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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Braybrooke, Neville. “Jean Rhys.” Contemporary Novelists. Ed. James Vinson. London; New York: St.

James Press; St.Martin’s Press, 1972. 1161-65.

Brokken, Jan. Goedenavond, Mrs. Rhys. Amsterdam: Atlas, 1992.

---. En de vrouw een vreemde: Het Dominica van Jean Rhys. 2e, herz. ed. Amsterdam: Pandora, 1997.

Burnett, Paula. “Intertextualities: Half a Life, Maugham and Rhys.” Moving Worlds: A Journal of Transcultural Writings 2.1 (2002): 18-25.

Burrows, Victoria. Whiteness and Trauma: the Mother-Daughter Knot in the Fiction of Jean Rhys, Jamaica Kincaid and Toni Morrison. Basingstoke, Hants: Palgrave Macmillan, 2004.

Campbell, Elaine. “From Dominica to Devonshire: A Memento of Jean Rhys.” Kunapipi: Journal of Postcolonial Writing 1.2 (1979): 6-22.

---. “Apropos of Jean Rhys.” Kunapipi: Journal of Postcolonial Writing 2 (1980): 152-57.

---. The Orchid House. London: Virago, 1982, xvi, 256.

---. “The Theme of Madness in Four African and Caribbean Novels by Women.” The Commonwealth Novel in English 6.1-2 (1993): 133-41.

Carr, Helen. Jean Rhys. Plymouth: Northcote House, 1996.

---. “‘Intemperate and Unchaste’: Jean Rhys and Caribbean Creole Identity.” Women: A Cultural Review 14.1 (2003): 38-62.

Casey Fulton, Nancy J. “Study in the Alienation of a Creole Woman: Jean Rhys’s Voyage in the Dark.” The Caribbean Quarterly 19.September (1973): 95-102.

---. “Jean Rhys’s Wide Sargasso Sea: Exterminating the White Cockroach.” Revista Interamericana Review 4.Fall (1974): 340-49.

---. “The ‘Liberated’ Woman in Jean Rhys’s Later Short Fiction.” Revista Interamericana Review 4 (1974): 264-72.

Castro, Joy. “Jean Rhys.” The Review of Contemporary Fiction 20.2 (2000): 8-46.

Choudhury, Romita. “‘Is There a Ghost, a Zombie there?’ Postcolonial Intertextuality and Jean Rhys’s.” Textual Practice 10.2 (1996): 315-28.

Cilano, Clara N. Place-ing Postcolonial Identity in Contemporary Literature by Women. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 61.11, 4380. 2001.

Duquesne University, 2000.

Ciolkowski, Laura E. “Navigating the Wide Sargasso Sea: Colonial History, English Fiction, and British Empire.” Twentieth Century Literature: A Scholarly and Critical Journal 43.3 (1997): 339-59.

Clarke, Joseph Nathaniel. An Acre of Ground: Figuring Identity in Anglophone Caribbean Fiction.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 62[9], 3052. 2002. Rutgers U, New Brunswick. 2001.

Comfort, Susan Marguerite. Memory, Identity, and Exile in Postcolonial Caribbean Fiction. Dissertation Abstracts International 55[10], 3187A. 1995. University of Texas, Austin. 1994.

Corhay-Ledent, Benedicte. “Between Conflicting Worlds: Female Exiles in Jean Rhys’s ‘Voyage in the Dark’ and Joan Riley’s ‘The Unbelonging.’” Crisis and Creativity in the New Literatures in English. Ed. Geoffrey V. Davis and Hena Maes-Jelinek. Cross/Cultures. Amsterdam: Rodopi, 1990. 499-510.

D’Costa, Jean. “Jean Rhys (1890-1979).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 390-404.

Dash, Cheryl M. L. “Jean Rhys.” West Indian Literature. Ed. Bruce King. 1979. 197-209.

Davidson, Arnold E. and Jean Rhys. “The Dark Is Light Enough: Affirmation from Despair in Jean Rhys’s Good Morning, Midnight.” Contemporary Literature 24.3 (1983): 349-64.

Davidson, Arnold E. Jean Rhys. New York: Ungar, 1985.

De Souza, Eunice. “Four Expatriate Writers.” Journal of the School of Languages 4.Winter 1976-77 (1976): 54-60.

Defromont, F. “Mémoires hantées: de Jane Eyre à Wide Sargasso Sea in Le Bonheur, Ordre et Désordre.” Cahier victoriens & édouardiens.27 (1988): 149-57.

Delany, P. “Jean Rhys and Ford Madox Ford: What ‘Really’ Happened?” Mosaic: A Journal for the Comparative Study of Literature and Ideas 16.4 (1983): 15-24.

Delourme, C. “La mémoire fécondée. Réflexions sur l’intertextualité: Jane Eyre, Wide Sargasso Sea.” Etudes Anglaises: Grande-Bretagne, Etats-Unis 42.3 (1989): 257-69.

Diamond, Marie Josephine. “Remembering Differently: The Madwoman, the Hysteric and the Witch in Jean Rhys’s Wide Sargasso Sea, Hélène Cixous’ Portrait de Dora and Maryse Condé’s Moi, Tituba, sorcière noire de Salem.” Gendered Memories. Ed. John Neubauer and Helga GeyerRyan. Textxet: Studies in Comparative Literature (Textxet): 28. Amsterdam: Rodopi, 2000. 9Drake, Sandra E. “All that Foolishness/That All Foolishness: Race and Caribbean Culture as Thematics of Liberation in Jean Rhys’ Wide Sargasso Sea.” Crítica: A Journal of Critical Essays (University of California, San Diego) 2.2 (1990): 97-112.

Emery, Mary Lou. “The Politics of Form: Jean Rhys’s Social Vision in Voyage in the Dark and Wide

Sargasso Sea.” Twentieth-Century Literature: A Scholarly and Critical Journal 28.4 (1982):


---. Jean Rhys at “World’s End”: Novels of Colonial and Sexual Exile. Austin: University of Texas Press, 1990.

---. “Refiguring the Postcolonial Imagination: Tropes of Visuality in Writing by Rhys, Kincaid, and Cliff.” Tulsa Studies in Women’s Literature 16.2 (1997): 259-80.

Erwin, Lee. “‘Like in a Looking-Glass’: History and Narrative in Wide Sargasso Sea.” Novel: A Forum on Fiction 22.2 (1989): 143-58.

Fayad, M. “Unquiet Ghosts: The Struggle for Representation in Jean Rhys’s Wide Sargasso Sea.” Modern Fiction Studies: A Critical Quarterly 34.3 (1988): 437-52.

Ferracane, Kathleen K. Images of the Mother in Caribbean Literature: Selected Novels of George Lamming, Jean Rhys and V.S. Naipaul. Dissertation Abstracts International 48[2], 398A. 1987.

Fido, Elaine Savory. “Jean Rhys.” Twentieth-Century Caribbean and Black African Writers, First Series. Ed. Bernth Lindfors and Reinhard Sander. Dictionary of Literary Biography (DLB): 117.

Detroit, MI: Gale, 1992. 258-78.

Fils-Aimé, Holly W. “Coulibri and Libellule: Tradition Empowering Women in Novels by Jean Rhys and Simone Schwarz-Bart.” Journal of Caribbean Studies 9.3 (1993): 164-77.

Flockemann, Miki. “Breakdown or Breakthrough? The Madness of Resistance in Wide Sargasso Sea and A Question of Power.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 2 (1999): 65-79.

Frickey, Pierrette M. “The Dominican Landscape: In Memory of Jean Rhys.” Jean Rhys Review 3.1 (1988): 2-10.

---. Critical Perspectives on Jean Rhys. Washington, D.C.: Three Continents Press, 1990.

Fumagalli, Maria Cristina. “Maryse Condé’s La Migration des Cœurs, Jean Rhys’s Wide Sargasso Sea and (the Possibility of) Creolization.” Journal of Caribbean Literatures 3.2 (2002): 65-87.

---. “Names Matter.” Journal of Caribbean Literatures 3.3 (2003): 123-32.

Ganner, H. “Jean Rhys: Eine Studie zur Rezeption ihres Werkes.” Arbeiten aus Anglistik und Amerikanistik 8.1 (1983): 55-65.

Gardiner, Judith Kegan. “Good Morning, Midnight; Good Night, Modernism.” Boundary 2: An International Journal of Literature and Culture 11.1/2, Engagements: Postmodernism, Marxism, Politics (1982): 233-51.

---. “Rhys Recalls Ford: Quartet and The Good Solider.” Tulsa Studies in Women’s Literature 1.1 (1982): 67-81.

Gilson, Annette. “Internalizing Mastery: Jean Rhys, Ford Madox Ford, and the Fiction of Autobiography.” Modern Fiction Studies: A Critical Quarterly 50.3 (2004): 632-56.

Greene, Sue N. “Six Caribbean Novels by Women.” Nieuwe West-Indische Gids 58 (1984): 61-74.

Gregg, Veronica Marie. Jean Rhys, Europe and the West Indies: A Literary Study. Dissertation Abstracts International 49[3], 510A. 1988.

---. “Jean Rhys on Herself As a Writer.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe.Wellesley: Calaloux, 1990. 109-15.

---. Jean Rhys’s Historical Imagination: Reading and Writing the Creole. Chapel Hill, S.C.: University of North Carolina Press, 1995.

Griffith, Glyne A. “Madness and Counterdiscourse: A Dialogic Encounter Between Wide Sargasso Sea and Jean Eyre.” The Woman, the Writer & Caribbean Society. Essays on Literature and Culture. Ed. Helen Pyne-Timothy. Los Angeles: University of California; Center for African American Studies, 1998. 220-27.

Gunner, Liz. “Mothers, Daughters and Madness in Works by Four Women Writers: Bessie Head, Jean Rhys, Tsitsi Dangarembga and Ama Ata Aidoo.” Alif: Journal of Comparative Poetics. 14, Madness and Civilization/al-Junun wa al-Hadarah (1994): 136-51.

Gutiérrez Mouat, Ricardo. “La ‘loca del desván’ y otros intertextos de Maldito amor.” Modern Language Notes 109.2 (1994): 283-306.

Harris, Wilson. “Carnival of Psyche: Jean Rhys’s Wide Sargasso Sea.” Kunapipi: Journal of Postcolonial Writing 2 (1980): 142-50.

Harrison, Nancy Rebecca. Jean Rhys and the Novel As Women’s Text. Chapel Hill, N.C.;London:

University of North Carolina Press, 1988.

Hawthorne, Evelyn J. “‘Persistence of (Colonial) Memory’: Jean Rhys’s Carib Texts and Imperial Historiography.” Ariel: A Review of International English Literature (Calgary) 32.3 (2001): 91Hearne, John. “The Wide Sargasso Sea: A West Indian Reflection.” Cornhill Magazine. 1080 Summer (1974): 323-33.

Hemmerechts, Kristien. A Plausible Story and a Plausible Way of Telling It: a Structuralist Analysis of Jean Rhys’s Novels. Frankfurt am Main: Lang, 1987.

Herndon, Crystal Gerise. Gendered Fictions of Self and Community: Autobiography and Autoethnography in Caribbean Women’s Writing. Dissertation Abstracts International 54[8], 3019A. 1994. University of Texas, Austin. 1993.

Hickman, Trenton Larry. “The Colonized Woman as Monster in Jane Eyre, Wide Sargasso Sea, and Annie John.” Journal of Caribbean Studies 14.3 (2000): 181-98.

Hollis, Catherine. “The Third Mrs. Rochester: Jean Rhys and the Selma Vaz Dias Affair.” Women’s Studies: An Interdisciplinary Journal 29.5 (2000): 651-80.

Howells, Coral Ann. Jean Rhys. New York (NY): Harvester Wheatsheaf / St. Martin’s Press, 1991.

Huggan, Graham. “A Tale of Two Parrots: Walcott, Rhys, and the Uses of Colonial Mimicry.” Contemporary Literature 35.4 (1994): 643-60.

Hulme, Peter. “The Place of Wide Sargasso Sea.” Wasafiri 20 (1994): 5-11.

---. “Islands and Roads: Hesketh Bell, Jean Rhys, and Dominica’s Imperial Road.” Jean Rhys Review 11.2 (2001): 23-51.

James, Louis. “Sun Fire - Painted Fire: Jean Rhys as a Caribbean Novelist.” Ariel: A Review of International English Literature 8.3 (1977): 111-27.

---. Jean Rhys. London: Longman, 1978.

James, Selma. The Ladies and the Mammies: Jane Austen and Jean Rhys. Old Market, Bristol:

Falling Wall Press, 1983.

Johnson, Erica L. “Creole Errance in Good Morning, Midnight.” Journal of Caribbean Literatures 3.3 (2003): 37-46.

---. Home, Maison, Casa: the Politics of Location in Works by Jean Rhys, Marguerite Duras, and Erminia Dell’Oro. Madison; London: Fairleigh Dickinson University Press;Associated University Presses, 2003.

Jones, Angela. “Voodoo and Apocalypse in the Work of Jean Rhys.” The Journal of Commonwealth Literature 16.August (1981): 126-31.

Jordis, C. “Jean Rhys ou la perspective de l’exil.” La nouvelle revue française.366-367 (1983): 156-67.

Joseph, Margaret Paul. Caliban in Exile: the Outsider in Caribbean Fiction. New York: Greenwood Press, 1992.

Kappers-den Hollander, Martien. “Jean Rhys and the Dutch Connection.” Maatstaf: Maandblad voor Letteren 30.4 (1982): 30-40.

---. “Jean Rhys en Jan van Houts.” De Revisor 9.2 (1982): 16-25.

---. “Jean Rhys and the Dutch connection.” Journal of Modern Literature Philadelphia 11.1 (1984):

159-73. (dit artikel is ook al iets hoger vermeld – moet het twee keer?)

---. “Andermans veren: Edouard de Nève, Jean Rhys en ‘Aan de loopenden band’.” Maatstaf:

Maandblad voor Letteren 41.8 (1993): 76-86.

KeganGardiner, J. “‘The Grave’, On not Shooting Sitting Birds, and the Female Esthetic.” Studies in Short Fiction 20.4 (1983): 265-70.

Kineke, Sheila. “‘Like a Hook Fits an Eye’: Jean Rhys, Ford Madox Ford, and the Imperial Operations of Modernist Mentoring.” Tulsa Studies in Women’s Literature 16.2 (1997): 281-301.

Kloepfer, Deborah Kelly. “Voyage in the Dark: Jean Rhys’s Masquerade for the Mother.” Contemporary Literature 26.4 (1985): 443-59.

Konzett, Delia Caparoso. Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation. New York: Palgrave Macmillan, 2002.

Laveggi, L. “Ce que savait Jean Rhys.” L’Infini.13 (1986): 46-51.

Lawton de Torruella, Elena. “Caribbean Domestic Spaces in Four Modes: Walcott, Hippolyte, Brathwaite and Rhys.” Torre: Revista de la Universidad de Puerto Rico 7.26 (2002): 657-62.

Lerner, Laurence. “Bertha and the Critics.” Nineteenth-Century Literature 44.3 (1989): 273-300.

Loendorf, Harald. “Two Tunes: Jean Rhys’ ‘Voyage in the Dark.’” The Caribbean Quarterly 46.1 (2000): 24-36.

Lonsdale, Thorunn. “‘One of the Most Beautiful Islands in the World and One of the Unluckiest’: Jean Rhys and Dominican Identity.” Framing the Word: Gender and Genre in Caribbean Women’s Writing. Ed. Joan Anim-Addo.London: Whiting and Birch, 1996. 199-209.

---. “Literary Allusion in the Fiction of Jean Rhys.” Caribbean Women Writers: Fiction in English. Ed.

Maryse Condé and Thorunn Lonsdale. New York, NY: St. Martin’s, 1999. 43-74.

Look Lai, Wally. “The Road to Thornfield Hall.” New World Quarterly 4.Crop time (1968): 17-27.

Louvel, Liliane. “Jean Rhys, Wide Sargasso Sea: The Locket and the Shamrock.” Etudes anglaises:

Grande-Bretagne, Etats-Unis 48.2 (1995): 160-72.

Luengo, Anthony. “Wide Sargasso Sea and the Gothic Mode.” World Literature Written in English 15.

April (1976): 229-45.

Lykiard, Alexis. Jean Rhys Revisited. 1st ed. Exeter: Stride Publications, 2000.

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