Seacole’s England and Caribbean.” The Philological Quarterly: A Journal Devoted to Scholarly Investigation of the Classical and Modern Languages and Literatures 76.2 (1997): 219-39.

Paquet, Sandra Pouchet. “The Enigma of Arrival: The Wonderful Adventures of Mrs. Seacole in Many Lands.” African American Review 26.4 (1992): 651-63.

Robinson, Amy. “Authority and the Public Display of Identity: Wonderful Adventures of Mrs. Seacole in Many Lands.” Feminist Studies 20.3 (1994): 537-57.

SEAFORTH, SYBIL

Robertson, Ian. “Growing Up With Miss Milly by Sybil Seaforth: A Review.” Caribbean Women Writers:

Essays from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley: Calaloux, 1990. 140-41.

Seaforth, Sybil. “Writing About Fiction.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley: Calaloux, 1990. 134-39.

SENIOR, OLIVE

Bahr, Aída. “Olive Senior’s Female Characters and the Expressions of Cultural Duality in ‘Discerner of Hearts.’” Centre of Remembrance: Memory and Caribbean Women’s Literature. Ed. Joan Anim-Addo. London: Mango Publishing, 2002. 175-84.

Beittel, Mark and Giovanna Covi. “Households and Subjectivities in the Caribbean: Olive Senior’s Literary and Sociological Writings.” Caribana 5 (1996): 127-39.

---. “Talking of Households: Olive Senior’s Postcolonial Identities.” Nationalism vs. Internationalism:

(Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin.

Studies in English and Comparative Literature (SECL). Tübingen Stauffenburg, 1996. 389-97.

Collett, Anne. “Gardening in the Tropics: A Horticultural Guide to Caribbean Politics and Poetics, with Special Reference to the Poetry of Olive Senior.” SPAN: Journal of the South Pacific Association for Commonwealth Literature and Language Studies 46 (1998): 87-103.

Condé, Maryse. “Jamaica in the Fiction of Olive Senior.” Swansea Review (1994): 156-63.

Donnell, Alison. “The Short Fiction of Olive Senior.” Caribbean Women Writers: Fiction in English. Ed.

Maryse Condé and Thorunn Lonsdale. New York, NY: St. Martin’s, 1999. 117-43.

---. “Here and There in the Work of Olive Senior: Relocating Diaspora Discourse in Relation to Caribbean Women’s Writing.” Centre of Remembrance: Memory and Caribbean Women’s Literature. Ed. Joan Anim-Addo. London: Mango Publishing, 2002. 66-80.

Gafoor, Ameena. “The Image of the Indo-Caribbean Woman in Olive Senior’s The Arrival of the Snake Woman.” Callaloo: A Journal of African Diaspora Arts and Letters 16.1 (1993): 34-43.

Misrahi-Barak, Judith. “La mer et l’enfant: trois exemples dans la littérature des Caraïbes anglophones.” C.A.R.A.: Centre aixois de recherches anglaises 13 (1993): 215-27.

---. “‘See the Tiki-Tiki Scatter’ (Olive Senior, Jamaïque): une certaine problématique de l’oralité dans les nouvelles littératures en anglais.” Fictions d’Amérique. Ed. Serge Ricard. Annales du Monde Anglophone: 5. Aix-en-Provence: Université de Provence, 1997. 77-82.

Morgan, Paula. “East/West Indian/Woman/Other: At the Cross-Roads of Gender and Ethnicity.”

MaComère: Journal of the Association of Caribbean Women Writers and Scholars 3 (2000):

107-22.

Narain, Denise deCaires. “Olive Senior.” Twentieth-Century Caribbean and Black African Writers,

Third Series. Ed. Bernth Lindfors. Dictionary of Literary Biography (DLB): 157. Detroit, MI:

Gale, 1996. 340-48.

O’Callaghan, Evelyn. “Feminist Consciousness: European/American Theory, Jamaican Stories.” Journal of Caribbean Studies 6.2 (1988): 143-62.

Patteson, Richard F. “The fiction of Olive Senior: traditional society and the wider world.” Ariel 24.1 (1993): 13-33.

Pollard, Velma. “Olive Senior: Journalist, Researcher, Poet, Fiction Writer.” Callaloo: A Journal of African Diaspora Arts and Letters.36 (1988): 478-79.

---. “An Introduction to The Poetry and Fiction of Olive Senior.” Callaloo: A Journal of African Diaspora Arts and Letters.36 (1988): 540-45.

---. “Blurring Cultural boundaries: The balm yard in olive senior’s Discerner of Hearts and Erna Brodber’s Myal.” The Caribbean Quarterly 43.4 (1997): 37-46.

---. “Images of Women in the Short Stories of Olive Senior.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 118-27.

---. “‘To Us All Flowers Are Roses’: Writing Ourselves into the Literature of the Caribbean.” Sargasso:

Literature, Language, Culture (2001): 65-73.

Pyne-Timothy, Helen. “The Double Vision: Ethnic Identity and the Caribbean Woman Writer.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen PyneTimothy. Los Angeles: University of California; Center for African American Studies, 1998.

140-51.

Rodriguez, Liliane. “Langue, parole, traduction: Balisage géolinguistique de Summer Lightning et Country of the One Eye God d’Olive Senior.” Palimpsestes 12 (2000): 91-97.

Rowell, Charles Henry. “An Interview With Olive Senior.” Callaloo: A Journal of African Diaspora Arts and Letters.36 (1988): 480-90.

Simpson, Hyacinth M. “‘Voicing the Text’: The Making of an Oral Poetics in Olive Senior’s Short Fiction.” Callaloo: A Journal of African Diaspora Arts and Letters 27.3 (2004): 829-43.

Thompson-Deloatch, Thelma B. “Conflicting Concepts of Time and Space: Narrative Technique in Selected Short Fiction of Olive Senior.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 3 (2000): 141-52.

Tiffin, Helen M. “‘Flowers of Evil,’ Flowers of Empire: Roses and Daffodils in the Work of Jamaica Kincaid, Olive Senior and Lorna Goodison.” SPAN: Journal of the South Pacific Association for Commonwealth Literature and Language Studies 46 (1998): 58-71.

---. “‘Replanted in This Arboreal Place’: Gardens and Flowers in Contemporary Caribbean Writing.” English Literatures in International Contexts. Ed. Heinz Antor and Klaus Stierstorfer.



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