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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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BRATHWAITE, EDWARD KAMAU

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Alexander, Simone A. James. “Racial and Cultural Categorizations of Language: The Evolution of Kamau Braithwaite’s Nation Language in the Fiction of Paule Marshall.” Revista Interamericana Review 31.1-4 (2001).

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Asein, Samuel Omo. “The Concept of Form: A Study of Some Ancestral Elements in Brathwaite’s Trilogy.” African Studies Association of the West Indies Bulletin 4 (1971): 9-38.

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---. “Poetry as Ritual: Reading Kamau Brathwaite.” The Journal of West Indian Literature 8.1 (1998): 1Best, Curwen. “Tracking a Tradition: Kamau Brathwaite and the Bajan Hardcore.” The Caribbean Quarterly 47.4 (2001): 33-48.

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Brown, Stewart. The Art of Kamau Brathwaite. Ed. Stewart Brown. Bridgend: Seren, 1995.

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Chang, Victor Lloyd. Three Caribbean Poets on Their Work: E. Kamau Brathwaite, Mervyn Morris, Lorna Goodison. Mona: Institute of Caribbean Studies, University of the West Indies, 1993.

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Connor, William. “Edward Brathwaite’s Symbolic Use of Water Imagery in The Arrivants: A New World Trilogy.” Literary Half-Yearly 21.2 (1980): 13-21.

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Criswell, Stephen Edward. Folklore and the Folk in Derek Walcott’s Omeros and Edward Kamau Brathwaite’s The Arrivants. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 58[5], 1716. 1997. University of Southwestern Louisiana. 1997.

D’Costa, Jean. “The Poetry of Edward Brathwaite.” Jamaica Journal 2 (1968): 24-28.

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DeRose, Michelle Diane. Caliban Takes up His Pen: The Epic Poetry of Kamau Brathwaite, Derek Walcott, and Andrew Salkey. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 57[7], 3027-28. 1997. University of Iowa. 1996.

Edmondson, Belinda Joy. “Race, Tradition, and the Construction of the Caribbean Aesthetic.” New Literary History: A Journal of Theory and Interpretation 25.1, Literary History and Other Histories (1994): 109-20.

Ezenwa, Ohaeto. “From a Common Root: Revolutionary Vision and Social Change in the Poetry of Brathwaite and Chinweizu.” Journal of Caribbean Studies 8.1-2 (1990): 89-104.

Gikandi, Simon. “E. K. Brathwaite and the Poetics of the Voice: The Allegory of History in ‘Rights of Passage.’” Callaloo: A Journal of African Diaspora Arts and Letters 14.3 (1991): 727-36.

Githae Mugo, Micere. “‘Patterns of Communication’ in Edward Brathwaite’s Masks.” Teaching of African Literature in Schools. Ed. Eddah Gachukia and S. Kichamu Akivaga. Nairobi: Kenya Literature Bureau, 1978. 240-45.

Goldberg, Samuel. “El desarrollo de la sociedad criolla en Jamaica.” Casa de las Américas 91 (1975):

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Hollingsworth, Joyce Tingle. The Empowering Re-Memberings of History and Myth in the Poetry of Three African Caribbean Writers: Walcott, Brathwaite, and Philip. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 63[4], 1349. 2002. University of North Carolina, Greensboro. 2002.

Irele, F. Abiola. “The Return of the Native: Edward Kamau Brathwaite’s Masks.” World Literature Today: A Literary Quarterly of the University of Oklahoma 68.4 (1994): 719-25.

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Josephs, Kelly Baker. “Versions of X/Self: Kamau Brathwaite’s Caribbean Discourse.” Anthurium: A Caribbean Studies Journal 1.1 (2003).

Katrak, Ketu H. “Decolonizing Culture: Toward a Theory for Postcolonial Women’s Texts.” Modern Fiction Studies: A Critical Quarterly 35.1 (1989): 157-79.

Kellman, Anthony. “Projective Verse as a Mode of Socio-Linguistic Protest.” Ariel: A Review of International English Literature (Calgary) 21.2 (1990): 47-57.

King, Bruce. West Indian Literature. Ed. Bruce King. London: Macmillan, 1979.

Kortenaar, Neil ten. “Where the Atlantic Meets the Caribbean: Kamau Brathwaite’s The Arrivants and T. S. Eliot’s The Waste Land.” Research in African Literatures 27.4 (1996): 15-27.

Kubayanda, Josaphat Bekunuru. “On Discourse of Decolonization in Africa and the Caribbean.” Dispositio/n: American Journal of Cultural Histories and Theories 14.36-38 (1989): 25-37.

Kuelen, Margarete. “From Silence to the Fragmented Self: Michelle Cliff’s and Edward Kamau Brathwaite’s Subject Constitution in Literature and Non-Fictional Prose.” Bridges Across Chasms: Towards a Transcultural Future in Caribbean Literature. Ed. Bénédicte Ledent.

Liège: Liège Language and Literature, English Department, Université de Liège, 2004. 199Lawrence, Leota S. “From Cultural Ambivalence to the Celebration of the African Heritage in British West Indian Literature.” College Language Association Journal 23 (1979): 220-33.

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Lazier, Joan M. “Poetry and the Preoccupation with Race in the West Indies: Edward Brathwaite.” Black Images: A Critical Quarterly on Black Arts and Culture 1.1 (1972): 45-52.

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Morris, Mervyn. “This Broken Ground: Edward Brathwaite’s Trilogy of Poems.” New World Quarterly 23 June-September 1977 (1977): 91-103.

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Nurse, Albertha Myrna. Skeletal Warriors and Real Mirages: Interrogating Our Postcolonial Historical Makings and (Re)Markings. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 60[7], 2474. 2000. Temple University, 1999.

O’Callaghan, Evelyn. “‘Jumping into the Big Ups’ Quarrels’: The Hulme/Brathwaite Exchange.” Wasafiri 28 (1998): 34-36.

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Pollard, Charles W. New World Modernisms: T.S. Eliot, Derek Walcott, and Kamau Brathwaite.

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