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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Lai, Walton Look. “C.L.R. James and Trinidadian Nationalism.” C.L.R. James’s Caribbean. Ed. Paget Elseworth Henry and Paul Buhle. Durham, NC: Duke University Press, 1992. 174-209.

Lamming, George. “Caribbean Literature: The Black Rock of Africa.” African Forum: A Quarterly Journal of Contemporary Affairs 1.4 (1966): 32-52.

---. “On West Indian Writing.” Revista Interamericana 5.2 (1975): 149-62.

Lamming, George. “Caribbean Politics and Psyche: A Conversation with George Lamming. Interviews.” Commonwealth: Essays and Study 10.2 (1988): 14-25.

---. “C.R.L. James: West Indian (George Lamming Interviewed by Paul Buhle).” C.L.R. James’s Caribbean. Ed. Paget Elseworth Henry and Paul Buhle. Durham: Duke University Press, 1992. 28-36.

Lamming, George and Richard Wright. In the Castle of My Skin. New York: Collier, 1970.

Lyn, Gloria. “Once Upon a Time: Some Principles of Storytelling: In the Castle of My Skin.” Critical Issues in West Indian Literature. Ed. Erika Sollish Smilowitz, Roberta Quarles Knowles, and Lloyd W. Brown. Parkersburg, IA: Caribbean Books, 1984. 112-24.

Maldonado Diaz, Arturo. “Place and Nature in George Lamming’s Poetry.” Revista Interamericana Review 4 (1974): 402-10.

McClure, Charlotte S. “Helen of the ‘West Indies’: History or Poetry of a Caribbean Realm.” Studies in the Literary Imagination 26.2 (1993): 7-20.

McDonald, Avis G. “‘Within the Orbit of Power’: Reading Allegory in George Lamming’s Natives of My Person.” The Journal of Commonwealth Literature 22.1 (1987): 73-86.

Misrahi-Barak, Judith. “The Detours of Narrative Voice: A Precondition of Self-Narration in Caribbean Literature.” Commonwealth Essays and Studies 19.1 (1996): 71-75.

Munro, Ian Hamilton. “The Theme of Exile in George Lamming’s In the Castle of My Skin.” World Literature Written in English 20 (1971): 51-60.

Munro, Ian Hamilton, Reinhard Sander, and Dean Beebe. “Writing and Publishing in the West Indies:

An Interview with George Lamming.” World Literature Written in English Newsletter 19 (1971):


Munro, Ian Hamilton, et al. Kas-Kas: Interviews With Three Caribbean Writers in Texas: George

Lamming; C.L.R. James; Wilson Harris. Ed. Ian Hamilton Munro and Reinhard Sander. Austin:

African and Afro-American Research Institute, University of Texas at Austin, 1972, 56.

Munro, Ian Hamilton. “George Lamming’s Season of Adventure: The Failure of the Creative Imagination.” Studies in Black Literature 4.1 (1973): 6-13.

---. “The Early Work of George Lamming: Poetry and Short Prose, 1946-1951.” Neo-African Literature and Culture: Essays in Memory of Janheinz Jahn. Ed. Bernth Lindfors and Ulla Schild.

Mainzer Afrika-Studien: 1. Wiesbaden: Heymann, 1976. 327-45.

Munro, Ian Hamilton. Exile and Community: A Study of the Poetry and Prose of George Lamming.

Dissertation Abstracts International 37, 7765A. 1977. Ann Arbor, MI.

---. “George Lamming.” West Indian Literature. Ed. Bruce King. London: Macmillan, 1979. 126.

---. “George Lamming (1927- ).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Ed.

Daryl Cumber Dance. New York: Greenwood Press, 1986. 264-75.

Nair, Supriya Mundadath. Making History: Social Revolution in the Novels of George Lamming.

Dissertation Abstracts International 53[12], 4335A. 1993. University of Texas, Austin.

---. “‘Invented’ Histories: Cultural Production in George Lamming’s Season of Adventure.” Reading the Shape of the World: Toward an International Cultural Studies. Ed. Henry Schwarz and Richard Dienst. Politics and Culture (PoandC): 4. Boulder, CO: Westview, 1996. 167-82.

---. Caliban’s Curse: George Lamming and the Revisioning of History. Ann Arbor: The University of Michigan Press, 1996.

Ngai, Mbatau Kaburu Wa. “The Relationship Between Literature and Society and How It Emerges in the Works of G. Lamming, V.S. Naipaul and W. Harris.” Busara 8.2 (1976): 53-67.

Ngugi, wa Thiong’o [formerly James Ngugi]. “The Black Experience.” Umma: A Literary Magazine from the University of Dar es Salaam 3 (1976): 20.

---. “In the Name of the Mother: George Lamming and the Cultural Significance of ‘Mother Country’ in the Decolonization Process.” Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Ed. Timothy J. Reiss. 2nd ed. Trenton, NJ: African World Press, 2002.


---. “Home from Exile: Lamming and the Colonial Situation.” Pan-Africanist (Northwestern University) 1.1 (1971): 2-12.

---. “George Lamming’s In the Castle of My Skin.” Homecoming: Essays on African and Caribbean Literature, Culture and Politics. New York: Lawrence Hill, 1972. 110-26.

Nightingale, Margaret. “George Lamming and V.S. Naipaul: Thesis and Antithesis.” ACLALS Bulletin 5 (1980): 40-50.

Nixon, Rob. “Caribbean and African Appropriations of The Tempest.” Critical Inquiry 13.3, Politics and Poetic Value (1987): 557-78.

Nunez-Harrell, Elizabeth. “Lamming and Naipaul: Some Criteria for Evaluating the Third-World Novel.” Contemporary Literature 19.1 (1978): 26-47.

Odhiambo, Christopher J. “Outside the Eyes of the Other: George Lamming and Definition in Of Age and Innocence.” Research in African Literatures 25.2 (1994): 121-30.

Ojo, Patchechole Poindexter. “Nature in Three Caribbean Novels.” Journal of Caribbean Studies 2.1 (1981): 85-107.

Paquet, Sandra Pouchet. Politics and the Novels of George Lamming. Dissertation Abstracts International 38, 285A. 1977. Ann Arbor, MI.

---. “George Lamming.” Twentieth-Century Caribbean and Black African Writers, Second Series. Ed.

Bernth Lindfors and Reinhard Sander. Dictionary of Literary Biography (DLB): 125. Detroit, MI:

Gale, 1993. 54-69.

---. “Documents of West Indian History: Telling a West Indian Story.” Callaloo: A Journal of African Diaspora Arts and Letters 20.4 (1997): 764-76.

Paquet, Sarah Pouchet. The Novels of George Lamming. London: Heinemann, 1982.

Petersen, Kirsten Holst. “Time, Timelessness and the Journey Metaphor in George Lamming’s In the Castle of My Skin and Natives of My Person.” The Commonwealth Writer Overseas: Themes of Exile and Expatriation. Ed. Alastair Niven. Brussels: Didier, 1976. 283-88.

Pérez Sisto, Edith. “Entre la ficción y la realidad: Paradojas del Caribe anglófono.” Cuadernos Americanos 16.6 [96] (2002): 48-58.

Phillips, Caryl. “George Lamming.” Wasafiri 26 (1997): 10-17.

---. “Following On: The Legacy of Lamming and Selvon.” Wasafiri 29 (1999): 34-36.

Prentice, Christine. “Out of the Pre-Texts of Imperialism into ‘A Future They Must Learn’: Decolonizing the Allegorical Subject.” Ariel: A Review of International English Literature (Calgary) 31.1-2 (2000): 203-29.

Procter, James. “The Articulation of Arrival in Early Postwar Caribbean Writing in Britain.” Moving Worlds: A Journal of Transcultural Writings 3.2 (2003): 110-18.

Ramchand, Kenneth. “The Theatre of Politics.” 20th Century Studies 10 December 1973 (1973): 20Riwa, Masanga. “An Interview with Mr. George Lamming.” Umma: A Literary Magazine from the University of Dar es Salaam 5 (1975): 100-03.

Robinson, James E. “Caribbean Caliban: Shifting the ‘I’ of the Storm.” Comparative Drama 33.4 (1999): 431-53.

Robinson, Jeffrey. “Mother and Child in Three Novels by George Lamming.” Release 6 (1979): 75-83.

Rohlehr, Gordon. “Facing the Past: Some Themes in the Writings of Eric Williams, George Lamming, and Derek Walcott.” Pelican.July-October 1964 (1964): 13-16.

Sandiford, Keith A. P. “Ralph Ellison and George Lamming: Two Episodes, One Myth.” Minority Voices: An Interdisciplinary Journal of Literature and the Arts 3.2 (1980): 19-25.

Saunders, Patricia Joan. Beyond Caliban: (Dis)Forming Identity and Being in Contemporary Anglophone Caribbean Literature. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 60[4], 1140-41. 1999. University of Pittsburgh. 1999.

Schwarz, Bill. “C.L.R. James and George Lamming: The Measure of Historical Time.” Small Axe: A Caribbean Journal of Criticism 14 (2003): 39-70.

Silva, A. J. Simoes da. The Luxury of Nationalist Despair: George Lamming’s Fiction As Decolonizing Project. Amsterdam: Rodopi, 2000.

Sparrow, Jennifer Ruth. “Caliban Orders History: George Lamming and The Tempest.” Wadabagei:

Journal of the Caribbean and Its Diaspora 3.1 (2000): 111-46.

Tabuteau, Eric. “American Dream, Urban Nightmare: Edwidge Danticat’s Breath, Eyes, Memory and George Lamming’s In the Castle of My Skin.” Alizés: Revue Angliciste de la Réunion 22 (2002): 95-110.

Tapping, Craig. “Children and History in the Caribbean Novel: George Lamming’s In the Castle of My Skin and Jamaica Kincaid’s Annie John.” Kunapipi: Journal of Postcolonial Writing 11.2 (1989): 51-59.

Tarrieu, Yannick. “Caribbean Politics and Psyche: A Conversation with George Lamming.” Commonwealth Essays and Studies 10.2 (1988): 14-25.

Taylor, Patrick David Michael. The Narrative of Liberation: Historical Consciousness in the AfroCaribbean. Dissertation Abstracts International 47[1], 193A-4a. 1986.

Tiffin, Helen M. “The Tyranny of History: George Lamming’s Natives of My Person and Water with Berries.” Ariel: A Review of International English Literature (Calgary) 10.4 (1979): 37-52.

---. “Freedom After the Fall: Renaissance and Disillusionment in Water With Berries and Guerrillas.” Individual and Community in Commonwealth Literature. Ed. Daniel Massa. Msida: University of Malta Press, 1979. 90-98.

---. “The Novels of George Lamming: Finding a Language for Post-Colonial Fiction.” Essays on Contemporary Post-Colonial Fiction. Ed. Hedwig Bock and Albert Wertheim. München: Max Hueber Verlag, 1986. 253-74.

---. “Rites of Resistance: Counter-Discourse and West Indian Biography.” The Journal of West Indian Literature 3.1 (1989): 28-46.

West, David S. “Lamming’s Poetic Language in In the Castle of My Skin.” Literary Half-Yearly 18.2 (1977): 71-83.

Yarde, Gloria. “George Lamming: The Historical Imagination.” Literary Half-Yearly 11.2 (1970): 35-45.


Alexander, Simone A. James. “Racial and Cultural Categorizations of Language: The Evolution of Kamau Braithwaite’s Nation Language in the Fiction of Paule Marshall.” Revista Interamericana Review 31.1-4 (2001).

---. Mother Imagery in the Novels of Afro-Caribbean Women. Columbia, MO: University of Missouri Press, 2001, x, 215.

Anatol, Giselle Liza. “Caribbean Migration, Ex-Isles, and the New World Novel.” The Cambridge Companion to the African American Novel. Ed. Maryemma Graham. Cambridge Companions to Literature (CCtL). Cambridge, England: Cambridge University Press, 2004. 70-83.

Basu, Biman. “‘Oral Tutelage’ and the Figure of Literacy: Paule Marshall’s Brown Girl, Brownstones and Zora Neale Hurston’s Their Eyes Were Watching God.” MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 24.1 (1999): 161-76.

Benston, Kimberly W. “Architectural Imagery and Unity in Paule Marshall’s Brown Girl, Brownstones.” Negro American Literature Forum 9.3 (1975): 67-70.

Bracks, Lean’tin L. Writings on Black Women of the Diaspora: History, Language, and Identity. New York: Garland, 1998.

Brock, Sabine. “Transcending the ‘Loophole of Retreat’: Paule Marshall’s Placing of Female Generations.” Callaloo: A Journal of African Diaspora Arts and Letters. 30 (1987): 79-90.

Brown-Hinds, Paulette Denice. “In the Spirit: Dance as Healing Ritual in Paul Marshall’s Praisesong For the Widow.” Religion and Literature 27.1 (1995): 107-17.

---. “‘In the Blood’: Performing Memory in Paule Marshall’s Praisesong for the Widow.” Centre of

Remembrance: Memory and Caribbean Women’s Literature. Ed. Joan Anim-Addo. London:

Mango Publishing, 2002. 95-112.

Brown, Lloyd W. “The Rhythms of Power in Paule Marshall’s Fiction.” Novel: A Forum on Fiction 7.2 (1974): 159-67.

Buma, Pascal P. “Paule Marshall’s Brown Girl, Brownstones: A Nexus between the Caribbean and the African-American Bildungsromane.” College Language Association Journal 44.3 (2001): 303Bus, Heiner. “‘Good Fences Make Good Neighbors?’: Open and Closed Borders in the Fictions of Paule Marshall, Toni Morrison, and Michelle Cliff, and in José Martí’s Our America.” Revista Canaria de Estudios Ingleses 43 (2001): 119-32.

Busia, Abena P. B. “Words Whispered Over Voids: A Context for Black Women’s Rebellious Voices in the Novel of the African Diaspora.” Black Feminist Criticism and Critical Theory. Ed. Joe Weixlmann and Houston A. Baker, Jr. Studies in Black American Literature: 3. Greenwood, FL: Penkevill, 1988. 1-41.

Cartwright, Keith. “Notes Toward a Voodoo Hermeneutics: Soul Rhythms, Marvelous Transitions, and Passages to the Creole Saints in Praisesong for the Widow.” Southern Quarterly: A Journal of the Arts in the South 41.4 (2003): 127-43.

Charras, Françoise. “‘Neither Fish nor Fowl’: A Reading of Paule Marshall’s Earlier Short Stories From a Caribbean Perspective.” Telling Stories: Postcolonial Short Fiction in English. Ed. Jacqueline Bardolph. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 47.

Amsterdam: Rodopi, 2001. 109-18.

Chin, Timothy S. Refiguring ‘Home’: Displacement, Identity, and Questions of the Postcolonial in the Narrative Fiction of Paule Marshall. Dissertation Abstracts International 53[10], 3526A. 1993.

University of Michigan.

---. “‘Bullers’ and ‘Battymen’: Contesting Homophobia in Black Popular Culture and Contemporary

Caribbean Literature.” Callaloo: A Journal of African Diaspora Arts and Letters 20.1 (1997):


Christian, Barbara T. “Ritualistic Process and the Structure of Paule Marshall’s Praisesong for the Widow.” Callaloo: A Journal of African Diaspora Arts and Letters 6.2 (18) (1983): 74-84.

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