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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Magarey, Kevin. “The Sense of Place in Doris Lessing and Jean Rhys.” A Sense of Place in the New Literatures in English. Ed. Peggy Nightingale. St. Lucia: University of Queensland Press, 1986. 47-60.

Malcolm, Cheryl Alexander and David Malcolm. Jean Rhys: a Study of the Short Fiction. New York;London: Twayne Publishers;Prentice Hall International, 1996.

Mardorossian, Carine Melkom. “Shutting up the Subaltern: Silences, Stereotypes, and DoubleEntendre in Jean Rhys’s Wide Sargasso Sea.” Callaloo: A Journal of African Diaspora Arts and Letters 22.4 (1999): 1071-90.

Martin, Janette May. The Dynamics of Expatriatism in the Writing of Jean Rhys and Jamaica Kincaid.

Dissertation Abstracts International 56[8], 3120A. 1996. Bowling Green State University, 1994.

Maurel, Sylvie. Jean Rhys. Basingstoke;New York: Macmillan;St. Martin’s Press, 1998.

Mellown, Elgin W. “Character and Themes in the Novels of Jean Rhys.” Contemporary Literature 13.4 (1972): 458-75.

Moore, Judith. “Sanity and Strength in Jean Rhys’s West Indian Heroines.” Rocky Mountain Review of Language and Literature 41.1-2 (1987): 21-31.

Murdoch, H. Adlai. “Rhys’s Pieces: Unhomeliness as Arbiter of Carribbean Colonization.” Callaloo: A Journal of African Diaspora Arts and Letters 26.1 (2003): 252-72.

Narain, Denise deCaires. “English Gardens and West Indian Yards: The Politics of Location (One More Time).” Wasafiri 28 (1998): 37-38.

---. “What Happened to Global Sisterhood? Writing and Reading ‘the’ Postcolonial Woman.” Third Wave Feminism: A Critical Exploration. Ed. Stacy Gillis et al. Basingstoke, England: Palgrave Macmillan, 2004. 240-51.

Nasta, Susheila. “Motherlands, Mothercultures, Mothertongues: Women’s Writing in the Caribbean.” Shades of Empire in Colonial and Post-Colonial Literatures. Ed. C. C. Barfoot and Theo D’haen.DQR Studies in Literature: 11. Amsterdam: Rodopi, 1993. 211-20.

Nebeker, Helen. “Jean Rhys’s Quartet: The Genesis of Myth.” International Journal of Women’s Studies 2.May-June (1979): 257-67.

---. Jean Rhys: Woman in Passage: a Critical Study of the Novels of Jean Rhys. Montreal: Eden Press / Women’s Publications, 1981.

Nielsen, H. and Flemming Brahms. “Retrieval of a Monster: Jean Rhys’s Wide Sargasso Sea.” Enigma of Values. Ed. Kirsten Holst Petersen and Anna Rutherford. Aarhus,Denmark: Dangaroo Press, 1975. 139-62.

Niesen de Abruna, Laura. “The ‘Incredible Indigo Sea’ Within Anglo-American Fiction.” Engendering

the Word: Feminist Essays in Psychosexual Poetics. Ed. Temma F. Berg et al. Urbana:

University of Illinois Press, 1989. 125-50.

---. “Twentieth-Century Women Writers From the English-Speaking Caribbean.” Caribbean Women

Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley:

Calaloux, 1990. 86-97.

Nixon, Nicola. “Wide Sargasso Sea and Jean Rhys’s Interrogation of the ‘Nature Wholly Alien’ in Jane Eyre.” Essays in Literature 21.2 (1994): 267 (18).

Nunez-Harrell, Elizabeth. “The Paradoxes of Belonging: The White West Indian Woman in Fiction.” MFS: Modern Fiction Studies 31.2 (1985): 281-93.

---. “The Paradoxes of Belonging: The White West Indian Woman in Fiction.” Modern Fiction Studies:

A Critical Quarterly 31.2 (1985): 281-93.

O’Callaghan, Evelyn. “‘The Outsider’s Voice’: White Creole Women Novelists in the Caribbean Literary Tradition.” The Journal of West Indian Literature 1.1 (1986): 74-88.

---. “Interior Schisms Dramatised: the Treatment of the ‘Mad’ Woman in the Work of Some Female Caribbean Novelists.” Out of the Kumbla: Caribbean Women and Literature. Ed. Carole Boyce Davies and Elaine Savory Fido. Trenton, USA: Africa World Press, 1990. 89-109.

---. “‘Jumping into the Big Ups’ Quarrels’: The Hulme/Brathwaite Exchange.” Wasafiri 28 (1998): 34O’Connor, Teresa F. The Meaning of the West Indian Experience for Jean Rhys. Dissertation Abstracts International 46[3], 709A. 1985.

---. Jean Rhys: The West Indian Novels. New York: New York University Press, 1986, x, 247.

---. “Jean Rhys, Paul Theroux, and the Imperial Road.” Twentieth-Century Literature: A Scholarly and Critical Journal 38.4 (1992): 404-14.

Ochshorn, Kathleen. “Of Woodlice and White Cockroaches: The West Indian Girlhood of Jean Rhys.” Frontiers: A Journal of Women Studies 12.2 (1991): 25-35.

Olaussen, M. “Jean Rhys’s Construction of Blackness as Escape From White Feminity in Wide Sargasso Sea.” Ariel: A Review of International English Literature (Calgary) 24.2 (1993): 65Packer, P. “The Four Early Novels of Jean Rhys.” Durham University Journal 71.June (1979): 252-65.

Plante, David. “Jean Rhys: A Remembrance.” Paris Review 76.Fall (1979): 238-84.

---. Difficult Women: a Memoir of Three. London: Gollancz, 1983.

Port, Cynthia. “‘Money, For the Night is Coming’: Jean Rhys and Gendered Economies of Ageing.” Women: A Cultural Review 12.2 (2001): 204-17.

Porter, Dorothy. “Of Heroes and Victims: Jean Rhys and Jean Eyre.” The Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 17. Autumn (1976): 540-52.





Rosenberg, Leah Reade. “Mother and Country: Implications of Rhys’s Construction of Exile.”

MaComère: Journal of the Association of Caribbean Women Writers and Scholars 1 (1998):

161-69.

---. “Caribbean Models for Modernism in the Work of Claude McKay and Jean Rhys.” Modernism/Modernity 11.2 (2004): 219-38.

Sarvan, Charles P. “Flight, Entrapment, and Madness in Jean Rhys’s Wide Sargasso Sea.” The International Fiction Review: A Biannual Periodical Devoted to International Fiction 26.1-2 (1999): 58-65.

Savory Fido, Elaine. “‘Another Poor Devil of a Human Being...’: Jean Rhys and the Novel as Obeah.” Jean Rhys Review 7.1-2 (1996): 26-38.

---. “‘Another Poor Devil of a Human Being...’: Jean Rhys and the Novel As Obeah.” Sacred Possessions: Vodou, Santería, Obeah, and the Caribbean. Ed. Margarite Fernández Olmos and Lizabeth Paravisini-Gebert. New Brunswick, NJ: Rutgers University Press, 1997. 216-30.

---. “From Barbados to Dominica: On the Love of Small Islands, and in Search of Jean Rhys.” Jean Rhys Review 9.1-2 (1998): 25-36.

---. “Jean Rhys, Race and Caribbean/English Criticism.” Wasafiri 28 (1998): 33-34.

---. “Ex/Isle: Separation, Memory and Desire in Caribbean Women’s Writing.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 1 (1998): 170-78.

---. Jean Rhys. Cambridge, England: Cambridge University Press, 1998, xxiii, 306.

Scharfman, Ronnie. “Mirroring and Mothering in Simone Schwarz-Bart’s Pluie et vent sur Telumée Miracle and Jean Rhys’ Wide Sargasso Sea.” Yale French Studies.62 (1981): 88-106.

Smilowitz, Erika Sollish. “Childlike Women and Paternal Men: Colonialism in Jean Rhys’s Fiction in Commonwealth Women Writers.” Ariel: A Review of International English Literature (Calgary) 17.4 (1986): 93-103.

Smith, R. McClure. “‘I Don’t Dream About it Any More’: The Textual Unconscious in Jean Rhys’s Wide Sargasso Sea.” The Journal of Narrative Technique 26.2 (1996): 113-36.

Spivak, Gayatri Chakravorty. “Three Women’s Texts and a Critique of Imperialism.” Critical Inquiry 12.1, “Race,” Writing, and Difference (1985): 243-61.

Staley, Thomas F. “The Emergence of a Form: Style and Consciousness in Jean Rhys’s Quartet.” Twentieth-Century Literature: A Scholarly and Critical Journal 24.2 (1978): 202-24.

---. Jean Rhys, a Critical Study. Austin: University of Texas Press, 1979.

Streip, Katharine. “‘Just a Cerebrale’: Jean Rhys, Women’s Humor, and Ressentiment.” Representations. 45 (1994): 117-44.

Thieme, John. “‘Apparitions of Disaster’: Brontean Parallels in Wide Sargasso Sea and Guerillas.” The Journal of Commonwealth Literature 14. August (1979): 116-32.

Thomas, Clara. “Mr Rochester’s First Marriage: Wide Sargasso Sea by Jean Rhys.” World Literature Written in English 17. April (1978): 342-57.

Thomas, Sue. “William Rees Williams in Dominica.” Jean Rhys Review 7.1-2 (1996): 3-14.

---. “The Labyrinths of ‘A Savage Person-A Real Carib’: The Amerindian in Jean Rhys’s Fiction.” The Journal of West Indian Literature 7.1 (1996): 82-96.

---. “James Potter Lockhart and the ‘Letter of the Law.’” Jean Rhys Review 9.1-2 (1998): 36-43.

---. “Jean Rhys and Dominican Autoethnography.” Victorian Journalism: Exotic and Domestic. Ed.

Barbara Garlick and Margaret Harris. Queensland, Australia: University of Queensland Press, 1998. 171-96.

---. The Worlding of Jean Rhys. Westport, CT: Greenwood Press, 1999.

---. “Jean Rhys Writing White Creole Childhoods.” A/B: Auto/Biography Studies 19.1-2 (2004): 203-21.

Thompson, Irene. “The Left Bank Aperitifs of Jean Rhys and Ernest Hemingway.” Georgia Review

35.Spring (1981): 94-106.

Thorpe, Marjorie. “The Other Side: Wide Sargasso Sea and Jane Eyre.” Ariel 8. July (1977): 99-110.

Thum, Angela M. “Wide Sargasso Sea: A Rereading of Colonialism.” Michigan Academician 30.3 (1998): 147-62.

Tiffin, Helen M. “Mirror and Mask: Colonial Motifs in the Novels of Jean Rhys.” World Literature Written in English 17.April (1978): 328-41.

---. “Rites of Resistance: Counter-Discourse and West Indian Biography.” The Journal of West Indian Literature 3.1 (1989): 28-46.

---. “Travelling Texts: Intertextuality and Resistance in V.S.Naipaul’s Guerillas and Jean Rhys’s Wide Sargasso Sea.” The Journal of West Indian Literature 6.1 (1993): 58-66.

Todd, Loreto. Jean Rhys, Wide Sargasso Sea: Notes. Harlow; Beirut: Longman;York Press, 1995.

Uraizee, Joya. “‘She Walked Away Without Looking Back’: Christophine and the Enigma of History in Jean Rhys’s Wide Sargasso Sea.” Clio: An Interdisciplinary Journal of Literature, History, and the Philosophy of History 28.3 (1999): 261-78.

Vincent, Nathalie. “Indices de personne et jeu énonciatif: les voix de Jean Rhys [Clues of Person and Enonciative Play: Jean Rhys’s Voices].” Caliban. 30 (1993): 63-81.

Vincent, Nathalie, et al. “Pour une approche linguistique du texte littéraire: l’espace revisité dans l’œuvre de fiction de Jean Rhys.” Anglophonia 9 (2001): 153-61.

Williams, Angela. “The Flamboyant Tree: The World of the Jean Rhys Heroine.” Planet. August (1976): 35-41.

Williamson, Karina. Voyages in the Dark: Jean Rhys and Phyllis Shand Allfrey. Coventry: Centre for Caribbean Studies, University of Warwick, 1987.

Wilson, Lucy. “‘Women Must Have Spunks’: Jean Rhys’s West Indian Outcasts in Modern Latin American Fiction.” Modern Fiction Studies: A Critical Quarterly 32.3 (1986): 439-48.

---. “European or Caribbean: Jean Rhys and the Language of Exile.” Frontiers: A Journal of Women Studies 10.3 (1989): 68-72.

---. “European or Caribbean: Jean Rhys and the Language of Exile.” Literature and Exile. Ed. David Bevan. Rodopi Perspectives on Modern Literature (RPML): 4. Amsterdam: Rodopi, 1990. 77Wolfe, Peter. Jean Rhys. Boston: Twayne Publishers, 1980.

Zimring, Rishona. “The Make-up of Jean Rhys’s Fiction.” Novel: A Forum on Fiction 33.2 (2000): 212RUDET, JACQUELINE Redondo, M. Susana. “Realism and the Female Subject in Jacqueline Rudet’s Basin.” Modern Drama 40.4 (1997): 477-88.

GRENADA

COLLINS,MERLE

Collins, Merle. “Writing Fiction, Writing Reality.” Caribbean Women Writers: Fiction in English. Ed.

Maryse Condé and Thorunn Lonsdale. New York, NY: St. Martin’s, 1999. 23-31.

Cooper, Carolyn Joy. “Grenadian Popular Culture and the Rhetoric of Revolution: Merle Collins’ ‘Angel.’” The Caribbean Quarterly 41.2 (1995): 57-70.

Lima, Maria Helena. “Revolutionary Developments: Michelle Cliff’s No Telephone to Heaven and Merle Collins’s Angel.” Ariel 24.1 (1993): 35-56.

Meehan, Kevin Vincent. “Imagining Revolutionary Communities: Narrative and Social Change in George Jackson’s Soledad Brother, Jean-Bertrand Aristide’s In the Parish of the Poor, and Merle Collins’s Angel.” In Process: A Graduate Student Journal of African-American and African Diasporan Literature and Culture 1 (1996): 20-35.

Moralejo Gárate, Teresa. “‘The Visit’, de Merle Collins, y ‘The Bed Sitting Room’, de Maureen Ismay:

Dos aproximaciones al tema del desplazamiento en la literatura post-colonial.” Lenguaje y Textos 18 (2002): 143-55.

Saunders, Patricia Joan. “Merle Collins.” Twentieth-Century Caribbean and Black African Writers,

Third Series. Ed. Bernth Lindfors. Dictionary of Literary Biography (DLB): 157. Detroit, MI:

Gale, 1996. 59-66.

Scafe, Suzanne. “‘Versioning’ the Revolution: Gender and Politics in Merle Collins’s Angel.”

Postcolonial Literatures: Expanding the Canon. Ed. Deborah L. Madsen. Reconfigurations:

Critical Readings in Post-Colonialism (Reconfigurations). London, England: Pluto, 1999. 120Steele, Susanna and Joan Anim-Addo. “New Encounters: Availability, Acceptability and Accessibility of New Literature From Caribbean Women.” Framing the Word: Gender and Genre in Caribbean Women’s Writing. Ed. Joan Anim-Addo.London: Whiting and Birch, 1996. 96-102.

Wilson, Betty. “An Interview With Merle Collins.” Callaloo: A Journal of African Diaspora Arts and Letters 16.1 (1993): 94-107.

GUYANAGENERAL STUDIES

“Guadeloupe, Guyane, Martinique.” Présence africaine: Revue culturelle du monde noir 121-122, 1982.

“La Caraïbe: des îles au continent.” Cahiers d’études africaines 37.4 (1997).

Anim-Addo, Joan. “Sister Goose’s Sisters: African-Caribbean Women’s Nineteenth-Century Testimony.” Women: A Cultural Review 15.1 (2004): 35-56.

Antoine, Régis. Rayonnants écrivains de la Caraïbe. Haïti, Guadeloupe, Martinique, Guyane.

Anthologie et analyses. Paris: Maisonneuve et Larose, 1998.



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