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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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KINCAID, JAMAICA

“The Almost Scarily Honest Jamaica Kincaid Shows Writing = Life.” Interview 27.10 (1997): 94-99.

Abruna, Laura Niesen de. “Jamaica Kincaid’s Writing and the Maternal-Colonial Matrix.” Caribbean

Women Writers: Fiction in English. Ed. Maryse Condé and Thorunn Lonsdale. New York, NY:

St. Martin’s Press, 1999. 172-83.

Alexander, Simone A. James. “Growing Pains: Constructions of the ‘Girl Child/Woman Child’ in Jamaica Kincaid’s Annie John.” Mango Season: Caribbean Women’s Writing 13.1 (2000): 54Mother Imagery in the Novels of Afro-Caribbean Women. Columbia, MO: University of Missouri Press, 2001, x, 215.

Anatol, Giselle Liza. “Speaking in (M)other Tongues: The Role of Language in Jamaica Kincaid’s The Autobiography of My Mother.” Callaloo: A Journal of African Diaspora Arts and Letters 25.3 (2002): 938-53.

Andrade, Susan Zulema. “Jamaica Kincaid.” Twentieth-Century Caribbean and Black African Writers,

Third Series. Ed. Bernth Lindfors. Dictionary of Literary Biography (DLB): 157. Detroit, MI:

Gale, 1996. 131-39.

Balutansky, Kathleen M. “On Gardening.” Callaloo: A Journal of African Diaspora Arts and Letters 25.3 (2002): 790-800.

Balutansky, Kathleen M. and Jamaica Kincaid. “On Gardening: An Interview with Jamaica Kincaid.” Callaloo: A Journal of African Diaspora Arts and Letters 25.3 (2002): 790-800.

Banerjee, Chinmoy. “The Erotics of Resistance and Postcolonial Self-Fashioning in Annie John.” Ariel:

A Review of International English Literature (Calgary) 33.2 (2002): 33-56.

Bernard, Louise. “Countermemory and Return: Reclamation of the (Postmodern) Self in Jamaica Kincaid’s The Autobiography of My Mother and My Brother.” MFS: Modern Fiction Studies 48.1 (2002): 113-38.

Berrian, Brenda F. “Snapshots of Childhood Life in Jamaica Kincaid’s Fiction.” Arms Akimbo: Africana Women in Contemporary Literature. Ed. Janice Lee Liddell, Yakini Belinda Kemp, and Beverly Guy-Sheftall. Gainesville, FL: University Press of Florida, 1999. 103-16.

Binder, Wolfgang. “Is Memory the Amnesia You Like? Some Remarks on Self-Invention and the Presence of Caribbean Literature in North America.” GRAAT: Publication des Groupes de Recherches Anglo-Américaines de l’université François Rabelais de Tours 27 (2003): 293-99.

Birbalsingh, Frank M. “Jamaica Kincaid: From Antigua to America.” Frontiers of Caribbean Literatures in English. Ed. Frank M. Birbalsingh.New York: St. Martin’s, 1996. 138-51.

Bonetti, Kay. “An Interview with Jamaica Kincaid.” The Missouri Review 15.2 (1992): 124-42.

---. “Jamaica Kincaid.” Conversations with American Novelists: The Best Interviews from The Missouri

Review and the American Audio Prose Library. Ed. Kay Bonetti et al. Columbia, MO:

University of Missouri Press, 1997. 26-38.

Braziel, Jana Evans. “Jamaica Kincaid’s ‘In the Night’: Jablesse, Obeah, and Diasporic Alterrains in At the Bottom of the River.” Dan Vitkus, ed. Re-Thinking Postcoloniality. Special issue of Journal x: A Journal in Culture and Criticism 6.1 (2001): 79-104.

---. “Alterbiographic Transmutations of Genre in Jamaica Kincaid’s ‘Biography of a Dress’ and Autobiography of My Mother.” A/B: Auto/Biography Studies 18.1 (2003): 85-104.

---. “Daffodils, Rhizomes, Migrations: Narrative Coming of Age in the Diasporic Writings of Edwidge Danticat and Jamaica Kincaid.” Meridians: Feminism, Race, Transnationalism 3.2 (2003): 110Breure, Marnel. “De lege koffers van Jamaica Kincaid.” Lust en gratie: Lesbisch cultureel tijdschrift 39 (1993): 50-66.

Brock-Sallah, Sabine. “When Light Becomes White: Reading Enlightenment through Jamaica Kincaid’s Writing.” Callaloo: A Journal of African Diaspora Arts and Letters 25.3 (2002): 821Brophy, Sarah. “Angels in Antigua: The Diasporic of Melancholy in Jamaica Kincaid’s My Brother.” PMLA: Publications of the Modern Language Association of America 117.2 (2002): 265-77.

Brophy, Sarah. Strange Burdens: AIDS Memoirs and the Politics of Inconsolability. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 63[9], 3186. 2003.

McMaster University, 2000.

---. Witnessing AIDS: Writing, Testimony, and the Work of Mourning. Toronto, ON: University of Toronto Press, 2004, x, 271.

Buckeye, Robert. “The Film of the Novel: The Influence of Marker’s La Jetée on At the Bottom of the River.” Sargasso: Literature, Language, Culture 2 (2003): 13-19.

Burrows, Victoria. Whiteness and Trauma: the Mother-Daughter Knot in the Fiction of Jean Rhys, Jamaica Kincaid and Toni Morrison. Basingstoke, Hants: Palgrave Macmillan, 2004.

Byerman, Keith E. “Anger in A Small Place: Jamaica Kincaid’s Cultural Critique of Antigua.” College Literature 22.1 (1995): 91-102.

Byrne, K. B. C. “Under English, Obeah English: Jamaica Kincaid’s New Language.” College Language Association Journal 43.3 (2000): 276-98.

Caton, Louis Freitas. “Romantic Struggles: The Bildungsroman and Mother-Daughter Bonding in Jamaica Kincaid’s Annie John.” MELUS: The Journal of the Society for the Study of the MultiEthnic Literature of the United States 21.3 (1996): 125-42.





Caton, Louis Freitas. ‘... Such Was the Paradise That I Lived’: Multiculturalism, Romantic Theory, and the Contemporary American Novel. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 57[1], 212. 1996. University of Oregon. 1995.

Chang, Shu li. “Trans-Generational Daughterly Haunting and Contemporary Ethnic Women’s Writing.” Taiwan Journal of English Literature 1.1 (2003): 63-82.

---. “Daughterly Haunting and Historical Traumas: Toni Morrison’s Beloved and Jamaica Kincaid’s The Autobiography of My Mother.” Concentric: Literary and Cultural Studies 30.2 (2004): 105-27.

Chick, Nancy. “The Broken Clock: Time, Identity, and Autobiography in Jamaica Kincaid’s Lucy.” College Language Association Journal 40.1 (1996): 90-103.

Cho, Sungran. Mourning Work: Historical Trauma and the Women of the Cross(Road): Readings in Modern Women Writers of the Diaspora. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 63[12], 4311. 2003. State University of New York, Buffalo.

2003.

Cobham-Sander, C. Rhonda. “Jamaica Kincaid: A Special Section.” Callaloo: A Journal of African Diaspora Arts and Letters 25.3 (2002): 773-989.

---. “‘Mwen Na Rien, Msieu’: Jamaica Kincaid and the Problem of Creole Gnosis.” Callaloo: A Journal of African Diaspora Arts and Letters 25.3 (2002): 868-84.

Collett, Anne. “A Snake in the Garden of The New Yorker? An Analysis of the Disruptive Function of Jamaica Kincaid’s Gardening Column.” Missions of Interdependence: A Literary Directory. Ed.

Gerhard ed. and introd. Stilz. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 58. Amsterdam: Rodopi, 2002. 95-106.

Coppola, Manuela. “Sublime Mothers: Caribbean Genealogies and Deadly Configurations in Jamaica Kincaid’s Narrative.” Sargasso: Literature, Language, Culture. 2 (2004): 59-70.

Cousineau, Diane. “Women and Autobiography: Is There Life Beyond the Looking Glass?” Caliban 31 (1994): 97-105.

Covi, Giovanna. “Jamaica Kincaid’s Political Place: A Review Essay.” Caribana 1 (1990): 93-103.

---. “Jamaica Kincaid and the Resistance to Canons.” Out of the Kumbla: Caribbean Women and Literature. Ed. Carole Boyce Davies and Elaine Savory Fido. Trenton, NJ: Africa World Press, 1990. 345-54.

---. “Jamaica Kincaid’s Voyage of Recovery: The Cliffs of Dover Are Not White.” Deferring a Dream:

Literary Sub-Versions of the American Columbiad. Ed. Gert Buelens and Ernst Rudin.

xv,International Cooper Series in English Language and Literature. Basel, Switzerland;

Boston, MA: Birkhäuser, 1994. 76-84.

---. “Jamaica Kincaid’s Prismatic Self and the Decolonialisation of Language and Thought.” Framing

the Word: Gender and Genre in Caribbean Women’s Writing. Ed. Joan Anim-Addo.London:

Whiting and Birch, 1996. 37-67.

---. “Re-Memorying, Decolonialising and Translating in Jamaica Kincaid’s The Autobiography of My Mother.” Centre of Remembrance: Memory and Caribbean Women’s Literature. Ed. Joan Anim-Addo. London: Mango Publishing, 2002. 52-65.

---. Jamaica Kincaid’s Prismatic Subjects: Making Sense of Being in the World. London, England:

Mango, 2003, 151.

---. “Alterity: Jamaica Kincaid’s Resistance.” Resisting Alterities: Wilson Harris and Other Avatars of Otherness. Ed. Marco Fazzini. Cross/Cultures: Readings in the Post/Colonial Literatures in English: 71. Amsterdam: Rodopi, 2004. 197-208.

Cudjoe, Selwyn R. “Jamaica Kincaid and the Modernist Project: An Interview.” Callaloo: A Journal of African Diaspora Arts and Letters 12.2 (39) (1989): 396-411.

---. “Jamaica Kincaid and the Modernist Project: An Interview.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe. Wellesley: Calaloux, 1990.

215-32.

Curry, Renee R. “‘I Ain’t No Friggin’ Little Wimp’: The Girl ‘I’ Narrator in Contemporary Fiction.” The Girl: Construction of the Girl in Contemporary Fiction by Women. Ed. Ruth O. Saxton. New York, NY: St. Martin’s, 1998. 95-105.

Davidson, Diana. “Writing AIDS in Antigua: Tensions between Public and Private Activisms in Jamaica Kincaid’s My Brother.” Journal of Commonwealth and Postcolonial Studies 10.1 (2003): 121Interview with Felicity Aymer-AIDS, AIDS Activism, and Jamaica Kincaid’s My Brother.” Anthurium: A Caribbean Studies Journal 2.2 (2004).

de Abruna, Laura Niesen. “Jamaica Kincaid’s Writing and the Maternal-Colonial Matrix.” Caribbean

Women Writers: Fiction in English. Ed. Maryse Condé and Thorunn Lonsdale. New York, NY:

St. Martin’s, 1999. 172-83.

Delvaux, Martine. “The Garden as Memento Mori: Derek Jarman and Jamaica Kincaid.” Canadian Woman Studies/Les Cahiers de la Femme 21.2 (2001): 135-38.

Dilger, Gerhard. “‘I Use a Cut and Slash Policy of Writing’: Jamaica Kincaid.” Wasafiri 16 (1992): 21Jamaica Kincaid.” Writing across Worlds: Contemporary Writers Talk. Ed. Susheila Nasta.

London, England: Routledge, 2004. 80-92.

DiMarco, Danette. Taking Their Word: Twentieth-Century Women Reinvent the Victorian. Dissertation Abstracts International 56[10], 3951A. 1996. Duquesne University, 1995.

Donald-Smythe, Antonia. Making Herself at Home in the West/Indies: The Gendered Construction of Identity in the Writings of Michelle Cliff and Jamaica Kincaid. Dissertation Abstracts International 57[5], 2027A. 1996. Ohio State University, 1996.

---. “Authorizing the Slut in Jamaica Kincaid’s At the Bottom of the River.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 2 (1999): 96-113.

---. Making Homes in the West/Indies: Constructions of Subjectivity in the Writings of Michelle Cliff and Jamaica Kincaid. New York, NY: Garland, 2001, xiv, 209.

Donnell, Alison. “Dreaming of Daffodils: Cultural Resistance in the Narratives of Theory.” Kunapipi:

Journal of Postcolonial Writing 14.2 (1992): 45-52.

---. “When Daughter’s Defy: Jamaica Kincaid’s Fiction.” Women: A Cultural Review 4.1 (1993): 18-26.

---. “She Ties Her Tongue: The Problems of Cultural Paralysis in Postcolonial Criticism.” Ariel: A Review of International English Literature (Calgary) 26.1 (1995): 101-16.

---. “Writing for Resistance: Nationalism and Narratives of Liberation.” Framing the Word: Gender and Genre in Caribbean Women’s Writing. Ed. Joan Anim-Addo.London: Whiting and Birch, 1996.

28-36.

---. “When Writing the Other Is Being True to the Self: Jamaica Kincaid’s The Autobiography of My Mother.” Women’s Lives into Print: The Theory, Practice and Writing of Feminist Auto/Biography. Ed. Pauline Polkey. New York, NY; London, England: St. Martin’s; Macmillan, 1999. 123-36.

Doyle, Jacqueline. “Developing Negatives: Jamaica Kincaid’s Lucy.” The Immigrant Experience in North American Literature: Carving Out a Niche. Ed. Katherine B. Payant and Toby Rose.

Contributions to the Study of American Literature: 4. Westport, CT: Greenwood, 1999. 59-71.

Dutton, Wendy. “Merge and Separate: Jamaica Kincaid’s Fiction.” World Literature Today: A Literary Quarterly of the University of Oklahoma 63.3 (1989): 406-10.

Edlmair, Barbara. Rewriting History: Alternative Versions of the Caribbean Past in Michelle Cliff, Rosario Ferré, Jamaica Kincaid and Daniel Maximin. Wien: Braumüller, 1999.

Edmondson, Belinda Joy. “Jamaica Kincaid and the Genealogy of Exile.” Small Axe: A Caribbean Journal of Criticism 5 (1999): 72-79.

Emery, Mary Lou. “Refiguring the Postcolonial Imagination: Tropes of Visuality in Writing by Rhys, Kincaid, and Cliff.” Tulsa Studies in Women’s Literature 16.2 (1997): 259-80.

Ferguson, Moira. “Lucy and the Mark of the Colonizer.” MFS: Modern Fiction Studies 39.2 (1993):

237-59.

---. “A Lot of Memory: An Interview with Jamaica Kincaid.” The Kenyon Review 16.1 (1994): 163-88.

---. Colonialism and Gender Relations From Mary Wollstonecraft to Jamaica Kincaid: East Caribbean Connections. New York: Columbia University Press, 1994, xi, 175.

---. Jamaica Kincaid: Where the Land Meets the Body. Charlottesville: University Press of Virginia, 1994, xiii, 206.

---. “An interview with Jamaica Kincaid.” The Kenyon Review 16.1 (1994): 163-88.

Flockemann, Miki. “‘If I Were Her’-Fictions of Development from Cape Town, Canada and the Caribbean: A Relational Reading.” Journal of Literary Studies/Tydskrif vir Literatuurwetenskap 15.1-2 (1999): 176-94.

François, Irline. Geographies of the Mind: Gender, Memory, Emigration and Exile in Caribbean Women’s Narratives. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 62[1], 157. 2001. Boston University, 2001.



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