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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Ette, Ottmar and Elvira Gómez Hernández. “Nicolás Guillén: Voz de la lírica-lírica de la voz.” Cuadernos Americanos 18.3[105] (2004): 23-56.

Feijoo, Samuel. “African Influence in Latin America: Oral and Written Literature.” Africa in Latin America: Essays on History, Culture, and Socialization. Ed. Manuel Moreno Fraginals and Leonor Blum. New York; Paris: Holmes & Meier; UNESCO, 1984. 145-69.

Fernández Retamar, Roberto. “Nicolás Guillén: Hispanidad, vanguardia y compromiso social.” Lo que teníamos que tener: Raza y revolución en Nicolás Guillén. Ed. Jerome Branche. Antonio Cornejo Polar: 1. Pittsburgh, PA: Instituto Internacional de Literatura Iberoamericana, University of Pittsburgh, 2003. 59-70.

Fernández Robaina, Tomás. “La prosa de Guillén en defensa del negro cubano.” Lo que teníamos

que tener: Raza y revolución en Nicolás Guillén. Ed. Jerome Branche. Antonio Cornejo Polar:

1. Pittsburgh, PA: Instituto Internacional de Literatura Iberoamericana, University of Pittsburgh, 2003. 123-46.

Ferreira, Manuel. “Nicolás Guillén e o surto da moderna poesia africana de língua portuguesa.” Estudos Portugueses e Africanos 12 (1988): 49-55.

Flecha, Víctor Jacinto. “Nicolás Guillén y el entorno cubano durante la Guerra civil española.” Les Poètes latino-américains devant la Guerre Civile d’Espagne: Nicolás Guillén, Pablo Neruda et César Vallejo. Ed. Oliver Gilberto de León et al. Paris: L’Harmattan, 1986. 87-94.

García Barrio, Constance Sparrow de. The Black in Cuban Literature and the Poetry of Nicolás Guillén. Dissertation Abstracts International 36, 2806A. 1975. Ann Arbor, MI.

García Veitía, Margarita. “Sobre el gran zoo.” Taller literario.21 (1970): 7-10.

Gonçalves, Adelto. “Nicolás Guillén: O itinerario de un poeta.” Revista Iberoamericana 56.152-153 (1990): 1171-85.

González, Flora M. and Mary A. Harris. “The Zeal for Self-Denomination in the Poetic Works of Excilia Saldaña.” Daughters of the Diaspora: Afra-Hispanic Writers. Ed. Miriam de Costa Willis.

Kingston, Jamaica: Randle, 2003. 258-76.

González Echevarría, Roberto. “Guillén as Baroque: Meaning in Motivos de son.” Callaloo: A Journal of African Diaspora Arts and Letters 10.2 (31) (1987): 302-17.

González Pérez, Aníbal. “Ballad of Two Poets: Nicolás Guillén and Luis Palés Matos.” Callaloo: A Journal of African Diaspora Arts and Letters 10.2 (31) (1987): 285-301.

Guillon Barrett, Yvonne. “Nicolás Guillén y el ‘movimiento de arte negro’ en los Estados Unidos.” Iris:

Les Cahiers du Gerf 3 (1982): 47-55.

Habibe, Henry. “Frank Martinus Arion En Nicolás Guillén: Overeenkomsten?” Drie Curaçaose schrijvers in veelvoud: Boeli van Leeuwen, Tip Marugg, Frank Martinus Arion. Ed. Maritza Coomans-Eustatia, Wim Rutgers, and Henny E. Coomans. Zutphen: De Walburg Pers, 1991.

494-98.

Hernández Adrián, Francisco Javier. On Tropical Grounds: Avant-Garde Imaginations of Insularity in the Hispanic Caribbean and the Canary Islands. Dissertation Abstracts International 63[8], 2868. 2003. New York University, 2002.

Hernández Novás, Raúl. “La más reciente poesía de Nicolás Guillén [sobre La rueda dentada y El diario que a diario, de Nicolás Guillén].” Casa de las Américas 75 (1971).

Hernández, Consuelo. “Nicolás Guillén y su legado.” MACLAS: Latin American Essays 17 (2004): 50Hidalgo, Narciso J. “Arquitectura rítmica y son en Los motivos de son.” Monographic Review/Revista Monográfica 15 (1999): 145-60.

---. Blacks, the Son and Afrocuban Discourse. Dissertation Abstracts International 60[11], 4027. 2000.

Indiana University, 1999.

Jackson, Richard L. “The Afrocriollo Movement Revisited.” Afro-Hispanic Review 3.1 (1984): 5-9.

Johnson, Harvey L. “Nicolás Guillén: Cuban Poet of Protest.” Folio: Essays on Foreign Languages and Literatures 16 (1984): 127-59.

Kaup, Monika. “Our America, That Is Not One: Transnational Black Atlantic Disclosures in Nicolás Guillén and Langston Hughes.” Discourse: Journal for Theoretical Studies in Media and Culture 22.3 (2000): 87-113.

Kubayanda, Josaphat Bekunuru. Nicolás Guillén and Aimé Césaire: A ‘Universalist’ Approach to the Poetics of Africanness in Latin America and the Caribbean, 1929-1961. Dissertation Abstracts International 42[12], 5137A. 1982.

---. “The Drum Poetics of Nicolás Guillén and Aimé Césaire.” Prismal/Cabral: Revista de Literatura Hispánica/Caderno Afro-Brasileiro Asiático Lusitano 7-8 (1982): 37-55.

---. “On Discourse of Decolonization in Africa and the Caribbean.” Dispositio/n: American Journal of Cultural Histories and Theories 14.36-38 (1989): 25-37.

---. The Poet’s Africa. Africanness in the Poetry of Nicolás Guillén and Aimé Césaire. Connecticut:

Greenwood Press, 1990.

Kutzinski, Vera M. “Poetry and Politics: Two Books on Nicolás Guillén.” Modern Language Notes 98.2 (1983): 275-84.

---. From American Literature to New World Writing: Myth and History in William Carlos Williams, Jay Wright, and Nicolás Guillén. Dissertation Abstracts International 46[11], 3352A. 1986.

---. “Re-Reading Nicolas Guillen: An Introduction.” Callaloo: A Journal of African Diaspora Arts and Letters.31, Nicolas Guillen: A Special Issue (1987): 161-67.





---. “Nicolás Guillén: A Special Issue.” Callaloo: A Journal of African Diaspora Arts and Letters 10.2 [31] (1987).

---. “Turbulence and Noise: Translating Nicolás Guillén’s El diario que a diario.” Translation Perspectives 6 (1991): 241-48.

Leante, César. “Nicolás Guillén: El nacimiento de una poesía.” Cuadernos Hispanoamericanos:

Revista Mensual de Cultura Hispánica 630 (2002): 89-98.

---. “Guillén y el problema racial (blanco) en Cuba.” Revista Hispano Cubana 20 (2004): 69-71.

Liddell, Janice Lee. The whip’s corolla. Myth and politics in the literature of the black diaspora. Aimé Césaire, Nicolás Guillén, Langston Hughes. Dissertation Abstracts International XXXIX (1978): 3561A-82A.

López Calvo, Ignacio. “La mujer en Nicolás Guillén: Símbolos botánicos y animales.” Revista Interamericana Review 26.1-4 (1996): 117-22.

Lundkvist, Artur. “Expresionen i katedralen.” Bonniers Litterara Magasin 32 (1963): 37-40.

Maguire, Emily A. “Island Signifyin(g): Tracing a Caribbean Sense of Play in Lydia Cabrera and Nicolás Guillén.” Ciberletras 7 (2002).

Marbán, Jorge A. “Innovaciones formales en la última poesía política de Nicolás Guillén.” Crítica Hispánica 6.2 (1984): 145-53.

Martin, Dellita L. “West African and Hispanic Elements in Nicolás Guillén’s ‘La canción del bongó.’” South Atlantic Bulletin 45.1 (1980): 47-53.

Mascia, Mark J. “The Pulse of Latin America: Nature and Discourse in Nicolás Guillén’s Tengo.” Aleph 11 (1996): 40-65.

---. “The Living World, Politics and Nation: Nature and Discourse in the Poetry of Nicolás Guillén.” AUMLA: Journal of the Australasian Universities Language and Literature Association: A Journal of Literary Criticism and Linguistics 99 (2003): 67-103.

Márquez, Roberto. “Introducción a Guillén.” Casa de las Américas 65-66 (1971).

---. “Racismo, cultura y revolución: Ideología y política en la prosa de Nicolás Guillén.” Escritura:

Revista de Teoría y Crítica Literarias 4.8 (1979): 213-39.

---. “Algunos apuntes sobre Guillén y la crítica.” Lo que teníamos que tener: Raza y revolución en Nicolás Guillén. Ed. Jerome Branche. Antonio Cornejo Polar: 1. Pittsburgh, PA: Instituto Internacional de Literatura Iberoamericana, University of Pittsburgh, 2003. 19-41.

Megenney, William W. “Las cualidades afrocubanas en la poesía de Nicolás Guillén.” La Torre:

Revista de la Universidad de Puerto Rico 18.69 (1970): 127-38.

Menes, Orlando Ricardo. “Forbidden Altars: An Aleyo’s (Nonbeliever’s) Attraction to Santería.” AfroHispanic Review 20.2 (2001): 3-7.

Miller, Marylin Grace. “(Gypsy) Rhythm and (Cuban) Blues: The Neo-American Dream in Guillén and Hughes.” Comparative Literature 51.4 (1999): 324-44.

---. “Paloma de vuelo popular: Los poemas de Guillén más allá de la hoja blanca.” Lo que teníamos

que tener: Raza y revolución en Nicolás Guillén. Ed. Jerome Branche. Antonio Cornejo Polar:

1. Pittsburgh, PA: Instituto Internacional de Literatura Iberoamericana, University of Pittsburgh, 2003. 245-69.

Morejón, Nancy. “Conversación con Nicolás Guillén.” Casa de las Américas 73 (1971).

---. “El concepto de nacionalidad en Nicolás Guillén.” Casa de las Américas 22.128 (1981): 26-42.

---. “Cuba, Guillén y su profunda africanía.” Lo que teníamos que tener: Raza y revolución en Nicolás Guillén. Ed. Jerome Branche. Antonio Cornejo Polar: 1. Pittsburgh, PA: Instituto Internacional de Literatura Iberoamericana, University of Pittsburgh, 2003. 181-98.

Morrow, John Andrew. “Lectura de domingo de Nicolás Guillén: La intensidad de las palabras.” Hispanos 3.51 (1996).

Mullen, Edward J. “Some Early Readings of Motivos de son.” Romance Quarterly 39.2 (1992): 221-30.

Nasatir, Robert Aaron. Today, I Represent the Past: Protest and Propaganda in Pablo Milanés’s Musical Settings of the Poetry of José Martí and Nicolás Guillén. Dissertation Abstracts International 65[3], 951. 2004. Vanderbilt University, 2004.

Ngaté, Jonathan. “Coronation or Crucifixion? Man-Making Words and Ancestrality in Guillén, Césaire, and Senghor.” Afro-Hispanic Review 4.1 (1985): 5.

Notaker, Henry. “Nicolás Guillén: Fra ‘Den store dyrehagen.’” Vinduet 39.2 (1985): 15-17.

Nwankwo, Ifeoma Chinwe Kiddoe. “Langston Hughes and the Translation of Nicolas Guillén’s AfroCuban Culture and Language.” The Langston Hughes Review 16.1-2 (1999): 55-72.

Ocasio, Rafael. “Aproximaciones a la santería caribeña y la poesía negrista.” Discurso: Revista de Estudios Iberoamericanos 12.2 (1995): 81-90.

Ossers Cabrera, Manuel Augusto. “Pedro Mir, Pedro Pietri y Nicolás Gullén o hay tres países en el mundo.” Eme-Eme: Estudios Dominicanos 19.90-91 (1991): 33-41.

---. “Concientización divergente entre la poesía de Carlos Guillermo Wilson y Nicolás Guillén.” Revista del Ateneo Puertorriqueño 3.7 (1993): 104-15.

Pancrazio, James J. “El terreno corporal: Las fronteras de identidad en Sóngoro Cosongo de Nicolás Guillén.” Les Noirs et le discours identitaire latino-Américain. Ed. Victorien Lavou Zoungbo.

Marges: 18. Perpignan: Centre de Recherches Ibériques et Latino-Américaines, Université de Perpignan (CRILAUP), 1997. 237-49.

Pereira, Joseph R. “Raza en la obra de Nicolás Guillén después de 1959.” Sin Nombre 13.3 (1983):

30-48.

---. “Nicolás Guillén-an Appreciation.” The Journal of West Indian Literature 4.2 (1990): 80-81.

Pérez-Firmat, Gustavo. “Nicolás Guillén between the Son and the Sonnet.” Callaloo: A Journal of African Diaspora Arts and Letters 10.2 (31) (1987): 318-28.

---. “Motivos de soneto en Nicolás Guillén.” Romance Quarterly 35.4 (1988): 469-77.

---. My Own Private Cuba: Essays on Cuban Literature and Culture. Boulder, CO: Society of Spanish and Spanish-American Studies, 1999, 251.

Phaf-Rheinberger, Ineke. “Overeenkomsten in het literaire werk van Frank Martinus Arion en Nicolás Guillén.” Drie Curaçaose schrijvers in veelvoud: Boeli van Leeuwen, Tip Marugg, Frank Martinus Arion. Ed. Maritza Coomans-Eustatia, Henny E. Coomans, and Wim Rutgers.

Zutphen: De Walburg Pers, 1991. 485-93.

Portal, Magda. “Nicolás Guillén: Poeta de Cuba.” Cuadernos Americanos 197 (1974): 234-44.

Prescott, Laurence E. “Jorge Artel frente a Nicolás Guillén: Dos poetas mulatos ante la poesía negra

hispanoamericana.” Ensayos de literatura colombiana. Ed. Raymond Leslie Williams. Bogot:

Plaza & Janés, 1985. 129-36.

---. “A Conversation with Nicolás Guillén.” Callaloo: A Journal of African Diaspora Arts and Letters 10.2 (31) (1987): 352-54.

Puleo, Gus. “Los dos abuelos: Nicolás Guillén and Luis Palés Matos.” Revista Hispánica Moderna 50.1 (1997): 86-98.

Purchas-Tulloch, Jean Andrea. “The Yoruban-Cuban Aesthetic: Nicolás Guillén’s Poetic Expressions:

A Paradigm.” A Current Bibliography on African Affairs 18.4 (1985): 301-07.

Rabassó, Carlos A. “Encuentros en La Habana: Nicolás Guillén, Langston Hughes y Federico García Lorca.” Anales del Caribe: Centro de Estudios del Caribe 16/18 (1998): 85-94.

Raventós Pons, Esther. “Nicolás Guillén y Wifredo Lam: Imagen, poesía y Cuba.” RLA: Romance Languages Annual 11 (1999): 583-86.

Redruello, Laura. “La intertextualidad como transgresión: El tratamiento de la obra de Nicolás Guillén en el rap cubano.” Caribe: Revista de Cultura y Literatura 7.1 (2004): 59-80.

Riccio, Alessandra. “Guillén en el Caribe.” Annali Istituto Universitario Orientale, Napoli, Sezione Romanza 44.2 (2002): 463-87.

Rivera Rodas, Oscar. “La imagen de los Estados Unidos en la poesía de Nicolás Guillén.” Casa de las Américas 20.120 (1980): 154-60.

Rivero, Raúl. “En el centenario de Nicolás Guillén: En algún sitio de la eternidad.” Revista Hispano Cubana 14 (2002): 71-72.

Roberto Márquez. “De Rosa Armado y de Acero: la obra de Nicolás Guillén.” Sin Nombre IV.2 (1973):

23.

Rodríguez Mourelo, Belén. “The Search for Identity in the Poetry of Langston Hughes and Nicolás Guillén.” The Langston Hughes Review 16.1-2 (1999): 39.

Rogachevsky, Jorge Reubén. Nicolás Guillén and Heberto Padilla: The Revolutionary and the Romantic. Dissertation Abstracts International 48[10], 2640A-1a. 1988.

---. “When Does it Snow in Cuba? Nicolás Guillén and the Poetry of Cerebro y corazón.” Afro-Hispanic Review 12.1 (1993): 24-33.

Ruscalleda Bercedóniz, Jorge María. La poesía de Nicolás Guillén. Río Piedras, Puerto Rico: Editorial Universitaria, 1975.



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