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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Molina Figueroa, Sintia. “La subversión en ‘Masticar una rosa’ de Ángela Hernández.” Celebración de la creación literaria de escritoras hispanas en las Américas. Ed. Lady Rojas Trempe and Catharina Vallejo. Colección Crítica Literaria. Ottawa, ON; Montreal, QC: GIROL; Enana Blanca, 2000. 165-70.

Paravisini-Gebert, Lizabeth. “Allotropes: The Short Stories of Angela Hernández Núñez.” Callaloo: A Journal of African Diaspora Arts and Letters 23.3 (2000): 983-86.

Regazzoni, Susanna. “Panorama della letteratura dominicana contemporanea: Marcio Veloz

Maggiolo, Angela Hern ndez Núñez, e Rafael García Romero.” Rassegna Iberistica 74 (2002):

43-47.

Rodríguez, Néstor E. “Tras la ‘poética del desanclaje’: Entrevista con Angela Hernández.” Inti: Revista de Literatura Hispánica 49-50 (1999): 353-60.

HERRERA MORILLO, RAFAEL

Blanco Díaz, Andrés. “Ernesto y los extravíos literarios de un médico.” Cuadernos de Poética 1.1 (1983): 31-44.

INCHÁUSTEGUI CABRAL, HÉCTOR

Espina, Eduardo. “Entre la isla y el cielo: La poesía socio-religiosa de Incháustegui Cabral.” Revista Iberoamericana 54.142 (1988): 187-97.

Prosdocimi, María del. “T. S. Eliot y Ezra Pound: Contactos e influencias en Héctor Incháustegui Cabral.” Cuadernos de Poética 3.9 (1986): 21-35.

JAMES RAWLINGS, NORBERTO

Davis, James J. “Entrevista con el dominicano Norberto James Rawlings.” Afro-Hispanic Review 6.2 (1987): 16-18.

JIMENES GRULLÓN, JUAN ISIDRO

Larsen, Neil. “Cómo narrar el trujillato.” Revista Iberoamericana 54.142 (1988): 89-98.

Vicioso, Sherezada Chiqui and Lizabeth Paravisini-Gebert. “The Rival to the Río Grande of Loíza: An Interview with Juan Isidro Jimenes Grullón.” Callaloo: A Journal of African Diaspora Arts and Letters 17.3 (1994): 684-93.

JIMÉNEZ ABREU, BLAS R.

Davis, James J. “Exigencias de un cimarrón (en sueños) by Jiménez, Blas R.” Afro-Hispanic Review 7.1-3 (1988): 63.

Feal, Rosemary Geisdorfer. “Reflections on the Obsidian Mirror: The Poetics of Afro-Hispanic Identity and the Gendered Body.” Afro-Hispanic Review 14.1 (1995): 26-32.

Gonçalves, Ana Beatriz. Do outro ao eu: Elementos de reculturaçao na poesia do brasileiro Oliveira Silveira e do dominicano Blas Jiménez. Dissertation Abstracts International 57[9], 3957. 1997.

University of Texas, Austin. 1996.

---. “Valorizando o negro na República Dominicana: O caso de Blas Jiménez.” PALARA: Publication of the Afro-Latin/American Research Association 1 (1997): 130-37.

McDonald, Janice Marie. “Translations of Selected Poems of Blas Jiménez.” Afro-Hispanic Review 22.2 (2003): 10-15.

Pardo, Diana. The Denunciation of Self-Deprecation in the Works of Ana Lydia Vega, Blas Jiménez, and Nancy Morejón. Dissertation Abstracts International 64[3], 925. 2003. University of Oklahoma. 2003.

Pérez, Odalís G. “Blas Jiménez: Lo nativo como poética de la negritud.” PALARA: Publication of the Afro-Latin/American Research Association 2 (1998): 92-95.

Tillis, Antonio D. “Awakening the Caribbean African: The Social-Political Poetics of Blas Jiménez.” Afro-Hispanic Review 22.2 (2003): 29-38.

Wigginton, Sheridan. “Interview with Blas Jiménez.” PALARA: Publication of the Afro-Latin/American Research Association 4 (2000): 90-92.

LLERENA, CRISTÓBAL DE

Chang Rodríguez, Raquel. “Espectáculo, liturgia e ideología en un entremés dominicano del Siglo XVI.” La formación de la cultura virreinal: I. La etapa inicial. Ed. Karl Kohut and Sonia V. Rose.

Textos y Estudios Coloniales y de la Independencia (TECI): 6. Madrid; Frankfurt:

Iberoamericana; Vervuert, 2000. 249-60.

Johnson, Julie Greer. “Cristóbal de Llerena and His Satiric entremés.” Latin American Theatre Review 22.1 (1988): 39-45.

MARRERO ARISTY, RAMÓN

Baud, Michiel. “Un permanente guerrillero: El pensamiento social de Ramón Marrero Aristy (1913 Política, identidad y pensamiento social en la República Dominicana (siglos XIX y XX).

Ed. Raymundo González. Aranjues; Santa Domingo, Dominican Republic: Doce Calles / Academia de Ciencias de Dominicana, 2000. 181-212.

Belén Cambeira, Alán. “La denuncia socio-política en la novela Over del escritor dominicano Ramón Marrero Aristy.” College Language Association Journal 45.2 (2001): 243-54.

Graciano, Berta. La novela de la caña: Estética e ideología. Santo Domingo: Alfa & Omega, 1990, 131.

---. Técnica narrativa y discurso ideológico en tres novelas dominicanas de la caña. Dissertation Abstracts International 50[10], 3243A. 1990.

McDonald, Janice Marie. “A Slave by Any Other Name Is Still a Slave: The New Slavery as Depicted in the Novel Over.” Afro-Hispanic Review 10.3 (1991): 37-41.

Sommer, Doris. “Populism as Rhetoric: The Case of the Dominican Republic.” Boundary 2: An International Journal of Literature and Culture 11.1-2 (1982): 253-70.

---. “La ficción fundacional de Galván y las revisiones de Bosch y Marrero Aristy.” Revista Iberoamericana 54.142 (1988): 99-128.





MATEO, ANDRÉS L.

Tejada, Rita María. Análisis de tres novelas dominicanas de la postguerra: De abril en adelante, Currículum (el síndrome de la visa) y La otra Penélope. Dissertation Abstracts International 61[8], 3194. 2001. Florida State University, 2000.

MEJÍA, ABIGAIL Gimbernat González, Ester. “Trayectorias de ficción de un Ideario feminista.” Monographic Review/Revista Monográfica 13 (1997): 319-39.

MIESES BURGOS, FRANKLYN

Henríquez Gratereaux, Federico. “Franklyn Mieses Burgos, poesía y teoría.” Testimonio.15 (1965):

44-52.

MILLER, JEANNETTE

Álvarez Altman, Grace. “Literary Onomastics of Fear.” Literary Onomastics Studies 14 (1987): 233-40.

MIR, PEDRO Anderson, Thomas F. “Blood, Sweat, and Tears: Images of Collective Suffering in the Poetry of Pedro Mir.” Revista de Estudios Hispánicos 29.1-2 (2002): 155-67.

Arvelo, Alejandro. “Marxismo versus racionalismo en el capítulo sobre Hegel del libro Apertura a la estética de Pedro Mir.” Cuadernos de Poética 1.2 (1984): 53-59.

Berroa, Rei. “Recordar para vivir: Historia, alegoría y dialéctica en la crónica de Pedro Mir.” Revista Iberoamericana 54.142 (1988): 27-51.

Catalá, Rafael. “La evolución del pensamiento en tres poetas del Caribe: Manuel Navarro Luna, Clemente Soto Vélez y Pedro Mir.” Literatures in Transition: The Many Voices of the

Caribbean Area: A Symposium. Ed. Rose S. Minc. Gaithersburg, MD; Upper Montclair, NJ:

Hispamérica; Montclair State Coll., 1982. 97-106.

---. “Evolución del pensamiento en poetas del Caribe: Manuel Navarro Luna, Clemente Soto Vélez y Pedro Mir.” Alcance: Revista Literaria 1.2 (1983): 18-22.

Conway, Christopher. “Of Subjects and Cowboys: Frontier and History in Pedro Mir’s ‘Countersong to Walt Whitman.’” Walt Whitman Quarterly Review 15.4 (1998): 161-71.

Di Pietro, Giovanni. “Pedro Mir, poeta comprometido.” Cuadernos de Poética 8.24 (1994): 33-49.

Fornerín, Miguel Angel. “La obra miriana y la historia del caribe contemporáneo.” Revista de Estudios Hispánicos 25.1-2 (1998): 155-72.

Gottlieb, Marlene. “Estructura rítmica de Hay un país en el mundo de Pedro Mir.” Ciberletras 4 (2001).

Gutiérrez, Franklin A. “Estructura poética en la obra de Pedro Mir.” Alcance: Revista Literaria 1.1 (1983): 3-4.

Laguna Díaz, Elpidio. “Cuando amaban las tierras comuneras: Visión mitopoética de una historia.” Hispamérica: Revista de Literatura 11.31 (1982): 15-32.

---. “Social Genesis and Historical Understanding in the Works of Pedro Mir.” Revista Canadiense de Estudios Hispánicos 15.2 (1991): 235-50.

Matos Moquete, Manuel A. “Poética política en la poesía de Pedro Mir.” Cuadernos de Poética 5.13 (1987): 5-21.

---. “Poética política en la poesía de Pedro Mir.” Revista Iberoamericana 54.142 (1988): 199-211.

Ortega, José. “Pedro Mir, poeta dominicano.” La Palabra y el Hombre: Revista de la Universidad Veracruzana 77 (1991): 269-77.

Ossers Cabrera, Manuel Augusto. “Pedro Mir, Pedro Pietri y Nicolás Gullén o hay tres países en el mundo.” Eme-Eme: Estudios Dominicanos 19.90-91 (1991): 33-41.

Rivera Martínez, Mildred. “Juan Bosch y Pedro Mir: Dos diálogos sobre la sociedad y la cultura dominicana (1885-1915).” Nuevo Texto Crítico 1.1 (1988): 151-74.

Schmidt Rodríguez, Aileen Roxana. “Tras el secreto de la creación literaria: Entrevista a Pedro Mir.” Areíto 10.38 (1984): 39-40.

Sommer, Doris. “History and Romanticism in Pedro Mir’s novel Cuando amaban las tierras comuneras.” Revista de Estudios Hispánicos 6 (1979): 219-50.

---. “Good-Bye to Revolution and the Rest: Aspects of Dominican Narrative since 1965.” Latin American Literary Review 8.16 (1980): 223-28.

Torres-Saillant, Silvio. Caribbean Poetics: Aesthetics of Marginality in West Indian Literature.

Dissertation Abstracts International 52[6], 2136A. 1991. New York University.

MORENO JIMENES, DOMINGO

Cocco de Filippis, Daisy. “La poesía de Domingo Moreno Jimenes: In Memoriam: 1894-1986.” El Diario/La Prensa (1988): B2.

Mora Serrano, Manuel. “Domingo Moreno Jimenes, creador del postumismo.” Cuadernos de Poética 8.22 (1994): 45-94.

MOSCOSO PUELLO, FRANCISCO EUJENIO

Graciano, Berta. La novela de la caña: Estética e ideología. Santo Domingo: Alfa & Omega, 1990, 131.

---. Técnica narrativa y discurso ideológico en tres novelas dominicanas de la caña. Dissertation Abstracts International 50[10], 3243A. 1990.

NÚÑEZ, MANUEL

Rodríguez, Néstor E. “El rasero de la raza en la ensayística dominicana.” Revista Iberoamericana 70.207 (2004): 473-90.

ORTEA, VIRGINIA ELENA

Adams, Clementina R. “Rescatando la obra de Virginia Elena Ortea: Una voz combativa en pro de la mujer fin-de-siglo.” La voz de la mujer en la literatura hispanoamericana fin-de-siglo. Ed. Luis Jiménez. San José, Costa Rica: Universidad de Costa Rica, 1999. 115-26.

Jiménez, Luis A. “El sujeto femenino fin-de-siglo en la cuentística de Virginia Elena Ortea.” South Eastern Latin Americanist: Quarterly Bulletin of the South Eastern Council of Latin American Studies 42.1 (1998): 13-19.

---. “Mujer y dominicanidad en la obra de Virginia Elena Ortea.” Revista de Filología y Lingüística de la Universidad de Costa Rica 26.1 (2000): 27-35.

Vallejo, Catharina. “Descubrimiento de una escritora dominicana polivalente del siglo XIX: Virginia

Elena Ortea.” Káñina: Revista de Artes y Letras de la Universidad de Costa Rica 21.2 (1997):

45-51.

PEGUERO, LUIS JOSÉ

Román Fernández, Mercedes and Beatriz Gallardo Paúls. “Entramado dialógico y rasgos morfosintácticos en un texto caribeño del siglo XVIII.” Estudios de Lingüística: Universidad de Alicante 10 (1994): 315-34.

Román, Mercedes. “América en sus textos: Construcción de una identidad a través de un documento antillano.” Central Institute of English and Foreign Languages Bulletin 7.1-2 (1995): 186-202.

PEÑA BATLLE, MANUEL ARTURO

Céspedes, Diógenes. “Manuel A. Peña Batlle (1902-1954).” Cuadernos de Poética 8.23 (1994): 27-36.

Rodríguez, Néstor E. “El rasero de la raza en la ensayística dominicana.” Revista Iberoamericana 70.207 (2004): 473-90.

Valerio Holguín, Fernando and Scott Cooper. “Primitive Borders: Cultural Identity and Ethnic Cleansing in the Dominican Republic.” Primitivism and Identity in Latin America: Essays on Art, Literature, and Culture. Ed. Erik Camayd Freixas and José Eduardo González. Tucson, AZ: University of Arizona Press, 2000. 75-88.

PEÑA DE BORDAS, VIRGINIA DE

Cocco de Filippis, Daisy. “Una flor en la sombra: A critical edition of the complete works of Virginia de Peña de Bordas.” Recovering the U.S. Hispanic Literary Heritage, Volume IV. Ed. José F.

Aranda, Jr. and Silvio Torres Saillant. Recovering the U.S. Hispanic Literary Heritage (RUSHLH): 4. Houston, TX: Arte Público, 2002. 50-58.

PRESTOL CASTILLO, FREDDY

Gewecke, Frauke. “‘El Corte’ oder ‘Les Vêpres Dominicaines’: Trujillos dominicanización de la frontera und ihr Reflex in der dominikanischen und haitianischen Literatur.” Iberoamericana: América

Latina, España, Portugal/Iberoamericana: Lateinamerika, Spanien, Portugal 17.2 [50] (1993):

38-62.

Gil, Lydia M. “El masacre se pasa a pie de Freddy Prestol Castillo: ¿Denuncia o defensa de la actitud dominicana ante ‘El Corte?’” Afro-Hispanic Review 16.1 (1997): 38-44.

Maeseneer, Rita De. “El corte en El masacre se pasa a pie del escritor dominicano Freddy Prestol Castillo.” La memoria histórica en las letras hispánicas contemporáneas. Ed. Patrick Collard, Ingeborg Jongbloet, and Marías Eugenia Vilas. Romanica Gandensia: 27. Genève: Droz, 1997. 159-78.

Sommer, Doris. “El Masacre se pasa a pie: Guilt and Impotence under Trujillo.” Studies in AfroHispanic Literature. 2-3 (1978): 164-88.

Valerio Holguín, Fernando and Scott Cooper. “Primitive Borders: Cultural Identity and Ethnic Cleansing in the Dominican Republic.” Primitivism and Identity in Latin America: Essays on Art, Literature, and Culture. Ed. Erik Camayd Freixas and José Eduardo González. Tucson, AZ: University of Arizona Press, 2000. 75-88.

PÉREZ CABRAL, PEDRO ANDRÉS

Céspedes, Diógenes. “El sentido de la reponsabilidad social frente a la escritura: Un estudio de Jengibre.” Revista de Crítica Literaria Latinoamericana 5.9 (1979): 33-56.

James, Norberto Pedro. Un estudio sociocultural de dos novelas dominicanas de la era de Trujillo:

Jengibre y ‘Trementina, Clerén y Bongo. Dissertation Boston University, 1992.



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