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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Rodopi, 2003. 179-201.

Smith, Angela. “Long Memoried Women: Oodegroo Noonuccal and Jamaican Poet, Louise Bennett.” Australian Literary Studies 16.4 (1994): 77 (15).

Wheeler, Elizabeth Anne. “Riddym Ravings: Female and National Identity in Jamaican Poetry.” Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity. Ed. Helen Ryan-Ransom. Bowling Green, OH: Popular, 1993. 139-53.

BREEZE, JEAN BINTA

Breeze, Jean and Jenny Sharpe. “Dub and Difference: A Conversation with Jean ‘Binta’ Breeze.” Callaloo: A Journal of African Diaspora Arts and Letters 26.3 (2003): 607-13.

Cooper, Carolyn Joy. “Words Unbroken by the Beat: The Performance Poetry of Jean Binta Breeze and Mikey Smith.” Wasafiri 11 (1990): 7-13.

Sharpe, Jenny. “Cartographies of Globalisation, Technologies of Gendered Subjectivities: The Dub Poetry of Jean ‘Binta’ Breeze.” Gender & History 15.3 (2003): 440-59.

BRODBER, ERNA

Brodber, Erna. “Fiction in the Scientific Procedure.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley: Calaloux, 1990. 164-68.

---. “Beyond the Boundary: Magical Realism in the Jamaican Frame of Reference.” Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Ed. Timothy J. Reiss.Trenton, NJ: Africa World, 2002. 15-24.

Cobham-Sander, C. Rhonda. “Revisioning Our Kumblas: Transforming Feminist and Nationalist Agendas in Three Caribbean Women’s Texts.” Callaloo: A Journal of African Diaspora Arts and Letters 16.1 (1993): 44-64.

---. “Revisioning Our Kumblas: Transforming Feminist and Nationalist Agendas in Three Caribbean Women’s Texts.” Postcolonial Theory and the United States: Race, Ethnicity, and Literature.

Ed. Amritjit Singh and Peter Schmidt. Jackson, MS: University Press of Mississippi, 2000.

300-19.

Cooper, Carolyn Joy. “Afro-Jamaican Folk: Elements in Brodber’s Jane and Louisa Will Soon Come Home.” Out of the Kumbla: Caribbean Women and Literature. Ed. Carole Boyce Davies and Elaine Savory Fido. Trenton, NJ: Africa World Press, 1990. 279-88.

Dance, Daryl Cumber. “Go Eena Kumbla: A Comparison of Erna Brodber’s Jane and Louisa Will Soon Come Home and Toni Cade Bambara’s The Salt Eaters.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley: Calaloux, 1990. 169Feng, Pin chia. “Rituals of Rememory: Afro-Caribbean Religions in Myal and It Begins with Tears.” MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 27.1 (2002): 149-75.

Fumagalli, Maria Cristina. “Remembering the Contemporary: Lady Mary Wroth and Erna Brodber.” Centre of Remembrance: Memory and Caribbean Women’s Literature. Ed. Joan Anim-Addo and Marlene NourbeSe Philip. London, England: Mango, 2002. 81-94.

Harris, Wilson. “The Life of Myth and Its Possible Bearing on Erna Brodber’s Fictions Jane and Louisa Will Soon Come Home and Myal.” Kunapipi: Journal of Postcolonial Writing 12.3 (1990): 86Humphrey, Lesley. “A Myriad of Circles: The Kumbla Image in Erna Brodber’s Jane and Louisa Will

Soon Come Home.” Contemporary Commonwealth Fiction. Ed. John Thieme. Aarhus:

ACLALS Bulletin Eight Series, 1, 1989. 29-38.

James, Cynthia. “Reconnecting the Caribbean-American Diaspora in Paule Marshall’s Brown Girl, Brownstones and Erna Brodber’s Louisiana.” College Language Association Journal 45.2 (2001): 151-70.

---. “Gender and Hemispheric Shifts in the Caribbean Narrative in English at the Close of the 20th Century: A Study of Paule Marshall’s Daughters and Erna Brodber’s Louisiana.” Jouvert: A Journal of Postcolonial Studies 5.3 (2001).

Khair, Tabish. “‘Correct(ing) Images from the Inside’: Reading the Limits of Erna Brodber’s Myal.” The Journal of Commonwealth Literature 37.1 (2002): 121-32.

Kortenaar, Neil ten. “Foreign Possessions: Erna Brodber’s Myal, the Medium, and Her Message.” Ariel: A Review of International English Literature (Calgary) 30.4 (1999): 51-73.

Kutzinski, Vera M. “Borders, Bodies, and Regions: The United States and the Caribbean.” A Companion to the Regional Literatures of America. Ed. Charles L. Crow. Blackwell Companions to Literature and Culture: 21. Malden, MA: Blackwell, 2003. 171-91.

Maximin, Colette. “Distinction and Dialogism in Jamaica: Myal by Erna Brodber.” Commonwealth Essays and Studies 21.2 (1999): 49-62.

Narain, Denise deCaires. “The Body of the Woman in the Body of the Text: The Novels of Erna Brodber.” Caribbean Women Writers: Fiction in English. Ed. Maryse Condé and Thorunn Lonsdale. New York, NY: St. Martin’s, 1999. 97-116.

O’Callaghan, Evelyn. “Erna Brodber.” Fifty Caribbean Writers: A Bio-Bibliographical Sourcebook. Ed.

Daryl Cumber Dance. Westport, CT: Greenwood Press, 1986. 71-82.

---. “Engineering the Female Subject: Erna Brodber’s Myal.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 228-39.

Oczkowicz, Edyta. “Triadic Empowerment: Invention of Female Identity in Erna Brodber’s Myal and Louisiana.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 1 (1998): 145-53.





Pollard, Velma. “Blurring Cultural Boundaries: The Balm Yard in Olive Senior’s Discerner of Hearts and Erna Brodber’s Myal.” The Caribbean Quarterly 43.4 (1997): 37-46.

Powell, Joan Miller. “The Conflict of Becoming: Cultural Hybridity and the Representation of Focalization in Caribbean Literature.” Literature and Psychology: News-Letter of the Conference on Literature and Psychology of the Modern Language Association of America 45.1-2 (1999): 63-93.

Puri, Shalini. “An other’ realism: Erna Brodber’s Myal.” Ariel: A Review of International English Literature (Calgary) 24.3 (1993): 95-115.

Sanz, Ileana. “Envisioning a Caribbean Humanism in the Works of Two Writers From the Region.” The Caribbean Quarterly 43.4 (1997): 74-80.

Saunders, Patricia Joan. Beyond Caliban: (Dis)Forming Identity and Being in Contemporary Anglophone Caribbean Literature. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 60[4], 1140-41. 1999. University of Pittsburgh. 1999.

---. “The Project of Becoming for Marlene Nourbese-Philip and Erna Brodber.” Bucknell Review: A Scholarly Journal of Letters, Arts and Sciences 44.2 (2001): 133-59.

Tiffin, Helen M. “Decolonization and Audience: Erna Brodber’s Myal and Jamaica Kincaid’s A Small Place.” SPAN: Journal of the South Pacific Association for Commonwealth Literature and Language Studies 30 (1990): 27-38.

---. “Cold Hearts and (Foreign) Tongues: Recitation and the Reclamation of the Female Body in the Works of Erna Brodber and Jamaica Kincaid.” Callaloo: A Journal of African Diaspora Arts and Letters 16.4 (1993): 909-21.

Walker-Johnson, Joyce. “Autobiography, History, and the Novel: Erna Brodber’s Jane and Louisa Will Soon Come Home.” The Journal of West Indian Literature 3.1 (1989): 47-49.

---. “Myal: Text and Context.” The Journal of West Indian Literature 5.1 and 2 (1992): 48-64.

Webb, Barbara J. “Erna Brodber.” Twentieth-Century Caribbean and Black African Writers, Third Series. Ed. Bernth Lindfors. Dictionary of Literary Biography (DLB): 157. Detroit, MI: Gale, 1996. 17-26.

BROWN, LLOYD W.

Struselis, Alison. “Postcolonial Ghosts in the Caribbean: Lloyd W. Brown’s Duppies.” World Literature Written in English 39.1 (2001): 97-106.

CAMPBELL, GEORGE

Asein, Samuel Omo. “The Protest Tradition in West Indian Poetry from George Campbell to Martin Carter.” Jamaica Journal 6.2 (1972): 40-45.

CAMPBELL, HAZEL D.

O’Callaghan, Evelyn. “Feminist Consciousness: European/American Theory, Jamaican Stories.” Journal of Caribbean Studies 6.2 (1988): 143-62.

CLIFF, MICHELLE

Want zwijgen biedt geen bescherming: Portretten van zwarte schrijfsters. Ed. Mavis Carrilho and Tineke van den Houten. Amsterdam: Katijf, 1985.

Aegerter, Lindsay Pentolfe. “Michelle Cliff and the Matrix of Identity.” Journal of Caribbean Literatures 1.1 (1997): 7-20.

---. “Michelle Cliff and the Paradox of Privilege.” College English 59.8 (1997): 898-915.

Agosto, Noraida. Michelle Cliff’s Novels: Piecing the Tapestry of Memory and History. New York: Peter Lang, 1999.

Aguiar, Marian. “Decolonizing the Tongue: Reading Speech and Aphasia In the Work of Michelle Cliff.” Literature and Psychology: News-Letter of the Conference on Literature and Psychology of the Modern Language Association of America 47.1/2 (2001): 94 (15).

Barnes, Fiona Ruthven. “Resisting Cultural Cannibalism: Oppositional Narratives in Michelle Cliff’s No Telephone to Heaven.” The Journal of the Midwest Modern Language Association 25.1 (1992): 23-31.

Bost, Suzanne. “Fluidity without Postmodernism: Michelle Cliff and the ‘Tragic Mulatta’ Tradition.” African American Review 32.4 (1998): 673-89.

Brice-Finch, Jacqueline LaVerne. “Michelle Cliff.” Twentieth-Century Caribbean and Black African Writers, Third Series. Ed. Bernth Lindfors. Dictionary of Literary Biography (DLB): 157. Detroit, MI: Gale, 1996. 49-58.

Bus, Heiner. “‘Good Fences Make Good Neighbors?’: Open and Closed Borders in the Fictions of Paule Marshall, Toni Morrison, and Michelle Cliff, and in José Martí’s Our America.” Revista Canaria de Estudios Ingleses 43 (2001): 119-32.

Cartelli, Thomas. “After The Tempest: Shakespeare, Postcoloniality, and Michelle Cliff’s New, New World Miranda.” Contemporary Literature 36.1 (1995): 82-102.

Chancy, Myriam Josèphe Aimée. “Exile and Resistance: Retelling History as a Revolutionary Act in

the Writings of Michelle Cliff and Marie Chauvet.” Journal of Caribbean Studies 9.3 (1993):

266-92.

Chin, Timothy S. “‘Bullers’ and ‘Battymen’: Contesting Homophobia in Black Popular Culture and Contemporary Caribbean Literature.” Callaloo: A Journal of African Diaspora Arts and Letters 20.1 (1997): 127-41.

Clarke, Joseph Nathaniel. An Acre of Ground: Figuring Identity in Anglophone Caribbean Fiction.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 62[9], 3052. 2002. Rutgers U, New Brunswick. 2001.

Cliff, Michelle. “Clare Savage As a Crossroads Character.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley: Calaloux, 1990. 263-68.

---. “An Interview with Meryl F. Schwartz.” Contemporary Literature 34.4 (1993): 595-619.

---. “Poetry Is a Way of Reaching Out to What is Reaching for You.” The American Poetry Review 24.4 (1995): 29-35.

Comfort, Susan Marguerite. Memory, Identity, and Exile in Postcolonial Caribbean Fiction. Dissertation Abstracts International 55[10], 3187A. 1995. University of Texas, Austin. 1994.

Donald-Smythe, Antonia. Making Herself at Home in the West/Indies: The Gendered Construction of Identity in the Writings of Michelle Cliff and Jamaica Kincaid. Dissertation Abstracts International 57[5], 2027A. 1996. Ohio State University, 1996.

---. Making Homes in the West/Indies: Constructions of Subjectivity in the Writings of Michelle Cliff and Jamaica Kincaid. New York: Garland, 2001, xiv, 209.

Edlmair, Barbara. Rewriting History: Alternative Versions of the Caribbean Past in Michelle Cliff, Rosario Ferré, Jamaica Kincaid and Daniel Maximin. Wien: Braumüller, 1999.

Edmondson, Belinda Joy. “Race, Privilege, and the Politics of (Re)Writing History: An Analysis of the

Novels of Michelle Cliff.” Callaloo: A Journal of African Diaspora Arts and Letters 16.1 (1993):

180-91.

Elia, Nada. “‘A Man Who Wants to Be a Woman’: Queerness as/and Healing Practices in Michelle Cliff’s No Telephone to Heaven.” Callaloo: A Journal of African Diaspora Arts and Letters 23.1 (2000): 352-65.

---. Trances, Dances, and Vociferations: Agency and Resitance in Africana Women’s Narratives. New York: Garland Publ. Inc., 2001.

Emery, Mary Lou. “Refiguring the Postcolonial Imagination: Tropes of Visuality in Writing by Rhys, Kincaid, and Cliff.” Tulsa Studies in Women’s Literature 16.2 (1997): 259-80.

Gifford, William Tell. Narrative and the Nature of Worldview in the Clare Savage Novels of Michelle Cliff. New York, NY: Peter Lang, 2003, 130.

Hart, David W. “Caribbean Chronotopes: From Exile to Agency.” Anthurium: A Caribbean Studies Journal 2.2 (2004).

Hornung, Alfred and Ernstpeter Ruhe. “Postcolonialism and Autobiography: Michelle Cliff, David

Dabydeen, Opal Palmer Adisa.” Postcolonialism and Autobiography 1996 (Würzburg):

Textxet. Amsterdam: Rodopi, 1998.

Hoving, Isabel. “The Dark Dank Places of My Silence: Silence, Sexuality, and the Experience of Two Caribbean Women Writers.” Journal of Caribbean Studies 9.3 (1993): 202-09.

---. “‘I and I.’ Etniciteit, sekse en verteltechniek bij Michelle Cliff en Jamaica Kincaid.” Tijdschrift voor vrouwenstudies 15.1 (1994): 46-61.

---. “Love in the Third World: Two Caribbean Women Writers on Myths about the Relation between Sexuality and Race.” Thamyris: Mythmaking from Past to Present 2.2 (1995): 151-75.

Ilmonen, Kaisa. “Rethinking the Past, Rewriting the History: Counter-Narratives in Michelle Cliff’s Abeng.” Atlantic Literary Review 3.2 (2002): 110-29.

Issen, Laura Michelle. Expressions of Socioeconomic and Cultural Complexities in Works by Derek

Walcott, Jamaica Kincaid, and Michelle Cliff. Dissertation Abstracts International, Section A:

The Humanities and Social Sciences 61[8], 3180. 2001. University of Texas, Austin. 2000.

Johnson, Lemuel A. “A-Beng: (Re)Calling the Body in (to) Question.” Out of the Kumbla: Caribbean

Women and Literature. Ed. Carole Boyce Davies and Elaine Savory Fido. Trenton, USA:

Africa World Press, 1990. 111-42.



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