WWW.ABSTRACT.XLIBX.INFO
FREE ELECTRONIC LIBRARY - Abstract, dissertation, book
 
<< HOME
CONTACTS



Pages:     | 1 |   ...   | 34 | 35 || 37 | 38 |   ...   | 194 |

«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

-- [ Page 36 ] --

Callahan, John F. “‘A Long Way from Home’: The Art and Protest of Claude McKay and James Baldwin.” Contemporary Literature 34.4 (1993): 767-76.

Chauhan, P. S. “Rereading Claude McKay.” College Language Association Journal 34.1 (1990): 68 (13).

Chin, Timothy S. “‘Bullers’ and ‘Battymen’: Contesting Homophobia in Black Popular Culture and Contemporary Caribbean Literature.” Callaloo: A Journal of African Diaspora Arts and Letters 20.1 (1997): 127-41.

Cobham-Sander, C. Rhonda. “Jekyll and Claude: the erotics of patronage in Claude McKay’s Banana Bottom.” The Caribbean Quarterly 38.1 (1992): 55-78.

Collier, Eugenia. “The Four-Way Dilemma of Claude McKay.” College Language Association Journal

15.March (1972): 345-53.

---. “Claude McKay (1889-1948).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook.

Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 284-93.

Conroy, Mary. “The Vagabond Motif in the Writings of Claude McKay.” Negro American Literature Forum 5.1 (1971): 15-23.

Cooper, Carolyn Joy. “Race and the Cultural Politics of Self-Representation: A View from the University of the West Indies.” Research in African Literatures 27.4 (1996): 97-105.

Cooper, Wayne F. “Claude McKay and the New Negro of the 1920s.” Phylon: The Atlanta University Review of Race and Culture 25.Fall (1964): 297-306.

---. Claude McKay: Rebel Sojourner in the Harlem Renaissance: a Biography. Baton Rouge: Louisiana State University Press, 1987.

Donohue, Charles T. The Making of a Black Poet: A Critical Biography of Claude McKay for the Years 1889-1922. Dissertation Abstracts International 33, 5719A. 1973. Ann Arbor, MI.

Gayle, Addison Jr. Claude McKay: The Black Poet at War. Detroit: Broadside Press, 1972.

Giles, James Richard. Claude McKay. Boston: Twayne Publishers, 1976.

Griffin, Barbara Jackson. “Claude McKay: the evolution of a conservative.” College Language Association Journal 36.2 (1992): 157 (14).

---. “The Last Word: Claude McKay’s Unpublished ‘Cycle Manuscript.’” MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 21.1 (1996): 41-57.

---. “The Road to Psychic Unity: The Politics of Gender in Claude McKay’s Banana Bottom.” Callaloo:

A Journal of African Diaspora Arts and Letters 22.2 (1999): 499-508.

Hansell, William H. “Jamaica in the Poems of Claude McKay.” Studies in Black Literature 7.3 (1976):

6-9.

Hathaway, Heather A. Cultural Crossings: Migration, Generation, and Gender in Writings by Claude McKay and Paule Marshall. Dissertation Abstracts International 54[11], 4093A. 1994. Harvard University, 1993.

---. Caribbean Waves. Bloomington, IN: Indiana University Press, 1999, xi, 200.

---. Caribbean Waves: Relocating Claude MacKay and Paule Marshall. Bloomington, IN: Indiana University Press, 1999.

Heglar, Charles J. “Claude McKay’s `If We Must Die,’ Home to Harlem, and the hog trope.” ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 8.3 (1995): 22 (5).

Helbling, Mark. “Claude McKay: Art and Politics.” Negro American Literature Forum 7.2 (1973): 49-52.

Hickling, Frederick W. “Psycho-historiographic analysis of Claude McKay.” The Caribbean Quarterly 38.1 (1992): 10-30.

Holcomb, Gary Edward. Writing Travel in Anglophone Caribbean Literature: Claude McKay, Shiva Naipaul, and Jamaica Kincaid. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 57[1], 201. 1996. Washington State University, 1995.

---. “Diaspora Cruises: Queer Black Proletarianism in Claude McKay’s A Long Way from Home.” Modern Fiction Studies: A Critical Quarterly 49.4 (2003): 714-45.

Homar, Susan. La memoria del mundo en el fondo del lenguaje: Lengua e identidad en tres novelas del Caribe. Dissertation Abstracts International 43[7], 2341A. 1983.

James, Winston. A Fierce Hatred of Injustice: Claude McKay’s Jamaican Poetry of Rebellion.

London;New York: Verso, 2000.

---. “Becoming the people’s poet: Claude McKay’s Jamaican years, 1889-1912.” Small Axe: A Caribbean Journal of Criticism.13 (2003): 17-45.

Jay, Paul. “Hybridity, Identity and Cultural Commerce in Claude McKay’s Banana Bottom.” Callaloo: A Journal of African Diaspora Arts and Letters 22.1 (1999): 176-94.

Jenkins, Lee M. “‘If We Must Die’: Winston Churchill and Claude Mckay.” Notes and Queries: A Medium of Intercommunication for Literary Men, General Readers, etc. 50.3 (2003): 333-37.

Jones, Bridget. “With ‘Banjo’ by my bed: black French writers reading Claude McKay.” The Caribbean Quarterly 38.1 (1992): 32-39.

Kaye, Jacqueline. “Claude McKay’s ‘Banjo.’” Présence africaine: Revue culturelle du monde noir 73.1 (1970): 165-69.

Keller, James R. “‘A Chafing Savage, Down the Decent Street’: The Politics of Compromise in Claude McKay’s Protest Sonnets.” African American Review 28.3 (1994): 447-56.

Kent, George E. “The Soulful Way of Claude McKay.” Black World 20.1 (1970): 37-51.

Lang, Phyllis M. Claude McKay: The Later Years, 1934-1948. Dissertation Abstracts International 33, 5731A. 1973. Ann Arbor, MI.





Lawrence, Leota S. “Three West Indian Heroines: An Analysis.” College Language Association Journal 21 (1977): 238-50.

Lowney, John. “Haiti and Black Transnationalism: Remapping the Migrant Geography of Home to Harlem.” African American Review 34.3 (2000): 413-29.

Maiwald, Michael. “Race, Capitalism, and the Third-Sex Ideal: Claude McKay’s Home to Harlem and

the Legacy of Edward Carpenter.” Modern Fiction Studies: A Critical Quarterly 48.4 (2002):

825-57.

Martin, Tony. “The Defectors - Eric Walrond and Claude McKay.” Literary Garveyism. Dover: Majority Press, 1983. 124-38.

McLeod, Alan L. “Memory and the Edenic Myth: Claude McKay’s Green Hills of Jamaica.” Individual and Community in Commonwealth Literature. Ed. Daniel Massa. Msida: University of Malta Press, 1979. 75-83.

---. “Claude McKay.” Twentieth-Century Caribbean and Black African Writers, First Series. Ed. Bernth Lindfors and Reinhard Sander. Dictionary of Literary Biography (DLB): 117. Detroit, MI: Gale, 1992. 227-35.

Mol, Kay R. V. “Primitivism and Intellect in Toomer’s Cane and McKay’s Banana Bottom: The Need for an Integrated Black Consciousness.” Negro American Literature Forum 10.2 (1976): 48-52.

Murphy, David. “La Danse et la parole: l’exil et l’identité chez les Noirs de Marseille dans Banjo de Claude McKay et Le Docker noir d’Ousmane Sembene.” Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée 27.3 (2002): 462-79.

Muther, Elizabeth. “‘Great, Unappeasable Ghost’: Claude McKay and the Theatre Guild Incident.” Modern Language Studies 30.2 (2000): 133-57.

Nettleford, Rex. “Claude McKay.” The Caribbean Quarterly 38.1 (1992): 1-80.

Nicholls, David G. “The Folk as Alternative Modernity: Claude MacKay’s Banana Bottom and the Romance of Nature.” Journal of Modern Literature 23.1 (1999): 79-94.

Ojo-Ade, Femi. “Claude McKay: The Tragic Solitude of an Exiled Son of Africa.” Of Dreams Deferred, Dead or Alive: African Perspectives on African-American Writers. Ed. Femi Ojo-Ade.

Contributions in Afro-American and African Studies: 180. Westport, CT: Greenwood, 1996. 65Pedersen, Carl. “Olaudah Equiano, Claude McKay, Caryl Phillips and the Extended Caribbean.” Prospero’s isles: the presence of the Caribbean in the American imaginary. Ed. Diane Accaria-Zavala and Rodolfo Popelnik. Basingstoke: Palgrave Macmillan, 2004. 139-49.

Roberts, Kimberley. “The Clothes Make the Woman: The Symbolics of Prostitution in Nella Larsen’s Quicksand and Claude McKay’s Home to Harlem.” Tulsa Studies in Women’s Literature 16.1 (1997): 107-30.

Rosenberg, Leah Reade. “Caribbean Models for Modernism in the Work of Claude McKay and Jean Rhys.” Modernism/Modernity 11.2 (2004): 219-38.

Smith, Felipe. “Claude McKay’s ‘Sensitive Savages’: Ariel and Caliban in the Metropole.” Prospero’s isles: the presence of the Caribbean in the American imaginary. Ed. Diane Accaria-Zavala and Rodolfo Popelnik. Basingstoke: Palgrave Macmillan, 2004. 150-66.

Stephens, Michelle A. “Black Transnationalism and the Politics of National Identity: West Indian

Intellectuals in Harlem in the Age of War and Revolution.” American Quarterly 50.3 (1998):

592-608.

Tillery, Tyrone. Claude McKay: a Black Poet’s Struggle for Identity. Amerst, Mass.: University of Massachusetts Press, 1992.

Tolson, Melvin B. jr. “Claude McKay’s Art.” Poetry 83.February (1954): 289-90.

Woods, G. and Emmanuel S. Nelson. “Gay re-reading of the Harlem Renaissance poets.” Journal of Homosexuality 26.2-3 (1993): 127-42.

MONTEITH, ARCHIBALD

Costanzo, Angelo. “The Narrative of Archibald Monteith, a Jamaican Slave.” Callaloo: A Journal of African Diaspora Arts and Letters 13.1 (1990): 115-30.

Karafilis, Maria. “Crossing the Borders of Genre: Revisions of the “Bildungsroman” in Sandra Cisneros’s The House on Mango Street and Jamaica Kincaid’s Annie John.” The Journal of the Midwest Modern Language Association 31.2 (1998): 63-78.

Nelson, Vernon H. “Archibald John Monteith: Native Helper and Assistant in the Jamaica Mission at New Carmel.” Callaloo: A Journal of African Diaspora Arts and Letters 13.1 (1990): 102-14.

MORDECAI, PAMELA

Ehling, Holger G. “Publishing in the Caribbean: An Interview with Pamela Mordecai.” Matatu: Journal for African Culture and Society 12 (1994): 171-77.

Savory Fido, Elaine. “En/Gendering Spaces: The Poetry of Marlene Nourbese Philip and Pamela Mordecai.” Framing the Word: Gender and Genre in Caribbean Women’s Writing. Ed. Joan Anim-Addo.London: Whiting and Birch, 1996. 12-27.

MORRIS, MERVYN

Chang, Victor Lloyd. Three Caribbean Poets on Their Work: E. Kamau Brathwaite, Mervyn Morris, Lorna Goodison. Mona: Institute of Caribbean Studies, the University of the West Indies, 1993.

Collins, Loretta Kaye. “The Role of Creole Orature, Caribbean Performance Poetry, and Across-Class Collaborations in the Development of Jamaican Literary and Popular Arts: An Interview with Mervyn Morris.” Journal of Commonwealth and Postcolonial Studies 6.1 (1999): 30-65.

Mordecai, Pamela. “Mervyn Morris (1937- ).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 341-56.

Morrison, Derrilyn. “The art of Mervyn Morris: An examination of two poems.” Caribbean Studies 27.3

<

PALMER, OPAL ADISA

Feng, Pin chia. “Rituals of Rememory: Afro-Caribbean Religions in Myal and It Begins with Tears.” MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 27.1 (2002): 149-75.

Flockemann, Miki. “Language and Self in Opal Palmer Adisa’s Bake-Face and Other Guava Stories.’” Ariel 24.1 (1993): 59-73.

Hornung, Alfred and Ernstpeter Ruhe. “Postcolonialism and Autobiography: Michelle Cliff, David

Dabydeen, Opal Palmer Adisa.” Postcolonialism and Autobiography 1996 (Würzburg):

Textxet. Amsterdam: Rodopi, 1998.

O’Callaghan, Evelyn. “Feminist Consciousness: European/American Theory, Jamaican Stories.” Journal of Caribbean Studies 6.2 (1988): 143-62.

Palmer, Opal Adisa. “She Scrape She Knee: The Theme of My Work.” Caribbean Women Writers:

Essays from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley: Calaloux, 1990. 145-50.

Spencer, Suzette A. “Shall We Gather at the River?: Ritual, Benign Forms of Injury, and the Wounds of Displaced Women in Opal Palmer Adisa’s It Begins with Tears.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 4 (2001): 108-18.

PATTERSON, H.ORLANDO

Diggory, Terence. “`Neo-Puritan’ or `legalistic’? Orlando Patterson’s critique of feminism.” Salgamundi:

A Quarterly of the Humanities and Social Sciences.101-102 (1994): 142 (9).

Hillman, Richard S. and Margaret V. Ekstrom. “Political cynicism in contemporary Caribbean fiction.”

SECOLAS Annals: Journal of the Southeastern Council on Latin American Studies 21 (1990):

71-78.

Jones, Bridget. “Some French Influences in the Fiction of Orlando Patterson.” Savacou: A Journal of the Caribbean Artists Movement 11-12 (1975): 27-38.

---. “Orlando Patterson (1940- ).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook.

Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 368-76.

Pousse, Michel. “‘Entre le diable et la mer bleue et profonde’: Sisyphe désespéré dans la Kingston maudite d’Orlando Patterson.” La Ville plurielle dans la fiction antillaise anglophone: Images

de l’interculturel. Ed. Corinne DuBoin and Eric Tabuteau. Interlangues: Littératures. Toulouse:

Presses universitaires du Mirail, 2000. 25-40.

Williams, Richard. “Orlando Patterson Interview.” Sociological Forum: Official Journal of the Eastern Sociological Society 10.4 (1995): 653-72.

POLLARD, VELMA

Dance, Daryl Cumber. “A Conversation with Velma Pollard.” College Language Association Journal 47.3 (2004): 259-98.

Pollard, Velma. “The Most Important Reason I Write.” Caribbean Women Writers: Fiction in English.

Ed. Maryse Condé and Thorunn Lonsdale. New York, NY: St. Martin’s, 1999. 17-22.

POWELL, PATRICIA

Detar, Elizabeth Anne. Intimacies of Empire: Post-Colonial Women’s Writing from the Caribbean, France and United States. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 63[6], 2232. 2002. University of California, Santa Cruz.

Garvey, Johanna X. K. “Complicating Categories: ‘Race’ and Sexuality in Caribbean Women’s Fiction.” Journal of Commonwealth and Postcolonial Studies 10.1 (2003): 94-120.



Pages:     | 1 |   ...   | 34 | 35 || 37 | 38 |   ...   | 194 |


Similar works:

«Die Fusion UBS-SBV aus der Sicht der Wettbewerbspolitik* Thomas von Ungern-Sternberg und Damien Neven Universität Lausanne *Diese Arbeit ist das Ergebnis eines intensiven Gedankenaustausches zwischen den beiden Autoren. Für die vorliegende Deutsche Fassung der Arbeit übernimmt der erste Autor die Verantwortung für die Formulierung und Gewichtung der Argumente. In Kürze wird eine französische Fassung erscheinen, in welcher der zweite Autor das letzte Wort hat. Zusammenfassung...»

«Tagg: Music’s Meanings  343 [NM10-Vox.fm. 2013-02-13, 23:50] 10. Vocal persona  HE VOICE is mankind’s primary musical instrument.1 Its impor‐ tance has already been mentioned in conjunction with prosody, with  timbre  and  aural  staging,  with  pitch  range  and  register, and of course with melody. As we’ll see in Chapter 13, voice is also at the basis of several musical sign types, including transscansions, lan‐ guage ...»

«Chapter XVa Jokes and Other Aesthetic Matters 1. The Aesthetics of Humour The Joke I Didn’t Get Kenny was the humorist in my eighth-grade class. One day he told a number of us this joke: Two elephants are sitting in a bathtub. One of them says, “Pass the soap, Millicent.” The other replies, “No soap—radio.” Kenny grinned nervously at the end of the joke. The listeners smiled politely and half-heartedly. We walked away, wondering what was supposed to be funny. I puzzled over this...»

«ACTA SZEGEDIENSIA COLLEGII DE ROLANDO EÖTVÖS NOMINATI 2. EÖTVÖZET II. Az Eötvös József Collegium és az Eötvös Loránd Kollégium II. közös bölcsészkonferenciáján elhangzott előadások (Szeged, Eötvös Loránd Kollégium, 2013. május 10) A kötetet szerkesztették: GELLÉRFI GERGŐ és HAJDÚ ATTILA SZEGED A pályázat az Emberi Erőforrások Minisztériuma megbízásából az Oktatáskutató és Fejlesztő Intézet és az Emberi Erőforrás Támogatáskezelő által...»

«PROJECT SERVE Service-Empowerment-Revitalization-Volunteerism-Employment-Training THREE-YEAR REPORT 2005 -2007 Project SERVE, now in its tenth year, is a Living Classrooms Foundation initiative working with communities in East Baltimore. Our mission is to positively impact young adults with on the job training, and help distressed communities with direct services while stimulating the involvement of residents in addressing community needs. Our goals are to provide life changing, workforce...»

«AMI Module #2 The 10 Fundamental Rules to Profitable Auto Investing This section is a supplement to our audio discussion.1) The car must be under the predicted market value to be worth your time. The absolute backbone to any investing is to buy low and sell high. To get the largest swings you’ll need to buy below what you think you can sell the car for. They key to getting a sense for relative values of investments is to see a high volume of deal flow. We believe you can accomplish this if...»

«Final Conference: Abstracts Session 1: Textual Communities Kate Koppy (Purdue University) A Community of Copyists and Writers: Collaborative Composition in Findern (Cambridge Ms Ff.1.6) The Findern Manuscript, Cambridge University Library Ms Ff.1.6, is a fascinating Middle-English miscellany whose contents include such a variety of texts as excerpts from works by Chaucer, Gower, and Lydgate; lyric poetry attested only in this manuscript; and notes on the heraldry of European kings. Building on...»

«Live to Learn Keith Phillip Voss sits aJ the kitchen table with a never-ending cup of bLack coffee and tells his Story.. I've done a lot of things and collected a lot of things. I was never satisfied without learning as much as possible about whatever interested me. Some of my lifelong interests have included rocks, spiders, snakes, frogs, birds of prey, Smith & Wesson revolvers, Winchester.single~shot rifles, all the different metallic cartridges, old Heddon fishing lures. Mason brand wooden...»

«     A University of Sussex DPhil thesis  Available online via Sussex Research Online:  http://sro.sussex.ac.uk/    This thesis is protected by copyright which belongs to the author.    This thesis cannot be reproduced or quoted extensively from without first  obtaining permission in writing from the Author    The content must not be changed in any way or sold commercially in any ...»

«54 ica Resumenes AbstRActs International Congress of Americanists Congresso Internacional de Americanistas Congreso Internacional de Americanistas       Estimados participantes del 54 ICA!  Esta memoria USB contiene el programa completo del ICA 54, incluyendo los resumenes de todos los  simposios y ponencias correspondientes, asi como las fechas, horas y número de sala de cada  simposio. También encontrará un calendario de los simposios.  ...»

«Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of...»

«Romantic European Nostalgia: Japanese 'Gosurori' Fashion Noriko Onohara Abstract This paper will introduce and detail a current Japanese fashion style called Gosurori (Gosufrom Gothic and -rori from Lolita), and it will be distinguished from a more general and seemingly similar, though quite different, fashion trend called cosupurei (or cosplay, costume play). Gosurori fashion seems to be a chaotic style, with dark Gothic clothing, accessories, and makeup mixed together with the cute looks of a...»





 
<<  HOME   |    CONTACTS
2016 www.abstract.xlibx.info - Free e-library - Abstract, dissertation, book

Materials of this site are available for review, all rights belong to their respective owners.
If you do not agree with the fact that your material is placed on this site, please, email us, we will within 1-2 business days delete him.