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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Wallerstein, I. “Walter Rodney: The Historian as Spokesman for Historical Forces.” American Ethnologist 13.2 (1986): 330-37.

SEYMOUR, ARTHUR J.

Brown, Lloyd W. “The Guyanese Voice in West Indian Poetry: A Review of Arthur J. Seymour.” World Literature Written in English 15 (1976): 246-52.

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Dolphin, Celeste. “The Poetry of A.J. Seymour.” New World 1. April (1965): 31-39.

McLeod, Alan L. “Tradition and Transition: A. J. Seymour and the Poetry of Guyana.” ACLALS Bulletin 6.1 (1982): 42-54.

SHEWCHARAN, NARMALA

Mehta, Brinda J. “‘Gendering the Nation’: Reading Indo-Caribbean Feminism in Narmala Shewcharan’s Tomorrow is Another Day.” Wadabagei: Journal of the Caribbean and Its Diaspora 7.1 (2004): 117-68.

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Gafoor, Ameena. “The Depiction of Indo-Caribbean Female Experience by the Regional Woman Writer: Jan Shinebourne’s The Last English Plantation.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 128-39.

Pyne-Timothy, Helen. “Language as Subversion in Postcolonial Literature: The Case of Two Caribbean Women Writers.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 1 (1998): 101-14.

Shinebourne, Janice. “Twin Influences: Guyana in the 1960s and Anglophone Caribbean Literature.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R.

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Bone, Robert. “Eric Walrond.” Down Home: A History of Afro-American Short Fiction from Its Beginnings to the End of the Harlem Renaissance. New York: Putnam, 1975. 171-203.

Charras, Françoise. “Writing on the External Frontiers of the Caribbean: Eric Walrond and Vernon Anderson.” GRAAT: Publication des Groupes de Recherches Anglo-Américaines de l’université François Rabelais de Tours 27 (2003): 245-66.

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Martin, Tony. “The Defectors - Eric Walrond and Claude McKay.” Literary Garveyism. Dover: Majority Press, 1983. 124-38.

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Stephens, Michelle A. “Eric Walrond’s Tropic Death and the Discontents of American Modernity.” Prospero’s Isles: The Presence of the Caribbean in the American Imaginary. Ed. Diane Accaria-Zavala and Rodolfo Popelnik. Basingstoke: Palgrave Macmillan, 2004. 167-78.

Wade, Carl A. “African-American Aesthetics and the Short Fiction of Eric Walrond: Tropic Death and the Harlem.” College Language Association Journal 42.4 (1999): 403 (27).

WILLIAMS, DENIS

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James, Louis. “Denis Williams.” Twentieth-Century Caribbean and Black African Writers, First Series.

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Lawrence, Leota S. “From Cultural Ambivalence to the Celebration of the African Heritage in British West Indian Literature.” College Language Association Journal 23 (1979): 220-33.

Ramraj, Victor J. “Dennis Williams (1923- ).” Fifty Caribbean Writers. A Bio-Bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 483-92.

JAMAICAGENERAL STUDIES

Alleyne, Mike. “Positive Vibration? Capitalist Textual Hegemony and Bob Marley.” Caribbean Romances: The Politics of Regional Representation. Ed. Belinda Joy Edmondson. New World Studies. Charlottesville, VA: University Press of Virginia, 1999. 92-104.

Alston, James Anthony. The Role of Music in Rastafarian Society in Jamaica, 1930-1995. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 60[2], 280. 1999.

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Amoaku, William K. “African Retentions in the Music of Jamaica.” The Diffusion of the Afro-American Idiom in the Western Hemisphere. Ed. Vada E. Butcher. Final Report to the National





Endowment for the Humanities, Grant No. ES 5962-72-492, 1972-1976: 3. Washington:

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Asein, Samuel Omo. “The Protest Tradition in West Indian Poetry from George Campbell to Martin Carter.” Jamaica Journal 6.2 (1972): 40-45.

Brathwaite, Edward Kamau. The Development of Creole Society In Jamaica, 1770-1820. Oxford:

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Cartelli, Thomas. “After The Tempest: Shakespeare, Postcoloniality, and Michelle Cliff’s New, New World Miranda.” Contemporary Literature 36.1 (1995): 82-102.

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Dance, Daryl Cumber. Folklore From Contemporary Jamaicans. Knoxville: University of Tennessee Press, 1985.

Downes, Melissa Kimball. “Ladies of Ill-Repute: The South Sea Bubble, the Caribbean, and The Jamaica Lady.” Studies in Eighteenth-Century Culture 33 (2004): 23-48.

Ferguson, Moira. Colonialism and Gender Relations From Mary Wollstonecraft to Jamaica Kincaid:

East Caribbean Connections. New York: Colombia University Press, 1993.

Fido, Elaine Savory. “Finding a Way to Tell It: Methodology and Commitment in Theatre About Women in Barbados and Jamaica.” Out of the Kumbla: Caribbean Women and Literature. Ed. Carole Boyce Davies and Elaine Savory Fido. Trenton, NJ: Africa World Press, 1990. 331-43.

Harrawood, Michael. “Shakespeare in the Caribbean: The Morant Bay Massacre, Jamaica, 1865.” Modern Language Quarterly: A Journal of Literary History 65.2 (2004): 269-92.

Hill, Errol. The Jamaica Stage, 1655-1900: Profile of a Colonial Theatre. Amhurst, Massachusetts:

University of Massachusetts Press, 1992.

Johnson, Lemuel A. “The Inventions of Paradise: The Caribbean and the Utopian Bent.” Poetics Today 15.4, Loci of Enunciation and Imaginary Constructions: The Case of (Latin) America, I (1994): 685-724.

Lalla, Barbara. Voices in Exile: Jamaican Texts of the 18th and 19th Centuries. Ed. Barbara Lalla.

Tuscaloosa: University of Alabama Press, 1989.

Lewis, Maureen Warner. “The Nkuyu: Spirit Messengers of the Kumina.” Savacou: A Journal of the Caribbean Artists Movement 13 (1977): 57.

Mitchell, Keith Bernard. In the Wake of the World: Legacies of Colonial and Postcolonial Violence in the Contemporary West Indian Novel. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 65[4], 1357-58. 2004. University of North Carolina, Chapel Hill.

Nettleford, Rex. “Identidad nacional y actitudes raciales en Jamaica.” Casa de las Américas 91 (1975):

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Palmer, Opal Adisa. “Tallawah Marketwoman and Rebel: Writing As Cultural Production.” Colonies, Missions, Cultures in the English Speaking World: General and Comparative Studies. Ed.

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Paravisini-Gebert, Lizabeth. “The Alienation of Power: The Woman Writer and the Planter-Heroine in Caribbean Literature.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 3-11.

Payette, Patricia Ruth. Living in Jane Eyre’s Shadow: Jane’s Intertextual Presence in Works by Maya Angelou, Bharati Mukherjee, Michelle Cliff, and Jamaica Kincaid. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 62[7], 2436. 2002. Michigan State University, 2001.

Pollard, Velma. “Word Sounds: The Language of Rastafari in Barbados and St. Lucia.” Jamaica Journal 17.1 (1984): 57-62.

Rodríguez-Carranza, Luz and Nadia Lie. “A Comparative Analysis of Caribbean Literary Magazines:

1960-1980.” A History of Literature in the Caribbean. Volume 3: Cross-Cultural Studies. Ed. A.

James Arnold. Amsterdam/Philadelphia: John Benjamins, 1997. 119-60.

Simpson, George Eaton. “The Nine Night Ceremony in Jamaica.” The Journal of American Folklore 70.278 (1957): 329-35.

Stephens, Rebecca Lynn. Immigrant Women Writers and the Specter of Multiplicity: Articulations of Subjectivity and Nationalism in the Texts of Julia Alvarez, Christina Garcia, Le Ly Hayslip, Jamaica and Bharati Mukherjee. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 58[8], 3137. 1998. Washington State University, 1997.

Thompson, Thelma B. “Their Pens, Their Swords: New Jamaican Women Poets and Political Statement in Nation Language.” Studies in the Literary Imagination 26.2 (1993): 45-62.

Vanderauwera, Ria and Wim Neeters. “De grote overtocht: proza en poëzie uit het Caraïbische gebied.” Restant literair 11.2 (1983): 1-296.

ALLEN, LILIAN

Bucknor, Michael Andrew. “Body-Vibes: (S)pacing the Performance in Lillian Allen’s Dub Poetry.” Thamyris: Mythmaking from Past to Present 5.2 (1998): 301-22.

Casas, Maria Caridad. “Orality and Literacy in a Postcolonial World.” Social Semiotics 8.1 (1998): 5Orality and the Body in the Poetry of Lillian Allen and Dionne Brand: Towards an Embodied Social Semiotics.” Ariel: A Review of International English Literature (Calgary) 33.2 (2002): 7-32.

---. “Whose Rhythm? Textualized Riddim in Lillian Allen’s Women Do This Every Day.” Essays on Canadian Writing 83 (2004): 167-87.

BARRETT, LINDSAY

Edwards, Norval Nadi. “Lindsay Barrett (1941- ).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 26-34.

Royster, Philip M. “The Curse of Capitalism in the Caribbean: Purpose and Theme in Lindsay Barrett’s Song for Mumu.” Obsidian II: Black Literature in Review 2.2 (1987): 3-22.

BENNETT, LOUISE

Brown, Lloyd W. “The Oral Tradition: Sparrow and Louise Bennett.” West Indian Poetry. Boston:

Twayne, 1978. 100-17.

Cooper, Carolyn Joy. “Noh Lickle Twang: An Introduction to the Poetry of Louise Bennett.” World Literature Written in English 17 (1978): 317-27.

---. “The Female Sensibility in the Poetry of Louise Bennett: ‘That Cunny Jamma Oman.’” Gender, Culture and Caribbean Development (1st;8/19-06-1987;Mona) Mona: Women and Development Studies, University of the West Indies, 1987.

---. “‘West Indies Plight’: Louise Bennett and the Cultural Politics Federation.” Social and Economic Studies 48.4 (1999): 211-28.

Doumerc, Eric. “Louise Bennett and the Mento Tradition.” Ariel: A Review of International English Literature (Calgary) 31.4 (2000): 23-31.

Erwin, Lee. “Two Jamaican Women Writers and the Uses of Creole.” Commonwealth and American Women’s Discourse: Essays in Criticism. Ed. Alan L. McLeod. New Delhi, India: Sterling, 1996. 124-34.

Farquharson, Joseph T. “Literary Revolution and Decolonisation in Louise Bennett’s Poetry.” Sargasso: Literature, Language, Culture. 2 (2002): 46-55.

Hoenisch, Michael E. “Louise Bennett.” Twentieth-Century Caribbean and Black African Writers, First Series. Ed. Bernth Lindfors and Reinhard Sander. Dictionary of Literary Biography (DLB): 117.

Detroit, MI: Gale, 1992. 93-97.

---. “Louise Bennett: Between Subcultures.” Alternative Cultures in the Caribbean: First International Conference of the Society of Caribbean Research, Berlin 1988. Ed. Thomas Bremer and Ulrich Fleischmann. Bibliotheca Ibero-Americana. Frankfurt am Main: Vervuert, 1993. 181-92.

Morris, Mervyn. “On Reading Louise Bennett, Seriously.” Jamaica Journal 1.1 (1967): 69-74.

---. “Louise Bennett in Print.” The Caribbean Quarterly 28. March-June (1982): 44-56.

---. “Louise Bennett (1919- ).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Ed.

Daryl Cumber Dance. New York: Greenwood Press, 1986. 35-45.

Ramazani, Jahan. The Hybrid Muse: Postcolonial Poetry in English. Chicago: University of Chicago Press, 2001.

Simmons-McDonald, Hazel. “Decolonizing English: The Caribbean Counter-Thrust.” The Politics of English as a World Language: New Horizons in Postcolonial Cultural Studies. Ed. Christian

Mair. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 65. Amsterdam:



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