WWW.ABSTRACT.XLIBX.INFO
FREE ELECTRONIC LIBRARY - Abstract, dissertation, book
 
<< HOME
CONTACTS



Pages:     | 1 |   ...   | 153 | 154 || 156 | 157 |   ...   | 194 |

«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

-- [ Page 155 ] --

---. “Nancy Morejón: Nation, Négritude, and Marginality.” The cultures of the Hispanic Caribbean. Ed.

Conrad James and John Dimitri Perivolaris. Gainesville, USA: University Press of Florida, 2000. 115-26.

Behar, Ruth, Lucía de las Mercedes Suárez, and David Frye. “Two Conversations with Nancy Morejón.” Michigan Quarterly Review 33.3 (1994): 625-35.

---. “Two Conversations With Nancy Morejón.” Bridges to Cuba/Puentes a Cuba. Ed. Ruth Behar. Ann Arbor, MI: University of Michigan Press, 1995. 128-39.

Captain Hidalgo, Yvonne. “The Poetics of the Quotidian in the Works of Nancy Morejón.” Callaloo: A Journal of African Diaspora Arts and Letters 10.4 (33) (1987): 596-604.

Cordones Cook, Juana María. “Voz y poesía de Nancy Morejón.” Afro-Hispanic Review 15.1 (1996):

60-71.

---. “Genealogía matrilineal en la obra de Nancy Morejón.” Revista de Estudios Hispánicos 38.3 (2004): 509-32.

Costa Willis, Miriam de. “The Caribbean as Idea and Image in the Poetry of Nancy Morejón.” Journal of Caribbean Studies 7.2-3 (1989): 233-43.

---. “Orishas Circling Her House: Race As (Con)Text in Morejón’s Poetic Discourse.” Moving beyond Boundaries, II: Black Women’s Diasporas. Ed. Carole Boyce Davies. New York, NY: New York University Press, 1994. 97-111.

---. “The Craft of the Essay: Nancy Morejón’s Fundación de la imagen.” Diáspora: Journal of the Annual Afro-Hispanic Literature and Culture Conference 10 (2000): 39-48.

---. “An Aesthetic of Women’s Art in Nancy Morejón’s ‘Ana Mendieta.’” Daughters of the Diaspora:

Afra-Hispanic Writers. Ed. Miriam de Costa Willis. Kingston, Jamaica: Randle, 2003. 240-48.

Davies, Catherine. “Writing the African Subject: The Work of Two Cuban Women Poets.” Women: A Cultural Review 4.1 (1993): 32-48.

---. “Writing the African Subject: the Work of Two Cuban Woman Poets.” Inequality and difference in Hispanic and Latin American cultures. Ed. Bernard McGuirk and Mark I. Millington. Studies in Latin American Literature and Culture, 3. Lewiston, USA: The Edwin Mellen Press, 1995. 85Dhouti, Khamla Leah. Reconfiguring Mestizaje: Black Identity in the Works of Piri Thomas, Manuel Zapata Olivella, Nicolás Guillén and Nancy Morejón. Dissertation Abstracts International 64[1], 149. 2003. University of Texas, Austin. 2002.

Feal, Rosemary Geisdorfer. “Reflections on the Obsidian Mirror: The Poetics of Afro-Hispanic Identity and the Gendered Body.” Afro-Hispanic Review 14.1 (1995): 26-32.

---. “Poetas afrohispánicas y la ‘política de la identidad.’” Literatura, historia e identidad: Los discursos de la cultura hoy, 1994. Ed. Lilia Granillo Vázquez. México: Universidad Autónoma Metropolitana, Azcapotzalco, Centro de Cultura Casa Lamm, & University of Tennessee, Knoxville, 1996. 71-76.

Feigenbaum, Sonia. “La desazón del abandono en Tirar la primera piedra de Nancy Alonso.” Horizontes: Revista de la Universidad Católica de Puerto Rico 43.84 [1] (2001): 181-89.

Feracho, Lesley. “Arrivals and Farewells: The Dynamics of Cuban Homespace through African Mythology in Two Eleggua Poems by Nancy Morejón.” Hispania: A Journal Devoted to the Teaching of Spanish and Portuguese 83.1 (2000): 51-58.

García Chichester, Ana. “Nancy Morejón (7 August 1944 - ).” Dictionary of Literary Biography: Volume 283: Modern Spanish American Poets: First Series. Ed. María A. Salgado. Dictionary of Literary Biography (DLB): 283. Detroit, MI: Gale, 2003. 231-41.

Gilard, Jacques. “La obra poética de Nancy Morejón: Un despertar de la negritud.” Cuba: Les étapes

d’une libération: Hommage à Juan Marinello et Noël Salomon. Ed. Robert Jammes. Toulouse:

Université de Toulouse-le Mirail, 1979. 319.

Grotsch, Kurt. “Nancy Morejón según un poema de Arthur Rimbaud.” Recherches et Etudes Comparatistes Ibéro-Françaises de la Sorbonne Nouvelle.7 (1985): 49-61.

---. “Sozialistischer Alltag und soziale Poesie bei Nancy Morejón.” Die Legitimation der Alltagssprache in der modernen Lyrik: Antworten aus Europa und Lateinamerika. Ed. Harald Wentzlaff

Eggebert. Erlanger Forschungen A: Geisteswissenschaften (EFG): 35. Erlangen:

Universitätsbund Erlangen-Nürnberg, 1984. 113-34.

Hernández, Sandra. “La poesía de Nancy Morejón: Memoria, identidad y creación.” Celebración de la creación literaria de escritoras hispanas en las Américas. Ed. Lady Rojas Trempe and Catharina Vallejo. Colección Crítica Literaria. Ottawa, ON; Montreal, QC: GIROL; Enana Blanca, 2000. 181-91.

Howe, Linda Sue. “Nancy Morejón’s ‘Negrismo’ in the Revolutionary Era: The Question of Gender and Race in Cuba.” Explicación de Textos Literarios 24.1-2 (1995): 91-111.

---. Afro-Cuban Cultural Politics and Aesthetics in the Works of Miguel Barnet and Nancy Morejón.

Dissertation University of Wisconsin-Madison, 1995.

---. “The Fluid Iconography of the Cuban Spirit in Nancy Morejón’s Poetry.” Afro-Hispanic Review 15.1 (1996): 29-34.

---. “Raza y género en la poesía de Nancy Morejón.” Taller de Letras 29 (2001): 35-54.

James, Conrad. “Patterns of Resistance in Afro-Cuban Women’s Writing: Nancy Morejón’s ‘Amo a Mi Amo.’” Framing the Word: Gender and Genre in Caribbean Women’s Writing. Ed. Joan AnimAddo.London: Whiting and Birch, 1996. 159-68.





Luis, William. “Race, Poetry, and Revolution in the Works of Nancy Morejón.” Hispanic Journal 14.2 (1993): 83-103.

---. “The Politics of Aesthetics in the Poetry of Nancy Morejón.” Afro-Hispanic Review 15.1 (1996): 35Maloof, Judy. “Nancy Morejón.” Hispamérica: Revista de Literatura 25.73 (1996): 47-58.

Marting, Diane. “The Representation of Female Sexuality in Nancy Morejón’s Amor, ciudad atribuida, poemas.” Afro-Hispanic Review 7.1-3 (1988): 36-38.

Martínez Echazábal, Lourdes. “Oposiciones binarias en Octubre imprescindible y Cuaderno de Granada de Nancy Morejón.” Crítica: A Journal of Critical Essays (University of California, San Diego) 2.1 (1988): 79-87.

Miller, Marylin Grace. “Entre Marx y una poeta sin alas: Posmodernidad y post-revolución en la poesía de Nancy Morejón.” Monographic Review/Revista Monográfica 15 (1999): 170-88.

---. “Transculture, Terror and the Language of ‘Love’ in Nancy Morejón’s ‘Amo a mi Amo.’” Chasqui:

Revista de Literatura Latinoamericana 32.2 (2003): 3-16.

Morejón, Nancy. “Poesía y armas cotidianas de Paul Laraque.” Casa de las Américas 117 (1979):

212-16.

---. “Joven poesía cubana: Miguel Barnet, Pedro Pérez Sarduy, Minerva Salado, Luis Rogelio Nogueras, Guillermo Rodríguez Rivera, Nancy Morejón.” Sin Nombre XI.3 (1980): 24.

---. “Las poéticas de Nancy Morejón.” Afro-Hispanic Review 15.1 (1996): 6-9.

Morejón, Nancy, et al. Looking Within/Mirar Adentro: Selected Poems/Poemas Escogidos, 1954-2000.

Detroit, MI: Wayne State University Press, 2003, 367.

Mullen, Edward J. “Introducing Nancy Morejón to the Reader.” Afro-Hispanic Review 15.1 (1996).

Nolan, Janice. “Nancy Morejón and the Spanish American Literary Canon: A Discussion of Aesthetics, Politics, and Ideologies.” PALARA: Publication of the Afro-Latin/American Research Association 8 (2004): 62-72.

Pardo, Diana. The Denunciation of Self-Deprecation in the Works of Ana Lydia Vega, Blas Jiménez, and Nancy Morejón. Dissertation Abstracts International 64[3], 925. 2003. University of Oklahoma. 2003.

Phaf-Rheinberger, Ineke. “El ‘Cuaderno’ de Nancy Morejón: La Habana 1967-1993.” Revista Iberoamericana 65.188-189 (1999): 535-51.

---. “Una emblemática afroamericana del Eros: Ricardo Porro, Nancy Morejón, Reinaldo Arenas.” Todas las islas la isla: nuevas y novísimas tendencias en la literatura y cultura de Cuba. Ed.

Janett Reinstädler and Ottmar Ette. Madrid/Frankfurt am Main: Iberoamericana/Vervuert, 2000. 49-58.

Rivera Valdés, Sonia. “Celebración para un siete de agosto.” Afro-Hispanic Review 15.1 (1996): 10Rocco, Federica. “Nancy Morejón o la voce della donna afro-cubana.” Rassegna Iberistica 72 (2001):

47-50.

Rodríguez, Rafael. “Nancy Morejón en su Habana.” Areíto 8.32 (1983): 23-25.

Rosario Sievert, Heather. “Nancy Morejón’s Eye/I: Social and Aesthetic Perception in the Work of Nancy Morejón.” Afro-Hispanic Review 15.1 (1996): 44-49.

Rosengreen-Williams, Claudette. “Re-Writing the History of the Afro-Cuban Woman: Nancy Morejón’s ‘Mujer negra.’” Afro-Hispanic Review 21.1-2 (2002): 154-60.

Sapphire and Jason Weiss. “Nancy Morejón.” BOMB 78 (2001): 72-75.

Smart, Ian Isidore. “Nancy Morejón as Guillén’s Mujer Nueva.” Afro-Hispanic Review 15.1 (1996): 50Tillis, Antonio D. “Nancy Morejón’s ‘Mujer negra’: An Africana Womanist Reading.” Hispanic Journal 22.2 (2001): 483-94.

---. “Postcolonial Pilgrimage: Toward an Afro-Cuban Identity in the Poetry of Nancy Morejón.” Mosaic:

A Journal for the Interdisciplinary Study of Literature 36.4 (2003): 65-79.

Vilches, Patricia. “Un río para dos mares: El río y el mar como verdugos/redentores de la subjetividad afro-cubana en La Quinta de los Molinos de Nancy Morejón.” Nueva Revista del Pacífico 48 (2003): 217-29.

West Durán, Alan. “The Stone and Its Images: The Poetry of Nancy Morejón.” Studies in Twentieth Century Literature 20.1 (1996): 193-219.

---. Tropics of History: Cuba Imagined. Westport, USA: Bergin & Garvey, 1997, 214.

Williams, Lorna Valerie. “The Revolutionary Feminism of Nancy Morejón.” College Language Association Journal 39.4 (1996): 432-53.

Willis, Susan. “Nancy Morejón: Wresting History from Myth.” Literature and Contemporary Revolutionary Culture: Journal of the Society of Contemporary Hispanic and Lusophone Revolutionary Literatures 1 (1984): 247-56.

MORGADO, MARCIA

Cámara Betancourt, Madeline M. “Novelistas cubanas en Estados Unidos: Entre la memoria y la invención.” Guayaba Sweet: Literatura Cubana en Estados Unidos. Ed. Laura P. Alonso Gallo and Fabio Murrieta.Colección de Estudios Culturales. Cádiz: Aduana Vieja, 2003. 53-71.

MORÚA DELGADO, MARTÍN

Handley, George Browning. “Rereading the Nation as Family: Corrective Revisions of Racial Discourse in Martín Morúa Delgado and Charles W. Chesnutt.” PALARA: Publication of the Afro-Latin/American Research Association 1 (1997): 66-79.

Herrera McElroy, Onyria. “Martín Morúa Delgado, precursor del afro-cubanismo.” Afro-Hispanic Review 2.1 (1983): 19-24.

Jackson, Richard L. “Slavery, Racism and Autobiography in Two Early Black Writers: Juan Francisco Manzano and Martín Morúa Delgado.” Voices From Under: Black Narrative in Latin America

and the Caribbean. Ed. William Luis.Contribs. in Afro-Amer. & Afr. Studies: 76. Westport, CT:

Greenwood, 1984. 55-64.

Portuondo, Aleida T. “Vigencia política y literaria de Martín Morúa Delgado.” Círculo: Revista de Cultura 9 (1980): 101-11.

Williams, Lorna Valerie. “Morúa Delgado and the Cuban Slave Narrative.” Modern Language Notes 108.2 (1993): 302-13.

MULLER, ALBERTO

Suárez, Manuel Laurentino. “Imágenes surrealistas en la poesía de Alberto Muller.” La Chispa ‘85:

Selected Proceedings. Ed. Gilbert Paolini. New Orleans: Tulane University, 1985. 333-38.

MUÑOZ, ELÍAS MIGUEL

Berenschot, Denis Jorge. (Re)Writing Performance: Exile and Identity in Cuban Literature. Dissertation Abstracts International 60[8], 2934. 2000. University of Maryland, College Park. 1999.

---. “Madness and Bliss in The Greatest Performance by Elías Miguel Muñoz.” Cuadernos de Aldeeu 17.1 (2001): 167-74.

Bernal, A. Alejandro. “Raigambre y foraneidad en Los viajes de Orlando Cachumbambé de Elías Miguel Muñoz.” Chiricu 4.1 (1985): 13-18.

Deaver, William O., Jr. “Gender Construction in Elías Miguel Muñoz’s The Greatest Performance.” RLA: Romance Languages Annual 8 (1996): 439-41.

García, Joseph Manuel. La literatura cubanoamericana y su imagen: Identidad, transculturación y exilio en la producción de tres escritores: Oscar Hijuelos, Cristina García y Elías Miguel Muñoz. Dissertation Abstracts International 61[2], 626-27. 2000. University of Arizona. 2000.

Manzor-Coats, Lillian. “Who Are You, Anyways?: Gender, Racial and Linguistic Politics in U.S. Cuban Theater.” Gestos: Teoría y Práctica del Teatro Hispánico 6.11 (1991): 163-74.

---. “Who Are You, Anyways?: Gender, Racial and Linguistic Politics in U.S. Cuban Theater.” Lo que

no se ha dicho. Ed. Pedro R. Monge Rafuls. Literature/Conversation: 4. Jackson Heights, NY:

OLLANTAY, 1994. 10-30.

McPherson, Alexandra. “Cuban-Exile Identity and Novels for the Young.” Children’s Literature Association Quarterly 28.2 (2003): 110-20.

Mullins, Greg A. “Seeking Asylum: Literary Reflections on Sexuality, Ethnicity, and Human Rights.” MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 28.1 (2003): 145-71.

Oliva, Karina. “Elías Miguel Muñoz (1954-).” Latino and Latina Writers, I: Introductory Essays, Chicano and Chicana Authors; II: Cuban and Cuban American Authors, Dominican and Other Authors, Puerto Rican Authors. Ed. Alan West Durán, María Herrera Sobek, and César Augusto Salgado. Scribner Writers Series. New York, NY: Scribner’s, 2004. 681-98.

Prieto Taboada, Antonio. “That’s Who We Are!: Cuban-American Literature, Hispanic Discourse, and Cultural Emblems in Elías Miguel Muñoz’s Crazy Love.” Dispositio: Revista Americana de Estudios Comparados y Culturales/American Journal of Comparative and Cultural S 16.41 (1991): 95-107.

Vélez, Lydia. “Separación y búsqueda como opción social en las novelas de Elías Miguel Muñoz.” The Americas Review: A Review of Hispanic Literature and Art of the USA 18.1 (1990): 86-91.

NÁPOLES FAJARDO, JUAN CRISTÓBAL



Pages:     | 1 |   ...   | 153 | 154 || 156 | 157 |   ...   | 194 |


Similar works:

«Web: www.igwbs.ch IG WBS Interessengruppe der Wissenschaftlichen Mail: info@igwbs.ch Bibliothekarinnen und Bibliothekare der Schweiz GI BSS Groupe d’intérêt des bibliothécaires scientifiques suisses Post: IG WBS, 3000 Bern Rundbrief an die Mitglieder Nr. 59 – Urheberrecht August 2012 Liebe Mitglieder der IG WBS, liebe Kolleginnen und Kollegen Das Thema Urheberrecht im Umfeld der Bibliotheken ist mit der Klage, welche die grossen Wissenschaftsverlage Elsevier, Thieme und Springer beim...»

«I make the great claim for my manifesto, that it penetrates to the root of the human predicament and offers the underlying solution. We have the choice to become more cultivated and therefore more human – or by muddling along as usual we shall remain the destructive and self-destroying animal, the victim of our own cleverness (To be or not to be).Among the travellers who accompany Active Resistance are: Alice Pinocchio Art Lover (an anthropologist) True Poet (an alchemist) Our journey to find...»

«Chapter One It was spring, and the Germans were singing. They sang every evening in the tavern next to the old hotel they had commandeered as their headquarters, filling the cobblestone streets of Champs de Blé with their Nazi marching music. To an outsider they would have seemed incongruous there, black-jacketed soldiers goose-stepping past the shrine of the Virgin Mary in the village square, or swooping into the tavern like a flock of crows, but the French villagers were used to them....»

«UNIVERSITY OF CALGARY Measuring a Design Process by Jennifer Lee Arsenault A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS DEPARTMENT OF DRAMA CALGARY, ALBERTA JUNE 2014 © Jennifer Lee Arsenault, 2014 Abstract This work examines the research, conception and realization of the set and costume designs for the production of William Shakespeare’s Measure for Measure, directed by Dawn McCaugherty and presented...»

«SEBÉSZ VIZSGA A XVIII. SZAZADBAN irta: Dr. J Á K I G Y U L A (Szeged) A sebészet egy időben más u t a k o n járt, m i n t az o r v o s ­ o l tudomány. A paporvosokat pápai intézkedések t i l t o t ­ ták e l a véres műtétektől. A z 1279-i b u d a i zsinat is m e g t i l ­ totta „ne illám p a r t e m c h i r u r g i a e exerceat clericus, quae a d ustionem, v e i i n c i s i o n e m t e n d a t (Synodus Budensis a n n o 1279. C a n o n I X. ). A g y a k o r l a t i...»

«SEX, DEATH AND MELODRAMA A Feminist Critique of Hans Urs von Balthasar Tina Beattie I Balthasar for the development of the Church’s theology of sex since T IS DIFFICULT TO OVERESTIMATE the significance of Hans Urs von Vatican II, particularly under the papacy of John Paul II. While feminist theologians have by and large ignored von Balthasar, a growing number of conservative Catholic thinkers have been turning to him as the Church’s answer to feminism. Among these, a movement has emerged...»

«Index of Songs Ain’t Gonna Rain No More Kiss Me Quick Ain’t That Skipping And Flyin Left Alone Blues Alabama Gals Little Birdie All Gone Now Little Brown Hand Angeline Baker Little Brown Jug Baltimore Fire Little Sadie Been To The East Been To The West Little Satchel Beware Oh Take Care Long Steel Rail Big Ball In Memphis Look Before You Leap Big Eyed Rabbit Lookin For The Bully Of The Town Bill Mason Lovesick Blues Birmingham Make Me A Pallet On Your Floor Black Eyed Susie Midnight Special...»

«FLORIDA CIVICS HOW GOVERNMENT WORKS IN YOUR STATE COURTESY OF: Flagler County Supervisor of Elections Office Kimberle B. Weeks, Supervisor of Elections 1769 E. Moody Boulevard, Building 2, Suite 101 ● Bunnell, Florida Phone: 386.313.4170 ● Fax: 386.313.4170 ● www.FlaglerElections.com FLORIDA CIVICS 101 PAGE 2 Electing a President According to the Constitution, the President of the United States must be at least 35 years old, a citizen of the United States from birth and a U.S. resident...»

«422 BOROUGH COUNCIL OF KING’S LYNN AND WEST NORFOLK DEVELOPMENT CONTROL BOARD Minutes of a Meeting of the Development Control Board held on Monday 10 2004 at 5.30 pm in the Committee Suite, King’s Court, Chapel Street, King’s Lynn PRESENT: Councillor J R Legg (Chair) Councillors Jack Bantoft, B Bullivant (sub), A F Burch, Mrs B A Burch, J L Collop, R W Groom, D M Johnson, John Loveless (sub), T C Manley, A S Morrison, M J Peake, C J Smith, Mrs V M Spikings, M S Storey, H C Symington and A...»

«Adopted by the College of Bishops 2011 Preparation Standards for Seminaries of the Anglican Church in North America and Approved Anglican Tracks Defining an Anglican Education/Formation for Presbyter/Priests and Deacons Introduction We are very aware that there are urgent issues around the formation of Anglican clergy. These relate to ongoing Anglican identity in the world and to the mission to which we are called. We deeply desire that godly humility and personal holiness be highly valued...»

«NC STATE UNIVERSITY BioResources, a peer-reviewed journal College of Natural Resources devoted to the science of lignocellulosic Department of Wood and Paper Science Campus Box 8005 materials, chemicals, and applications Raleigh, NC 27695-8005 919.515.7707/919.513.3022 919.515.6302 (fax) BioResources Contents: Vol. 2, Issue 1, February 2007 Hubbe, M. A. (2007). Incinerate, recycle, or wash and reuse, BioRes. 2(1), 1-2. Bi, W., and Coffin, D. W., (2007). Racking strength of paperboard based...»

«May 9 – 13, 2016 ▪ Moon Palace Jamaica Grande ▪ Ocho Rios, Jamaica The Romance Travel Forum is excited to announce these booking incentives brought to you by select supplier participants, and most are EXCLUSIVE to Romance Travel Forum 2016 travel agent delegates! Check-out what you need to do to get a little extra out of every sale, and be sure to note all of the terms and conditions. Happy Selling! OFFERS LAST UPDATED March 25, 2016 Earn a booking bonus of up to $100 PLUS 12% commission...»





 
<<  HOME   |    CONTACTS
2016 www.abstract.xlibx.info - Free e-library - Abstract, dissertation, book

Materials of this site are available for review, all rights belong to their respective owners.
If you do not agree with the fact that your material is placed on this site, please, email us, we will within 1-2 business days delete him.