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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Essays in Honour of Kamau Brathwaite.” The Caribbean Quarterly 44.1-2 (1998): 145-52.

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“How Far Are Derek Walcott and Edward Brathwaite Similar?: Is It Impossible for the Caribbean to Choose between the Two, If So, Which Way Should They Choose and Why?” Busara 6.1 (1974): 90-100.

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Alexander, Simone A. James. “Racial and Cultural Categorizations of Language: The Evolution of Kamau Braithwaite’s Nation Language in the Fiction of Paule Marshall.” Revista Interamericana Review 31.1-4 (2001).

Antoine-Dunne, Jean. “Time and Space in Their Indissoluble Connection: Towards an Audio-Visual Caribbean Aesthetic.” The Montage Principle: Eisenstein in New Cultural and Critical Contexts. Ed. Jean Antoine-Dunne, Paula Quigley, and Geoffrey Nowell-Smith. Critical Studies (CritSt): 21. Amsterdam: Rodopi, 2004. 125-52.

Asein, Samuel Omo. “The Concept of Form: A Study of Some Ancestral Elements in Brathwaite’s Trilogy.” African Studies Association of the West Indies Bulletin 4 (1971): 9-38.

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Baugh, Edward. “Edward Brathwaite as Critic: Some Preliminary Observations.” The Caribbean Quarterly 28.1-2 (1982): 66-75.

---. “Poetry as Ritual: Reading Kamau Brathwaite.” The Journal of West Indian Literature 8.1 (1998): 1Best, Curwen. “Tracking a Tradition: Kamau Brathwaite and the Bajan Hardcore.” The Caribbean Quarterly 47.4 (2001): 33-48.

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Brown, Lloyd W. “The Cyclical Vision of Edward Brathwaite.” West Indian Poetry. Boston: Twayne, 1978. 139-58.

Brown, Stewart. The Art of Kamau Brathwaite. Ed. Stewart Brown. Bridgend: Seren, 1995.

Burrowes, Marcia P. A. “Golokwati Conversations: An Interview with Kamau Brathwaite.” World Literature Written in English 39.1 (2001): 9-26.

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Chang, Victor Lloyd. Three Caribbean Poets on Their Work: E. Kamau Brathwaite, Mervyn Morris, Lorna Goodison. Mona: Institute of Caribbean Studies, University of the West Indies, 1993.

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Collier, Gordon. “Artistic Autonomy and Cultural Allegiance: Aspects of the Walcott-Brathwaite Debate Re-Examined.” Literary Half-Yearly 20.1 (1979): 93-105.

Collins, Loretta Kaye. “From the ‘Crossroads of Space’ to the (Dis)Koumforts of Home: Radio and the

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Connor, William. “Edward Brathwaite’s Symbolic Use of Water Imagery in The Arrivants: A New World Trilogy.” Literary Half-Yearly 21.2 (1980): 13-21.

Coulthard, George Robert. “Edward Brathwaite y el neoafricanismo antillano.” Cuadernos Americanos 184 (1972): 170-77.

Criswell, Stephen Edward. Folklore and the Folk in Derek Walcott’s Omeros and Edward Kamau Brathwaite’s The Arrivants. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 58[5], 1716. 1997. University of Southwestern Louisiana. 1997.

D’Costa, Jean. “The Poetry of Edward Brathwaite.” Jamaica Journal 2 (1968): 24-28.

Dalleo, Peter Raphael. “Another ‘Our America’: Rooting a Caribbean Aesthetic in the Work of José Martí, Kamau Brathwaite and Edouard Glissant.” Anthurium: A Caribbean Studies Journal 2.2 (2004).

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DeRose, Michelle Diane. Caliban Takes up His Pen: The Epic Poetry of Kamau Brathwaite, Derek Walcott, and Andrew Salkey. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 57[7], 3027-28. 1997. University of Iowa. 1996.

Edmondson, Belinda Joy. “Race, Tradition, and the Construction of the Caribbean Aesthetic.” New Literary History: A Journal of Theory and Interpretation 25.1, Literary History and Other Histories (1994): 109-20.

Ezenwa, Ohaeto. “From a Common Root: Revolutionary Vision and Social Change in the Poetry of Brathwaite and Chinweizu.” Journal of Caribbean Studies 8.1-2 (1990): 89-104.

Gikandi, Simon. “E. K. Brathwaite and the Poetics of the Voice: The Allegory of History in ‘Rights of Passage.’” Callaloo: A Journal of African Diaspora Arts and Letters 14.3 (1991): 727-36.

Githae Mugo, Micere. “‘Patterns of Communication’ in Edward Brathwaite’s Masks.” Teaching of African Literature in Schools. Ed. Eddah Gachukia and S. Kichamu Akivaga. Nairobi: Kenya Literature Bureau, 1978. 240-45.

Goldberg, Samuel. “El desarrollo de la sociedad criolla en Jamaica.” Casa de las Américas 91 (1975):


Grant, Damian. “Emerging Image: The Poetry of Edward Brathwaite.” Critical Quarterly 12 Summer 1970 (1970): 186-92.

Hardcastle, John. “Carlos’ Task: Pictures of Language and English Teaching.” Changing English:

Studies in Reading and Culture 9.1 (2002): 7-21.

Hollingsworth, Joyce Tingle. The Empowering Re-Memberings of History and Myth in the Poetry of Three African Caribbean Writers: Walcott, Brathwaite, and Philip. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 63[4], 1349. 2002. University of North Carolina, Greensboro. 2002.

Irele, F. Abiola. “The Return of the Native: Edward Kamau Brathwaite’s Masks.” World Literature Today: A Literary Quarterly of the University of Oklahoma 68.4 (1994): 719-25.

Ismond, Patricia. “Walcott Versus Brathwaite.” The Caribbean Quarterly 17.September-December 1971 (1971): 54-71.

---. “Walcott Versus Brathwaite.” Critical Perspectives on Derek Walcott. Ed. Robert D.

Hamner.Washington, DC: Three Continents, 1993. 220-36.

James, Cynthia. “The Unknown Text.” World Literature Today: A Literary Quarterly of the University of Oklahoma 68.4 (1994): 758-64.

James, Louis. “Brathwaite and Jazz.” The Art of Kamau Brathwaite. Ed. Stewart Brown. Brigend:

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---. “Dancing to My Father: Alterity and Identity in Cross-Cultural Experience.” Crabtracks: Progress and Process in Teaching the New Literatures in English. Ed. Gordon Collier and Frank Schulze-Engler. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 59.

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Jones, Bridget. “‘The Unity Is Submarine’: Aspects of a Pan-Caribbean Consciousness in the Work of Kamau Brathwaite.” The Art of Kamau Brathwaite. Ed. Stewart Brown. Brigend: Seren, 1995.


Josephs, Kelly Baker. “Versions of X/Self: Kamau Brathwaite’s Caribbean Discourse.” Anthurium: A Caribbean Studies Journal 1.1 (2003).

Katrak, Ketu H. “Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts.” Modern Fiction Studies: A Critical Quarterly 35.1 (1989): 157-79.

Kellman, Anthony. “Projective Verse as a Mode of Socio-Linguistic Protest.” Ariel: A Review of International English Literature (Calgary) 21.2 (1990): 47-57.

King, Bruce. West Indian Literature. Ed. Bruce King. London: Macmillan, 1979.

Kortenaar, Neil ten. “Where the Atlantic Meets the Caribbean: Kamau Brathwaite’s The Arrivants and T. S. Eliot’s The Waste Land.” Research in African Literatures 27.4 (1996): 15-27.

Kubayanda, Josaphat Bekunuru. “On Discourse of Decolonization in Africa and the Caribbean.” Dispositio/n: American Journal of Cultural Histories and Theories 14.36-38 (1989): 25-37.

Kuelen, Margarete. “From Silence to the Fragmented Self: Michelle Cliff’s and Edward Kamau Brathwaite’s Subject Constitution in Literature and Non-Fictional Prose.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature. Ed. Bénédicte Ledent.

Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 199Lawrence, Leota S. “From Cultural Ambivalence to the Celebration of the African Heritage in British West Indian Literature.” College Language Association Journal 23 (1979): 220-33.

Lawrence, Nicholas. “World Echoes: Caribbeanness as Method.” Xcp: Cross-Cultural Poetics 12 (2003): 85-93.

Lawton de Torruella, Elena. “Caribbean Domestic Spaces in Four Modes: Walcott, Hippolyte, Brathwaite and Rhys.” Torre: Revista de la Universidad de Puerto Rico 7.26 (2002): 657-62.

Lazier, Joan M. “Poetry and the Preoccupation with Race in the West Indies: Edward Brathwaite.” Black Images: A Critical Quarterly on Black Arts and Culture 1.1 (1972): 45-52.

Mackey, Nathaniel. “Edward Brathwaite’s New World Trilogy.” Caliban 3 Spring-Summer 1979 (1979):


---. “Wringing the Word.” World Literature Today: A Literary Quarterly of the University of Oklahoma 68.4 (1994): 733-40.

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Matatu, Godwin. “E.R. Braithwaite, Guyanese Author, Talks to Godwin Matatu.” Africa: International Business, Economics and Political Monthly 50 (1975): 34-36.

McMorris, Mark D. “Provincial Subjects in the Classical Labyrinth: The Challenge to Tradition in Brathwaite’s X/Self.” Journal of Commonwealth and Postcolonial Studies 6.1 (1999): 104-24.

McWatt, Mark A. “Edward Kamau Brathwaite (1930- ).” Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Ed. Daryl Cumber Dance. New York: Greenwood Press, 1986. 58-69.

Mills, Browyn. Caribbean Cartographies: Maps, Cosmograms, and the Caribbean Imagination.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 64[11], 4056. 2004. New York University, 2004.

Morris, Mervyn. “This Broken Ground: Edward Brathwaite’s Trilogy of Poems.” New World Quarterly 23 June-September 1977 (1977): 91-103.

Narain, Denise deCaires. “English Gardens and West Indian Yards: The Politics of Location (One More Time).” Wasafiri 28 (1998): 37-38.

Nelson, Emmanuel S. “Black America and the Anglophone Afro-Caribbean Literary Consciousness.” Journal of American Culture 12.4 (1989): 53-58.

Neri, Francesca. “Modern Versus Postmodern Models of Identity in Caribbean Literature.” Colonizer and Colonized. Ed. Theo D’haen and Patricia Krüs. Textxet: Studies in Comparative Literature (Textxet): 26. Amsterdam: Rodopi, 2000. 277-87.

Nurse, Albertha Myrna. Skeletal Warriors and Real Mirages: Interrogating Our Postcolonial Historical Makings and (Re)Markings. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 60[7], 2474. 2000. Temple University, 1999.

O’Callaghan, Evelyn. “‘Jumping into the Big Ups’ Quarrels’: The Hulme/Brathwaite Exchange.” Wasafiri 28 (1998): 34-36.

Pagnoulle, Christine. “The ‘Voice’ of E.K. Brathwaite into French: Grappling with the Untranslatable.” Le langage et l’homme December (1998): 245-52.

Pollard, Charles W. New World Modernisms: T.S. Eliot, Derek Walcott, and Kamau Brathwaite.

Charlottesville: University of Virginia Press, 2004.

Pollard, Velma. “Language in the Poetry of Edward Brathwaite.” World Literature Written in English 19 (1980): 62-74.

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