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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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---. “‘Inimitable Painting’: New Developments in Wilson Harris’s Latest Fiction.” Ariel: A Review of International English Literature (Calgary) 8.3 (1977): 63-80.

---. “Wilson Harris.” West Indian Literature. Ed. Bruce King.London: Macmillan, 1979. 179.

---. “Fictional Breakthrough and the Unveiling of ‘Unspeakable Rites’ in Patrick White’s A Fringe of Leaves and Wilson Harris’s Yurokon.” Kunapipi: Journal of Postcolonial Writing 2.2 (1980): 33Wilson Harris. Boston: Twayne, 1982.

---. “Faces on the Canvas: The Resurrection Theme in The Three of the Sun.” World Literature Written in English 22. Spring 1983 (1983): 88-98.

---. “Altering Boundaries: The Art of Translation in Angel at the Gate and The Twyborn Affair.” World Literature Written in English 23. Winter 1984 (1984): 165-74.

---. “History and Myth in Wilson Harris’s Short Fiction: ‘The Mind of Awakaipu.’” Journal of the Short Story in English 4 (1985): 67-75.

---. “Wilson Harris and the Modern Tradition.” Research in African Literatures 20.1 (1989): 134.

---. “Ulyssean Carnival: Epic Metamorphoses in Wilson Harris’s Trilogy.” Callaloo: A Journal of African Diaspora Arts and Letters 18.1 (1995): 45-58.

---. “Another Future for Post-Colonial Studies? Wilson Harris’ Post-Colonial Philosophy and the ‘Savage Mind.’” Wasafiri 24 (1996): 3-8.

---. “Charting the Uncapturable in Wilson Harris’s Writing.” The Review of Contemporary Fiction 17.2 (1997): 90-97.

---. Wilson Harris. Groningen: Martinus Nijhoff, 1997.

---. “Interculturalism and ‘Alternative Fictions’ in Britain Today.” English Literatures in International Contexts. Ed. Heinz Antor and Klaus Stierstorfer. Anglistische Forschungen (AF): 283.

Heidelberg: Carl Winter Universitätsverlag, 2000. 1-14.

---. “‘Unimaginable Imaginer’: The Dark Jester.” Theatre of the Arts: Wilson Harris and the Caribbean.

Ed. Hena Maes-Jelinek and Bénédicte Ledent. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 217-29.

Maes-Jelinek, Hena and Bénédicte Ledent. Theatre of the Arts: Wilson Harris and the Caribbean.

Amsterdam: Rodopi, 2002, xxi, 254.

Mccarthy, Cameron. “The Predicament of Cultures: Wilson Harris, Postcolonial Literature, and the Curriculum in Troubled Times.” Studies in the Linguistic Sciences 31.1 (2001): 3-17.

Mccarthy, Cameron and Greg Dimitriadis. “Postcolonial Literature and the Curricular Imagination:

Wilson Harris and the Pedagogical Implications of the Carnivalesque.” Educational Philosophy and Theory 36.2 (2004): 201-14.

McDougall, Russell John. A Casement, Triple-Arch’d: Cultural Kinetics: The Fusion of Music, the Dance and the Word in African and Caribbean Culture. Dissertation Abstracts International 47[5], 1721A. 1986.

---. “Walter Roth, Wilson Harris, and a Caribbean/Postcolonial Theory of Modernism.” The University of Toronto Quarterly: A Canadian Journal of the Humanities 67.2 (1998): 567-91.

---. “‘The Unresolved Constitution’: Birth-Myths and Rituals of Modern Guyana: Wilson Harris’s The Sleepers of Roraima and Michael Gilkes’ Couvade.” Kunapipi: Journal of Postcolonial Writing 25.2 (2003): 95-107.

McWatt, Mark A. “‘A Late Dazzle of Sun’: Aspects of Wilson Harris’s Comic Vision in Black Marsden.”

Wilson Harris: The Uncompromising Imagination. Ed. Hena Maes-Jelinek. Mundelstrup:

Dangaroo Press, 1991. 148-58.

---. “‘Omens of Humanity’: World Texts and Contexts in Wilson Harris’s Critical Writings.” Theatre of the Arts: Wilson Harris and the Caribbean. Ed. Hena Maes-Jelinek and Bénédicte Ledent.

Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 125-37.

---. “Libidinous Landscapes: Sexual Inscriptions of Place in Guyanese Literature.” Commonwealth Essays and Studies 25.2 (2003): 73-82.

Mills, Browyn. Caribbean Cartographies: Maps, Cosmograms, and the Caribbean Imagination.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 64[11], 4056. 2004. New York University, 2004.

Mitchell, Keith Bernard. In the Wake of the World: Legacies of Colonial and Postcolonial Violence in the Contemporary West Indian Novel. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 65[4], 1357-58. 2004. University of North Carolina, Chapel Hill.

Mitchell, Michael. “The Magus at Angel Inn.” Theatre of the Arts: Wilson Harris and the Caribbean. Ed.

Hena Maes-Jelinek and Bénédicte Ledent. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 153-63.

---. “With Covered Eyes: Amerindians and the Arts of Seeing in Wilson Harris and Steve McQueen.” The Journal of Commonwealth Literature 39.3 (2004): 107-18.

Moore, Gerald. “Death, Convergence and Rebirth in Two Black Novels.” Nigerian Journal of the Humanities 2 (1978): 6-17.

Mordecai, Pamela. “The West Indian Male Sensibility in Search of Itself: Some Comments on Nor Any Country, The Mimic Men, and The Secret Ladder.” World Literature Written in English





21.Autumn (1982): 629-44.

Moss, John. “William Blake and Wilson Harris: The Objective Vision.” The Journal of Commonwealth Literature 9.April 1975 (1975): 29-40.

Munro, Ian Hamilton, et al. Kas-Kas: Interviews With Three Caribbean Writers in Texas: George

Lamming; C.L.R. James; Wilson Harris. Ed. Ian Hamilton Munro and Reinhard Sander. Austin:

African and Afro-American Research Institute, University of Texas at Austin, 1972, 56.

Murray, Patricia. “The Trickster at the Border: Cross-Cultural Dialogues in the Caribbean.” Comparing Postcolonial Literatures: Dislocations. Ed. Ashok Bery, Patricia Murray, and Wilson Harris.

Basingstoke, England; New York, NY: Macmillan; St. Martin’s, 2000. 177-92.

Murray, Stuart. “Postcoloniality-Modernity: Wilson Harris and Postcolonial Theory.” The Review of Contemporary Fiction 17.2 (1997): 53-58.

---. “Wilson Harris in His Essays at the End of the Millennium: Time, Countertime, Writing.” Theatre of the Arts: Wilson Harris and the Caribbean. Ed. Hena Maes-Jelinek and Bénédicte Ledent.

Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 165-75.

Nazareth, Peter. “Time in the Third World: A Fictional Exploration.” Awakened Conscience: Studies in Commonwealth Literature. Ed. C. D. Narasimhaiah. New Delhi: Sterling, 1978. 195-205.

Ngai, Mbatau Kaburu Wa. “The Relationship between Literature and Society and How It Emerges in the Works of G. Lamming, V.S. Naipaul and W. Harris.” Busara 8.2 (1976): 53-67.

Nielsen, Aldon Lynn. “‘Hieroglyphics of Space’: Wilson Harris in The Waiting Room.” Callaloo: A Journal of African Diaspora Arts and Letters 18.1 (1995): 125-31.

Ogbaa, Kalu. “Exile, Creative Myth, Creative Truth, Thrust and Necessity: An Interview with Wilson Harris.” The Caribbean Quarterly 29.2 (1983): 54-62.

Page, Eimer. “Historical Consciousness in the Writings of Wilson Harris and Edouard Glissant.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature. Ed.

Bénédicte Ledent. Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 47-54.

Pannetier-Manckoundia, Florence. “Revisiting the Universal: Wilson Harris and Edouard Glissant.” The Global and the Particular in the English Speaking World. Ed. Jean-Pierre Durix. Collection ‘Kaléidoscopes’. Dijon: Editions Universitaires de Dijon, 2002. 79-87.

Patterson, Anita. “Pastoral Poetry and Transculturation in Guyana: The Contexts of Wilson Harris’s ‘Trail.’” The Journal of Commonwealth Literature 37.2 (2002): 107-36.

Pérez Sisto, Edith. “Entre la ficción y la realidad: Paradojas del Caribe anglófono.” Cuadernos Americanos 16.6 [96] (2002): 48-58.

Phillips, Caryl. “The Gift of Displacement.” Theatre of the Arts: Wilson Harris and the Caribbean. Ed.

Hena Maes-Jelinek and Bénédicte Ledent. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 45-50.

---. “Wilson Harris.” Theatre of the Arts: Wilson Harris and the Caribbean. Ed. Hena Maes-Jelinek and Bénédicte Ledent. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60.

Amsterdam: Rodopi, 2002. 43-44.

Ramchand, Kenneth. “The Significance of the Aborigine in Wilson Harris’ Fiction.” Literary Half-Yearly 11.2 (1970): 7-16.

Ramraj, Victor J. “Palace of the Peacock: A Portrait of the Artist.” World Literature Written in English

22.Spring 1983 (1983): 47-55.

Riach, Alan. “The Presence of Actual Angels: The Fractal Poetics of Wilson Harris.” Callaloo: A Journal of African Diaspora Arts and Letters 18.1 (1995): 33-44.

Robinson, Gemma. “Redemptive Strategies in Wilson Harris’s Jonestown and Martin Carter’s Poems of Affinity.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature.

Ed. Bénédicte Ledent. Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 55-63.

Robinson, Kim Dismont. Probing the Wound: Re-Membering the Traumatic Landscape of Caribbean Literary Histories. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 64[6], 2090. 2003. University of Miami. 2003.

Rohlehr, Gordon et al. “Round Table: Wilson Harris and Caribbean Literature.” Theatre of the Arts:

Wilson Harris and the Caribbean. Ed. Hena Maes-Jelinek and Bénédicte Ledent.

Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 231-47.

Ross, Jack. “Wilson Harris, Joséph Conrad, and the South American ‘Quest’ Novel.” Landfall: New Zealand Arts and Letters 46.4 (1992): 455-68.

Rowell, Charles Henry and Wilson Harris. “An Interview with Wilson Harris.” Callaloo: A Journal of African Diaspora Arts and Letters 18.1 (1995): 191-200.

Russell, D. W. “The Dislocating Act of Memory: An Analysis of Wilson Harris’ Tumatumari.” World Literature Written in English 13 (1974): 237-49.

Rutherford, Anna and Kirsten Holst Petersen. “Interview with Wilson Harris.” Commonwealth Newsletter 9 (1976): 22-25.

Sander, Reinhard W. “Wilson Harris’s Contributions to Kyk-Over-Al: 1945-1961.” Commonwealth Literature and the Modern World. Ed. Hena Maes-Jelinek. Brussels: Didier, 1975. 175-76.

Scott, Daniel Marcellus. To Dream a New World. ‘Race,’ Reality and Surreality in Césaire, Carpentier and Harris. Dissertation Abstracts International LIII (1993): 3520A.

Searl, Eva. “The Dynamic Concept of Community: Wilson Harris’ The Whole Armour and The Secret Ladder.” Commonwealth Newsletter 4. July 1973 (1973): 32-35.

---. “T.S. Eliot’s Four Quartets and Wilson Harris’s The Waiting Room.” Commonwealth Literature and the Modern World. Ed. Hena Maes-Jelinek. Brussels: Didier, 1975. 51-59.

---. “Companions of the Day and Night.” Commonwealth Newsletter 9 (1976): 46-58.

Sen, Sharmila. “Wilson Harris’s Who-You Bird.” The Journal of Commonwealth Literature 34.2 (1999):

33 (14).

Sharrad, Paul. “Palace of the Peacock and the Tragic Muse.” The Literary Criticism 16 (1981): 44-58.

---. “The Art of Memory and the Liberation of History: Wilson Harris’s Witnessing of Time.” Callaloo: A Journal of African Diaspora Arts and Letters 18.1 (1995): 93-108.

Shaw, Gregory. “Wilson Harris’s Metamorphoses: Animal and Vegetable Masks in Palace of the Peacock.” Callaloo: A Journal of African Diaspora Arts and Letters 18.1 (1995): 157-70.

Simon, Louis. “The Politics of Complex Faith: Wilson Harris’s Resurrection at Sorrow Hill.” The Journal of Commonwealth Literature 31.2 (1996): 75-86.

Slemons, S. “Carnival and the Canon.” Ariel 19.3 (1988): 59-75.

---. “Interview with Wilson Harris, April 28, 1986.” Ariel 19.3 (1988): 47-56.

Stanchich, Maritza Giovanna. “Wilson Harris’ Cross-Cultural Imagination and Faulkner: Toward Circum-Caribbean Commensurabilities.” Prospero’s Isles: The Presence of the Caribbean in

the American Imaginary. Ed. Diane Accaria-Zavala and Rodolfo Popelnik. Basingstoke:

Palgrave Macmillan, 2004. 228-41.

Stephanides, Stephanos. “The Kali Puja and Wilson Harris’s The Far Journey of Oudin.” Indenture & Exile: The Indo-Caribbean Experience. Ed. Frank M. Birbalsingh. Toronto: TSAR, 1989. 234Stephanides, Stephanos and Karna Singh. Translating Kali’s Feast: The Goddess in Indo-Caribbean Ritual and Fiction. Amsterdam: Rodopi, 2000, xii, 200.

Stewart, Joyce. “Woman As Life or ‘Spirit of Place’: Wilson Harris’s ‘Companions of the Day and Night.’” Out of the Kumbla: Caribbean Women and Literature. Ed. Carole Boyce Davies and Elaine Savory Fido. Trenton, NJ: Africa World Press, 1990. 237-47.

Thorpe, Marjorie. “Wilson Harris: Writing Against the Grain.” Ariel 25.3 (1994): 113-20.

Tiffin, Helen M. “Wilson Harris: An Interview.” New Literature Review 7 (1979): 18-29.

Toliver, Victoria. “Vodun Iconography in Wilson Harris’s Palace of the Peacock.” Callaloo: A Journal of African Diaspora Arts and Letters 18.1 (1995): 173-90.

Upstone, Sara. “Anancy as Trickster: Magical Space in the Fiction of Wilson Harris.” World Literature Written in English 40.2 (2004): 23-39.

Urs, S.N.V. “Wilson Harris: A Major Voice from the Caribbean.” Commonwealth Quarterly (New Delhi) 4.15 (1980): 87-109.

Van Sertima, Ivan. “Introducing Wilson Harris.” Review (1974): 60-62.

---. “The Sleeping Rocks: Wilson Harris’s Tumatumari.” Enigma of Values. Ed. Kirsten Holst Petersen and Anna Rutherford. Aarhus: Dangaroo Press, 1975. 109-24.

---. “Into the Black Hole: A Study of Wilson Harris’s Companions of the Day and Night.” ACLALS Bulletin 4.4 (1976): 65-77.

Walkley, Jane. “Ascent to Omai or the Ascent of Man.” Commonwealth Newsletter 9 (1976): 42-45.



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