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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Cobb, Michael L. “Irreverent Authority: Religious Apostrophe and the Fiction of Blackness in Paule Marshall’s Brown Girl, Brownstones.” The University of Toronto Quarterly: A Canadian Journal of the Humanities 72.2, 631. 2003. University of Toronto Press.

Cobham-Sander, C. Rhonda. “Revisioning Our Kumblas: Transforming Feminist and Nationalist Agendas in Three Caribbean Women’s Texts.” Callaloo: A Journal of African Diaspora Arts and Letters 16.1 (1993): 44-64.

---. “Revisioning Our Kumblas: Transforming Feminist and Nationalist Agendas in Three Caribbean Women’s Texts.” Postcolonial Theory and the United States: Race, Ethnicity, and Literature.

Ed. Amritjit Singh and Peter Schmidt. Jackson, MS: University Press of Mississippi, 2000.

300-19.

Dance, Daryl Cumber. “An Interview with Paule Marshall.” The Southern Review: Literary and Interdisciplinary Essays 28.1 (1992): 1 (20).

Davies, Carole Boyce. “Paule Marshall.” Twentieth-Century Caribbean and Black African Writers,

Third Series. Ed. Bernth Lindfors. Dictionary of Literary Biography (DLB): 157. Detroit, MI:

Gale, 1996. 192-202.

DeLamotte, Eugenia. “Women, Silence, and History in The Chosen Place, The Timeless People.” Callaloo: A Journal of African Diaspora Arts and Letters 16.1 (1993): 227-42.

---. Places of Silences, Journeys of Freedom: the Fiction of Paule Marshall. Philadelphia, PA:

University of Pennsylvania Press, 1998.

Demirtürk, E. Lale. “Postcolonial Reflections on the Discourse of Whiteness: Paule Marshall’s The Chosen Place, the Timeless People.” College Language Association Journal 48.1 (2004): 88Denniston, Dorothy Hamer. The Fiction of Paule Marshall: Reconstructions of History, Culture, and Gender. Knoxville: University of Tennessee Press, 1995.

Denniston, Dorothy L. “Early Short Fiction by Paule Marshall.” Callaloo: A Journal of African Diaspora Arts and Letters 18 (1983): 31-45.

DuBoin, Corinne. “Paule Marshall’s Reconstruction of Barbados in Brown Girl, Brownstones.” Commonwealth Essays and Studies 18.2 (1996): 90-98.

Elia, Nada. Trances, Dances, and Vociferations: Agency and Resitance in Africana Women’s Narratives. New York: Garland Publishing Inc., 2001.

Eppert, Claudia. “(Un)Learning Home: Paule Marshall’s Praisesong for the Widow, Emmanuel Levinas, and an Ethics of Reading for Alterity.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature. Ed. Bénédicte Ledent. Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 169-83.

Ferguson, Moira. “Of Bears & Bearings: Paule Marshall’s Diverse Daughters.” MELUS: The Journal of

the Society for the Study of the Multi-Ethnic Literature of the United States 24.1 (1999): 177Francis, Donette Angela. “Paule Marshall: New Accents on Imigrant America.” The Black Scholar:

Journal of Black Studies and Research 30.2 (2000): 21 (5).

Gallego, María del Mar. “Going Back Home: Homelands and Futurelands in Paule Marshall’s Praisesong for the Widow.” Evolving Origins, Transplanting Cultures: Literary Legacies of the New Americans. Ed. Laura P. Alonso Gallo and Antonia Domínguez Miguela. Collectanea: 65.

Huelva: Universidad de Huelva, 2002. 67-75.

Graulich, Melody and Lisa Sisco. “Meditations on Language and the Self: A Conversation with Paule Marshall.” NWSA Journal: A Publication of the National Women’s Studies Association 4.3 (1992): 282 (21).

Gyssels, Kathleen. Sages sorcières? Révision de la mauvaise mère dans Beloved (Toni Morrison), Praisesong for the Widow (Paule Marshall), et Moi, Tituba, sorcière noire de Salem (Maryse Condé). Lanham, MD: University Press of America, 2001.

---. “Fils et filles d’Anancy: Exil diasporique et identité mé-tissée chez Schwarz-Bart et Marshall.” Revue de littérature comparée 76.2 (2002): 178-90.

---. “Caribbean Waves: The Oppressed Language As Language of the Oppressed in Paule Marshall’s Praisesong for the Widow and Simone & André Schwarz-Bart’s Un plat de porc aux bananes vertes.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature. Ed.

Bénédicte Ledent. Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 185-97.

Harris, Trudier. “No Outlet for the Blues: Silla Boyce’s Plight in Brown Girl, Brownstones.” Callaloo: A Journal of African Diaspora Arts and Letters 6.2 (18) (1983): 57-67.

Hathaway, Heather A. Cultural Crossings: Migration, Generation, and Gender in Writings by Claude McKay and Paule Marshall. Dissertation Abstracts International 54[11], 4093A. 1994. Harvard University, 1993.

---. Caribbean Waves: Relocating Claude MacKay and Paule Marshall. Bloomington, IN: Indiana University Press, 1999.

Hawthorne, Evelyn J. “Ethnicity and Cultural Perspectives in Paule Marshall’s Short Fiction.” MELUS:

The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 13.3/4 (1986): 37-48.

---. “The Critical Difference: Paule Marshall’s Personal and Literary Legacy.” The Black Scholar:

Journal of Black Studies and Research 30.2 (2000): 2 (5).

Hoefel, Roseanne. “Praisesong for Paule Marshall: Music and Dance as Redemptive Metaphor in Brown Girl, Brownstones and Praisesong for the Widow.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 1 (1998): 134-44.





Ibironke, Olabode. “The Paradox of Cultural Self-Representation in Paule Marshall’s Praisesong for the Widow.” Language & Intercultural Communication 4.1-2 (2004): 60-67.

James, Cynthia. “Reconnecting the Caribbean-American Diaspora in Paule Marshall’s Brown Girl, Brownstones and Erna Brodber’s Louisiana.” College Language Association Journal 45.2 (2001): 151-70.

---. “Gender and Hemispheric Shifts in the Caribbean Narrative in English at the Close of the 20th Century: A Study of Paule Marshall’s Daughters and Erna Brodber’s Louisiana.” Jouvert: A Journal of Postcolonial Studies 5.3 (2001).

James, Simone Alexis. Mother/Motherland/Mothercountry Trichotomy: Negotiating Maternity and Maternal Spaces in the Works of Afro-Caribbean Women Novelists. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 60[2], 429-30. 1999. Rutgers U, New Brunswick. 1999.

Japtok, Martin. “Paule Marshall’s Brown Girl, Brownstones: Reconciling Ethnicity and Individualism.” African American Review 32 (1998): 306-315.

---. “Sugarcane as History in Paule Marshall’s ‘To Da-Duh, in Memoriam.’” African American Review 34.3 (2000): 475-82.

John, Catherine Amelia. Clear Word and Third Sight: Folk Groundings and Diasporic Consciousness in African Caribbean Writing. 241 p. Durham, NC / London: Duke University Press, 2003, xi, 241.

Johnson, Beverly A. “Revolutionary Solutions: Challenging Colonialist Attitudes in the Works of Paule Marshall.” College Language Association Journal 45.4 (2002): 460-76.

Jones, Gavin. “The Sea Ain’ Got No Back Door”: The Problems of Black Consciousness in Paule Marshall’s Brown Girl, Brownstones. African American Review 32.4 (1998) 597-606.

Juneja, Renu and James Kingsland. “The Caribbean-American Connection: A Paradox of Success and Subversion.” Journal of American Culture 21.3 (1998): 63-67.

Keizs, Marcia. “Themes and Style in the Works of Paule Marshall.” Negro American Literature Forum 9.3 (1975): 67-76.

Keulen, Margaret. “‘Bringing Together All the Various Strands’: Cultural Roots in Paule Marshall’s Literary Œuvre.” Fusion of Culture. Ed. Peter O. Stummer and Christopher Balore.

Amsterdam: Rodopi, 1984. 81-89.

Konan, Amani. “Paule Marshall: A Conradian Praisesong.” Critical Arts: A Journal of Media Studies 9.1 (1995): 21 (9).

Kubitschek, Missy Dehn. “Paule Marshall’s Women on Quest.” Black American Literature Forum 21.1/2 (1987): 43-60.

LeSeur, Geta J. “The Monster-Machine and the White Mausoleum: Paule Marshall’s Metaphors for Western Materialism.” College Language Association Journal 39.1 (1995): 49 (12).

---. “‘Read Your History, Man’: Bridging Racism, Paternalism, and Privilege in Paule Marshall’s The Chosen Place, the Timeless People.” College Language Association Journal 44.1 (2000): 88Liddell, Janice Lee. “Voyages Beyond Lust and Lactation: The Climacteric As Seen in Novels by Sylvia Wynter, Beryl Gilroy, and Paule Marshall.” Arms Akimbo: Africana Women in Contemporary Literature. Ed. Janice Lee Liddell, Yakini Belinda Kemp, and Beverly GuySheftall. Gainesville, FL: University Press of Florida, 1999. 32-45.

López Ropero, Lourdes. “‘Some of All of Us in You’: Intra-Racial Relations, Pan-Africanism and Diaspora in Paule Marshall’s The Fisher King.” Miscelanea: A Journal of English and American Studies 26 (2002): 39-57.

Machado, Elena. Going Global in a Caribbean Locale: Traveling Home in the Works of Paule Marshall, Cristina García, Andrea Levy and Caryl Phillips. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 64[6], 2090. 2003. State University of New York, Stony Brook. 2003.

Macpherson, Heidi Slettedahl. “Perceptions of Place: Geopolitical and Cultural Positioning in Paule Marshall’s Novels.” Caribbean Women Writers: Fiction in English. Ed. Maryse Condé and Thorunn Lonsdale. New York, NY: St. Martin’s, 1999. 75-96.

Marshall, Paule. “The Mother Poets of My Art.” The Caribbean Quarterly 46.3-4 (2000): 59-71.

McDonald, Kathlene. “Paule Marshall’s Critique of Capitalism and Cold War Ideology: Brown Girl, Brownstones as a Resistant Working-Class Text.” The Black Scholar: Journal of Black Studies and Research 30.2 (2000): 26 (8).

McKoy, Sheila Smith. “The Limbo Contest: Diaspora Temporality and its Reflection in Praisesong for the Widow and Daughters of the Dust.” Callaloo: A Journal of African Diaspora Arts and Letters 22.1 (1999): 208-22.

Meehan, Kevin Vincent. “Caribbean versus United States Racial Categories in Three Caribbean American Coming of Age Stories.” Narrative 7.3 (1999): 259-71.

Melchior, Bernhard. “Re-Visioning” the Self Away From Home: Autobiographical and Cross-Cultural Dimensions in the Works of Paule Marshall. Frankfurt am Main: Peter Lang, 1998.

Meyer, Adam. “Memory and Identity for Black, White, and Jew in Paule Marshall’s The Chosen Place, the Timeless People.” MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 20.3 (1995): 99-120.

Mill, Solveig. “The Enigma of In-Between: Transdifference in Paule Marshall’s Daughters.” Sargasso:

Literature, Language, Culture 2 (2004): 43-57.

Nair, Supriya Mundadath. “Homing Instincts: Immigrant Nostalgia and Gender Politics in Brown Girl, Brownstones.” Caribbean Romances: The Politics of Regional Representation. Ed. Belinda Joy Edmondson. New World Studies. Charlottesville, VA: University Press of Virginia, 1999.

183-98.

Nelson, Emmanuel S. “Black America and the Anglophone Afro-Caribbean Literary Consciousness.” Journal of American Culture 12.4 (1989): 53-58.

Niesen de Abruna, Laura. “Twentieth-Century Women Writers From the English-Speaking Caribbean.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R.

Cudjoe.Wellesley: Calaloux, 1990. 86-97.

Ogunyemi, Chikwenye Okonjo. “‘The Old Order Shall Pass’: The Examples of ‘Flying Home’ and ‘Barbados.’” Studies in Short Fiction 20.1 (1983): 23-32.

Olmsted, Jane. “The Pull to Memory and the Language of Place in Paule Marshall’s The Chosen Place, The Timeless People and Praisesong for the Widow.” African American Review 31.2 (1997): 249-67.

Palmer, Opal Adisa. “A Writer/Healer: Literature, a Blueprint for Healing.” Healing Culture: Art and Religion as Curative Practices in the Caribbean and Its Diaspora. Ed. Margarite Fernández Olmos and Lizabeth Paravisini-Gebert. New York, NY: Palgrave, 2001. 179-93.

Pannill, Linda. “From the “Wordshop”: The Fiction of Paule Marshall.” MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 12.2 (1985): 63-73.

Paravisini-Gebert, Lizabeth. “Paule Marshall’s The Chosen Place, The Timeless People: Untenable Sisterhoods.” Journal of Caribbean Studies 13.1-2 (1998): 58-75.

---. “The Chosen Place, The Timeless People: Race, Colonial Power and the Absence of Sisterhood.” The Caribbean Quarterly 48.4 (2002): 41-53.

Pettis, Joyce Owens and Paule Marshall. “A MELUS Interview: Paule Marshall.” MELUS: The Journal

of the Society for the Study of the Multi-Ethnic Literature of the United States 17.4 (1991):

117-29.

Pettis, Joyce Owens. “‘Talk’ as Defensive Artifice: Merle Kinbona in The Chosen Place, The Timeless People.” African American Review 26.1 (1992): 109-17.

---. “Legacies of Community and History in Paule Marshall’s Daughters.” Studies in the Literary Imagination 26.2 (1993): 89 (11).

---. Toward Wholeness in Paule Marshall’s Fiction. Charlottesville: University Press of Virginia, 1995.

---. “Qualities of Endurance: Paule Marshall’s Brown Girl, Brownstones.” The Black Scholar: Journal of Black Studies and Research 30.2 (2000): 15 (6).

Rahming, Melvin Bert. “Towards a Caribbean Mythology: The Function of Africa in Paule Marshall’s The Chosen Place, The Timeless People.” Studies in the Literary Imagination 26.2 (1993): 77Restovich, Catherine R. Negotiating Identity in the Waters of the Atlantic: The Middle Passage Trope in African-American and Afro-Caribbean Women’s Writing. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 62[1], 160. 2001. Saint Louis University, 2000.

Reyes, Angelita Dianne. Crossing the Bridge: The Great Mother in Selected Novels of Toni Morrison, Paule Marshall, Simone Schwarz-Bart, and Mariama Bâ. Dissertation Abstracts International 46[6], 1619A. 1985.

Robinson, Kim Dismont. “Bourne Again: Mythic History in Paule Marshall’s The Chosen Place, The Timeless People.” Sargasso: Literature, Language, Culture.2 (2004): 31-42.



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