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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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McIntyre, Karen. “‘A Different Kind of Book’: Literary Decolonization in David Dabydeen’s The Intended.” Ariel: A Review of International English Literature (Calgary) 27.2 (1996): 151-75.

---. “Lyrical Liberation: David Dabydeen’s Slave Song and Turner.” The Caribbean Quarterly 43.4 (1997): 11-25.

McWatt, Mark A. “‘Self-Consciously Post-Colonial’: The Fiction of David Dabydeen.” The Art of David Dabydeen. Ed. Kevin Grant. Leeds: Peepal Tree, 1997. 111-22.

Parry, Benita. “David Dabydeen’s The Intended.” Kunapipi: Journal of Postcolonial Writing 13.3 (1991): 85-90.

Popeau, Jean. “Disappearance.” The Art of David Dabydeen. Ed. Kevin Grant. Leeds: Peepal Tree, 1997. 99-109.

Relich, Mario. “Literary Subversion in David Dabydeen’s The Intended.” The Journal of West Indian Literature 6.1 (1993): 45-57.

Stein, Mark. “David Dabydeen Talks to Mark Stein.” Wasafiri 29 (1999): 27-29.

Wallace, David J. Premodern Places: Calais to Surinam, Chaucer to Aphra Behn. Malden, MA:

Blackwell, 2004.

Wallace, Elizabeth Kowaleski. “Telling Untold Stories: Philippa Gregory’s A Respectable Trade and David Dabydeen’s A Harlot’s Progress.” Novel: A Forum on Fiction 33.2 (2000): 235-52.

West, Russell. “‘Middle Passages’: Negotiating Multicultural Identities in Contemporary Britain: David Dabydeen’s The Intended.” Arbeiten aus Anglistik und Amerikanistik 27.2 (2002): 221-36.

DATHORNE, OSCAR RONALD

Lawrence, Leota S. “O. R. Dathorne (1934- ).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 133-40.

FARRIER, FRANCIS QUAMINA

Bada, Valérie. “Peculiar Sites of Amnesia: Recovering ‘Eclipsed Figures’ of the Past in Francis Quamina Farrier’s The Slave and the Scroll and Michael Gilkes’s Couvade.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature. Ed. Bénédicte Ledent.

Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 147

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GILKES, MICHAEL

Bada, Valérie. “Peculiar Sites of Amnesia: Recovering ‘Eclipsed Figures’ of the Past in Francis Quamina Farrier’s The Slave and the Scroll and Michael Gilkes’s Couvade.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature. Ed. Bénédicte Ledent.

Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 147McDougall, Russell John. “‘The Unresolved Constitution’: Birth-Myths and Rituals of Modern Guyana:

Wilson Harris’s The Sleepers of Roraima and Michael Gilkes’ Couvade.” Kunapipi: Journal of Postcolonial Writing 25.2 (2003): 95-107.

GILROY, BERYL

Anim-Addo, Joan. “Anguish and the Absurd: ‘Key Moments,’ Recreated Lives, and the Emergence of

New Figures of Black Womanhood in the Narrative Works of Beryl Gilroy.” Winds of Change:

The Transforming Voices of Caribbean Women Writers and Scholars. Ed. Adele S. Newson and Linda Strong-Leek.New York, NY: Peter Lang, 1998. 131-43.

Brodber, Erna. “Guyana’s Historical Sociology and the Novels of Beryl Gilroy and Grace Nichols.” Arms Akimbo: Africana Women in Contemporary Literature. Ed. Janice Lee Liddell, Yakini Belinda Kemp, and Beverly Guy-Sheftall. Gainesville, FL: University Press of Florida, 1999.

205-18.

Condé, Maryse. “Houses and Homes: Elizabeth Jolley’s Mr. Scobie’s Riddle and Beryl Gilroy’s Frangipani House.” Framing the Word: Gender and Genre in Caribbean Women’s Writing. Ed.

Joan Anim-Addo.London: Whiting and Birch, 1996. 128-33.

Dance, Daryl Cumber. “Beryl Gilroy: A Bio-Literary Overview.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 1 (1998): 1-3.

Davies, Carole Boyce and Meredith Miranda Gadsby. “Remembering Beryl Gilroy.” MaComère:

Journal of the Association of Caribbean Women Writers and Scholars 4 (2001): 1-7.

De Souza, Pascale. “Flotsam in the Migratory Wake: Relating the Plight of the Old in Frangipani House and Un plat de porc aux bananes vertes.” Comparative Literature Studies (Urbana) 39.2 (2002): 146-161. (is die Urbana tussen haakjes nodig? Het gaat hier toch gewoon om een international goed gekend tijdschrift?) Gilroy, Beryl A. “I Write Because...” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley: Calaloux, 1990. 195-201.

---. “Frangipani House.” Framing the Word: Gender and Genre in Caribbean Women’s Writing. Ed.

Joan Anim-Addo.London: Whiting and Birch, 1996. 197-98.

---. “Diachronics, Existentialism, and the Novel Boy Sandwich.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 240-43.

---. “Women of Colour at the Barricades.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 1 (1998): 8-16.

---. “Women of Color at the Barricades.” Winds of Change: The Transforming Voices of Caribbean





Women Writers and Scholars. Ed. Adele S. Newson and Linda Strong-Leek.New York, NY:

Peter Lang, 1998. 145-53.

---. “Reflections.” Caribbean Women Writers: Fiction in English. Ed. Maryse Condé and Thorunn Lonsdale. New York, NY: St. Martin’s, 1999. 11-16.

Gilroy, Beryl A. and Roxann A. Bradshaw. “Beryl Gilroy’s ‘Fact-Fiction’: Through the Lens of the ‘Quiet Old Lady.’” Callaloo: A Journal of African Diaspora Arts and Letters 25.2 (2002): 381-400.

Gyssels, Kathleen. “L’identité féminine et l’espace clos dans le roman caribéen: L’œuvre de Simone et André Schwarz-Bart et de Beryl Gilroy.” Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée 22.3-4 (1995): 787-801.

Liddell, Janice Lee. “Voyages Beyond Lust and Lactation: The Climacteric As Seen in Novels by Sylvia Wynter, Beryl Gilroy, and Paule Marshall.” Arms Akimbo: Africana Women in Contemporary Literature. Ed. Janice Lee Liddell, Yakini Belinda Kemp, and Beverly GuySheftall. Gainesville, FL: University Press of Florida, 1999. 32-45.

Poynting, Jeremy. “A Writer at the Height of Her Powers: Three Recent Novels by Beryl Gilroy.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 1 (1998): 4Salick, Roydon. “‘Rampant with Memory’: Themes and Technique in The Stone Angel and Frangipani House.” Commonwealth 14.2 (1992): 98-105.

Sharpe, Sharpe. Ghosts of Slavery: A Literary Archaeology of Black Women’s Lives. Minneapolis, MN;

London: University of Minnesota Press, 2003.

Souza, Pascale Marie De. “Flotsam in the Migratory Wake. Relating the Plight of the Old in Frangipani House and Un plat de porc aux bananes vertes.” Comparative Literature Studies (Urbana) XXXIX (2002): 146-61.

Tarver, Australia. “Frangipani House: Beryl Gilroy’s Praise Song for Grandmothers.” Winds of Change:

The Transforming Voices of Caribbean Women Writers and Scholars. Ed. Adele S. Newson and Linda Strong-Leek.New York, NY: Peter Lang, 1998. 127-30.

Wilson, Lucy. “Aging and Ageism in Paule Marshall’s Praisesong for the Widow and Beryl Gilroy’s Frangipani House.” Journal of Caribbean Studies 7.2-3 (1989): 189-99.

HARRIS, WILSON

“Black Lightning.” Journal of Canadian Fiction 3.4 (1975): 41-44.

“Reflection and Vision.” Commonwealth Literature and the Modern World. Ed. Hena Maes-Jelinek.

Brussels: Didier, 1975. 15-19.

“Journey into the Canje.” Neo-African Literature and Culture: Essays in Memory of Janheinz Jahn. Ed.

Bernth Lindfors and Ulla Schild. Mainzer Afrika-Studien: 1. Wiesbaden: Heymann, 1976. 346The Making of Tradition.” The Commonwealth Writer Overseas: Themes of Exile and Expatriation.

Ed. Alastair Niven. Brussels: Didier, 1976. 33-39.

Abaray, Michael J. “Wilson Harris: A Bibliography.” Bulletin of Bibliography 38.4 (1981): 189.

Adams, Rolstan. “Wilson Harris: The Pre-Novel Poet.” The Journal of Commonwealth Literature 13.3 (1979): 71-85.

Adler, Joyce Sparer. “The Art of Wilson Harris.” New Beacon Reviews: Collection One (1968): 22-30.

---. “Tumatumari and the Imagination of Wilson Harris.” The Journal of Commonwealth Literature 7 (1969): 20-31.

---. “Wilson Harris and Twentieth-Century Man.” New Letters: A Magazine of Fine Writing 40 (1973):

49-61.

---. “Melville and Harris: Poetic Imaginations Related in Their Response to the Modern World.” Commonwealth Literature and the Modern World. Ed. Hena Maes-Jelinek. Brussels: Didier, 1975. 33-41.

Adler, Joyce Sparer, Irving Adler, and Janet Jagan. Exploring the Palace of the Peacock: Essays on Wilson Harris. Jamaica: University of the West Indies Press, 2003.

Akoma, Chiji Russell. Between the Spoken and the Written: Folklore and the Afro-Diasporic Narrative.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 59[8], 2975. 1999. State University of New York, Binghamton. 1998.

Boxill, Anthony. “Wilson Harris’ Palace of the Peacock: A New Dimension in West Indian Fiction.” College Language Association Journal 14 (1971): 380-86.

---. “Wilson Harris (1921- ).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Ed.

Daryl Cumber Dance. New York: Greenwood Press, 1986. 187-97.

Boyagoda, Randy. “Just Where and What Is ‘The (Comparatively Speaking) South’? Caribbean Writers on Melville and Faulkner.” Mississippi Quarterly: The Journal of Southern Cultures 57.1 (2003): 65-73.

Brahms, Flemming. “A Reading of Wilson Harris’s Palace of the Peacock.” Commonwealth Newsletter

3.January 1973 (1973): 30-44.

Brulin, Tone. “Theatre of the Flying Fish.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature. Ed. Bénédicte Ledent. Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 19-25.

Burnett, Paula. “Opening New Doors: A Glimpse of Wilson Harris and Derek Walcott.” Theatre of the Arts: Wilson Harris and the Caribbean. Ed. Hena Maes-Jelinek and Bénédicte Ledent. Cross/ Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002.

61-82.

Carr, Robert. “The New Man in the Jungle: Chaos, Community, and the Margins of the Nation-State.” Callaloo: A Journal of African Diaspora Arts and Letters 18.1 (1995): 133-56.

Cobham-Sander, C. Rhonda. “The Texts of Wilson Harris’ Eternity to Season.” World Literature Written in English 22.Spring 1983 (1983): 27-38.

Collier, Gordon. “Walcott’s Reflections on Caribbean Creativity.” Agenda 39.1-3 (2002): 185-97.

---. “Revisiting Eternity to Season.” Theatre of the Arts: Wilson Harris and the Caribbean. Ed. Hena Maes-Jelinek and Bénédicte Ledent. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 53-60.

Creighton, Al. “The Metaphor of the Theater in The Four Banks of the River of Space.” Callaloo: A Journal of African Diaspora Arts and Letters 18.1 (1995): 70-82.

Crew, Gary. “Wilson Harris’ Da Silva Quartet.” New Literature Review 7 (1979): 43-52.

---. “The Eternal Present in Wilson Harris’ The Sleepers of Roraima and Age of the Rainmakers.” World Literature Written in English 19 (1980): 218-27.

Cribb, Timothy. “Toward the Reading of Wilson Harris.” The Review of Contemporary Fiction 17.2 (1997): 59-62.

---. “Writing Up the Log: The Legacy of Hakluyt.” Travel Writing and Empire: Postcolonial Theory in Transit. Ed. Steve Clark. London, England: Zed, 1999. 100-12.

D’Aguiar, Fred. “Wilson Harris: In Conversation with Fred D’Aguiar.” Wasafiri 5 (1986): 22-25.

---. “Love for the Vanished: Wilson Harris on Love.” Theatre of the Arts: Wilson Harris and the Caribbean. Ed. Hena Maes-Jelinek and Bénédicte Ledent. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 11-19.

---. “Wilson Harris’s Caribbean Vision: Its Significance and His Legacy.” The Caribbean Writer. 17 (2003): 172-222.

Dabydeen, Cyril. “On Knowing Wilson Harris.” Theatre of the Arts: Wilson Harris and the Caribbean.

Ed. Hena Maes-Jelinek and Bénédicte Ledent. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 21-35.

Dash, J. Michael. “Marvellous Realism: The Way Out of Négritude.” The Post-Colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths, and Helen M. Tiffin. London: Routledge, 1995. 199Dieke, Ikenna. Archetypal Patterns in African, Afro-American and Caribbean Literature. Dissertation Abstracts International 44[7], 2140A. 1984.

---. “Anagogic Symbolism in Wilson Harris’s Palace of the Peacock.” College Language Association Journal 42.3 (1999): 290 (19).

Drake, Sandra E. “Revolutionary Hope As Immanent Moment: The Writing of Wilson Harris.” Process of Unity in Caribbean Society: Ideologies and Literature. Ed. Ileana Rodríguez, Marc Zimmerman, and Lisa E. Davis. Minneapolis: Institute for Study of Ideologies and Literature, 1983. 168-75.

---. Wilson Harris and the Modern Tradition: a New Architecture of the World. New York: Greenwood Press, 1986.

Dubois, Dominique. “The Redemptive Power of Bone’s Revisionary Fiction.” Theatre of the Arts:

Wilson Harris and the Caribbean. Ed. Hena Maes-Jelinek and Bénédicte Ledent.

Cross/Cultures: Readings in the Post/Colonial Literatures in English: 60. Amsterdam: Rodopi, 2002. 195-204.

Durix, Jean-Pierre. “A Reading of ‘Paling of Ancestors.’” Commonwealth Newsletter 9 (1976): 32-41.

---. “Crossing the Arawak Horizon.” Literary Half-Yearly 20.1 (1979): 83-92.

---. “Along Jigsaw Trail: An Interpretation of Heartland.” The Commonwealth Novel in English 1. July 1982 (1982): 127-46.



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