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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

-- [ Page 133 ] --

Marinello Vidaurreta, Juan. “Verbo y alusión.” Homenaje a Eugenio Florit: De lo eterno, lo mejor. Ed.

Ana Rosa Núñez, Rita Martin, and Lesbia Orta Varona. Miami, FL: Universal, 2000. 227-34.

Martin, Rita. “Con Florit.” Homenaje a Eugenio Florit: De lo eterno, lo mejor. Ed. Ana Rosa Núñez, Rita Martin, and Lesbia Orta Varona. Miami, FL: Universal, 2000. 32-36.

---. “Eugenio Florit: Lo cubano universal.” Homenaje a Eugenio Florit: De lo eterno, lo mejor. Ed. Ana Rosa Núñez, Rita Martin, and Lesbia Orta Varona. Miami, FL: Universal, 2000. 7-24.

Matas, Julio. “Reconocimiento de/a la poesía de Eugenio Florit.” Círculo: Revista de Cultura 23 (1994): 31-43.

Navarro Luna, Manuel. “Trópico por Eugenio Florit.” Homenaje a Eugenio Florit: De lo eterno, lo mejor. Ed. Ana Rosa Núñez, Rita Martin, and Lesbia Orta Varona. Miami, FL: Universal, 2000.

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Novás Calvo, Lino. “Eugenio Florit.” Homenaje a Eugenio Florit: De lo eterno, lo mejor. Ed. Ana Rosa Núñez, Rita Martin, and Lesbia Orta Varona. Miami, FL: Universal, 2000. 224.

Núñez, Ana Rosa. “Eugenio Florit: Retrato de un poeta.” Círculo: Revista de Cultura 20 (1991): 7-23.

---. “Eugenio Florit: Retrato de un poeta.” Homenaje a Eugenio Florit: De lo eterno, lo mejor. Ed. Ana Rosa Núñez, Rita Martin, and Lesbia Orta Varona. Miami, FL: Universal, 2000. 271-74.

Núñez, Ana Rosa, Rita Martin, and Lesbia Orta Varona. Homenaje a Eugenio Florit: De lo eterno, lo mejor. Miami, FL: Universal, 2000, 314.

Perdigó, Luisa María. “La reciente poesía pura en la obra de Eugenio Florit.” Círculo: Revista de Cultura 16 (1987): 101-08.

Pérez-Firmat, Gustavo. My Own Private Cuba: Essays on Cuban Literature and Culture. Boulder, CO:

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Rexach, Rosario. “Eugenio Florit dentro de su generación.” Revista Hispánica Moderna 44.1 (1991):

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Reyes, Alfonso. “Soberbio Juego.” Homenaje a Eugenio Florit: De lo eterno, lo mejor. Ed. Ana Rosa Núñez, Rita Martin, and Lesbia Orta Varona. Miami, FL: Universal, 2000. 225-26.

Saa, Orlando E. “Eugenio Florit: Poeta de la ecuanimidad.” Círculo: Revista de Cultura 29 (2000):

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Sánchez, Oneida M. “La evolución temática-estilística en la poesía de Eugenio Florit.” Círculo: Revista de Cultura 31 (2002): 28-36.

Tinnell, Roger D. “Conversation with Eugenio Florit.” Modern Language Studies 8.3 (1978): 77-85.

Valle, Rafael Heliodoro. “Diálogo con Eugenio Florit.” Homenaje a Eugenio Florit: De lo eterno, lo mejor. Ed. Ana Rosa Núñez, Rita Martin, and Lesbia Orta Varona. Miami, FL: Universal, 2000.

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Vitier, Cintio. “Eugenio Florit.” Homenaje a Eugenio Florit: De lo eterno, lo mejor. Ed. Ana Rosa Núñez, Rita Martin, and Lesbia Orta Varona. Miami, FL: Universal, 2000. 250-59.

Zaldívar, Gladys B. “La poética de la abstención en un poema de Eugenio Florit.” Círculo: Revista de Cultura 30 (2001): 57-64.

FORNÉS, MARÍA IRENE

“The Universal Dimension of Latino Theater.” Review: Latin American Literature and Arts 62 (2001): 8Gutiérrez, Laura G. “María Irene Fornés (1930-).” Latino and Latina Writers, I: Introductory Essays, Chicano and Chicana Authors; II: Cuban and Cuban American Authors, Dominican and Other Authors, Puerto Rican Authors. Ed. Alan West Durán, María Herrera Sobek, and César Augusto Salgado. Scribner Writers Series. New York, NY: Scribner’s, 2004. 613-34.

FOWLER CALZADA, VÍCTOR

“Cuba, siempre Cuba: Entrevista con Víctor Fowler.” Dactylus 14 (1995): 9-20.

FRANQUI, CARLOS

Clark, Stephen John. “Retrato de familia con Fidel: Las memorias de un revolucionario exiliado.” Caribe: Revista de Cultura y Literatura 2.1 (1999): 44-58.

FUENTES, NORBERTO

Hernández Morelli, Rolando D’Abraldes. Los héroes juzgados: La visión crítico-paródica del héroe, en tres obras escritas en Cuba entre 1966 y 1970: Condenados de condado de Norberto Fuentes, Los pasos en la hierba de Eduardo Heras León y En mi jardín pastan los héroes de Heberto Padilla. Dissertation Abstracts International 49[1], 94A. 1988.

FUNDORA DE RODRÍGUEZ ARAGÓN, RAQUEL

García Tudurí, Mercedes. “La obra literaria de la poetisa Raquel Fundora de Rodríguez-Aragón.” Círculo: Revista de Cultura 20 (1991): 129-36.

GALINDO LENA, CARLOS

Sotolongo Valiño, Carmen. “Una apropriación simbólica de Dios en el discurso poético de Carlos Galindo.” Signos: En la Expresión de los Pueblos 43 (1996): 235-41.

GALLIANO, ALINA

Barquet, Jesús José. “Epica, negrismo y actualidad cubana: En el vientre del trópico, de Alina

Galliano.” La Chispa ‘97: Selected Proceedings. Ed. Claire J. Paolini. New Orleans, LA:

Tulane University, 1997. 29-38.

---. “Epica, negrismo y actualidad cubana: En el vientre del trópico de Alina Galliano.” Horizontes:

Revista de la Universidad Católica de Puerto Rico 40.79 (1998): 103-16.





Jiménez, Luis A. “Otra vez frente al espejo: El cuerpo en la escritura de Alina Galliano.” Anales Literarios/Poetas 2.2 (1998): 125-31.

Suarée, Octavio de la, Jr. “Transformación y continuidad en la creación lingüística de Alina Galliano.” Círculo: Revista de Cultura 28 (1999): 176-85.

GARCÍA, CARLOS JESÚS

Espinosa Domínguez, Carlos B. “Nueva dramaturgia cubana: Tres entrevistas.” Latin American Theatre Review 15.1 (1981): 59-66.

GARCÍA, CRISTINA Acosta de Hess, Josefina. “La emigración como factor subversivo en la experiencia femenina: How the Garcia Girls Lost Their Accents y Dreaming in Cuban.” Alba de América: Revista Literaria 20.37-38 (2001): 221-28.

Alonso Gallo, Laura P. “Latino Culture in the U.S.: Using, Reviewing, and Recontructing Latinidad in Contemporary Latino/a Fiction.” KulturPoetik: Zeitschrift für Kulturgeschichtliche Literaturwissenschaft/Journal of Cultural Poetics 2.2 (2002): 236-48.

---. “Los reveses del sexo: Masculinidades en la narrativa cubanoamericana.” Guayaba Sweet:

Literatura Cubana en Estados Unidos. Ed. Laura P. Alonso Gallo and Fabio Murrieta.Colección de Estudios Culturales. Cádiz: Aduana Vieja, 2003. 169-94.

Araújo, Nara. “I Came All the Way From Cuba So I Could Speak Like This? Cuban and Cubanamerican Literatures in the US.” Comparing Postcolonial Literatures: Dislocations. Ed.

Ashok Bery, Patricia Murray, and Wilson Harris. Basingstoke, England; New York, NY:

Macmillan; St. Martin’s, 2000. 93-103.

Álvarez Borland, Isabel. “Displacements and Autobiography in Cuban-American Fiction.” World Literature Today: A Literary Quarterly of the University of Oklahoma 68.1 (1994): 43-48.

---. “Literaturas de exilio y etnicidad: El caso de Cuba.” Caribe: Revista de Cultura y Literatura 3.1 (2000): 15-25.

Brameshuber Ziegler, Irëne. “Christina Garcia, Dreaming in Cuban (1992): Collapse of Communication and Kristeva’s Semiotic as Possible Remedy.” Language & Literature 24 (1999): 43-64.

Ciani Forza, Daniela M. “Cubanía e ‘America.’” Annali di Ca’ Foscari: Rivista della Facoltà di Lingue e Letterature Straniere dell’università di Venezia 42.4 (2003): 151-78.

Connor, Anne. “Desenmascarando a Ysarel: The Disfigured Face as Symbol of Identity in Three Latino Texts.” Cincinnati Romance Review 21 (2002): 148-62.

Coser, Stelamaris. “A mulher bela e morta: A retomada do enigma romântico na ficção de Cristina García.” Ilha do Desterro: A Journal of Language and Literature 42 (2002): 191-211.

Davis, Rocío G. “Back to the Future: Mothers, Languages, and Homes in Cristina García’s Dreaming in Cuban.” World Literature Today: A Literary Quarterly of the University of Oklahoma 74.1 (2000): 60-68.

---. “Back to the Future: Mothers, Languages, and Homes in Cristina García’s Dreaming in Cuban.” Twayne Companion to Contemporary World Literature: From the Editors of World Literature

Today, I: Parts 1-5; II: Parts 6-8, Appendices, Index. Ed. Pamela A. Genova. New York, NY:

Twayne; Thomson Gale, 2003. 492-99.

Di Iorio, Lyn F. Killing Spanish: Doubles, Dead Mothers and Other Allegories of Ambivalent U.S.

Latino/a Caribbean Identity. Dissertation Abstracts International 62[1], 170. 2001. University of California, Berkeley. 2000.

Diller, Sherrill Duchock. Subversive Form or Subversive Ideology: Feminist Analysis of Contemporary Magic Realist Novels. Dissertation Abstracts International 61[10], 3984-85. 2001. Emory University, 2000.

Domínguez Miguela, Antonia. “Geographies of Identity in Cuban American Narrative.” Evolving Origins, Transplanting Cultures: Literary Legacies of the New Americans. Ed. Laura P. Alonso Gallo and Antonia Domínguez Miguela. Collectanea: 65. Huelva: Universidad de Huelva, 2002. 267-75.

Embry, Marcus. “Cuban Double-Cross: Father’s Lies in Obejas and Garcia.” Double Crossings/EntreCruzamientos. Ed. Mario Martín Flores and Carlos Von Son. Colección Academia. (Fair Haven, NJ): Nuevo Espacio, 2001. 97-107.

García, Joseph Manuel. La literatura cubanoamericana y su imagen: Identidad, transculturación y exilio en la producción de tres escritores: Oscar Hijuelos, Cristina García y Elías Miguel Muñoz. Dissertation Abstracts International 61[2], 626-27. 2000. University of Arizona. 2000.

Gatto, Katherine Gyékényesi. “Mambo, Merengue, Salsa: The Dynamics of Self-Construction in Latina Autobiographical Narrative.” West Virginia University Philological Papers 46 (2000): 84-90.

Goldman, Dara E. “Out of Place: The Demarcation of Hispanic Caribbean Cultural Spaces in the Diaspora.” Latino Studies 1.3 (2003): 403-23.

Gómez Vega, Ibis del Carmen. The Journey Home: Caribbean Women Writers Face the Wreckage of History. Dissertation Abstracts International 56[10], 3957A. 1996. University of Houston. 1995.

---. “Metaphors of Entrapment: Caribbean Women Writers Face the Wreckage of History.” Journal of Political and Military Sociology 25.2 (1997): 231-47.

---. “The Journey Home: Defining Identity in Cristina García’s Dreaming in Cuban.” Voces: A Journal of Chicana/Latina Studies 1.2 (1997): 71-100.

Herrera, Andrea O’Reilly. “Women and the Revolution in Cristina Garcia’s Dreaming in Cuban.” Modern Language Studies 27.3/4 (1997): 69-91.

---. “Cristina García, Dreaming in Cuban.” Reading U.S. Latina Writers: Remapping American Literature. Ed. Alvina E. Quintana. New York, NY: Palgrave Macmillan, 2003. 91-102.

Huerta, Teresa. “Identidades divididas en Dreaming in Cuban de Cristina García.” RLA: Romance Languages Annual 11 (1999): 493-97.

Kapschutschenko Schmitt, Ludmila. “Julia Álvarez y Cristina García: Hibridación cultural en la novela exílica hispano-estadounidense.” Proyecciones sobre la novela. Ed. Linda Gould Levine and Ellen Engelson Marson. Inca Garcilaso Series: 604. (Montclair, NJ); Hanover, NH: Montclair State University; Ediciones del Norte, 1997. 115-32.

Karim, Persis Maryam. Fissured Nations and Exilic States: Displacement, Exile, and Diaspora in Twentieth-Century Writing by Women. Dissertation Abstracts International 59[6], 2009. 1998.

University of Texas, Austin. 1998.

Kevane, Bridget Anne. “Latinanorteamericana: Cultural Identity and the Latina Caribbean Novel as Seen by Julia Álvarez, Cristina García and Rosario Ferré.” Monographic Review/Revista Monográfica 17 (2001): 268-82.

Lago Graña, Josefa. “Despertar de un sueño: Exilio, hogar y familia en Soñar en cubano de Cristina García.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 4 (2001): 165-72.

Lagos, María Inés. “Deconstrucción del estereotipo hispánico en narraciones de Julia Álvarez, Cristina García y Esmeralda Santiago.” Studies in Honor of Myron Lichtblau. Ed. Fernando Burgos.

Homenajes: 16. Newark, DE: Juan de la Cuesta, 2000. 195-214.

Leonard, Suzanne. “Dreaming as Cultural Work in Donald Duk and Dreaming in Cuban.” MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 29.2 (2004): 181-203.

Loustau, Laura R. Cuerpos errantes: Literatura latina y latinoamericana en Estados Unidos. Rosario, Argentina: Viterbo, 2002, 222.

López, Iraida H. “And There Is Only My Imagination Where Our History Should Be: An Interview with Cristina García.” Michigan Quarterly Review 33.3 (1994): 605-17.

---. “And There Is Only My Imagination Where Our History Should Be: An Interview With Cristina García.” Bridges to Cuba/Puentes a Cuba. Ed. Ruth Behar. Ann Arbor, MI: University of Michigan Press, 1995. 102-14.

López, Kimberle S. “Women on the Verge of a Revolution: Madness and Resistance in Cristina García’s Dreaming in Cuban.” Letras Femeninas 22.1-2 (1996): 33-49.

Luis, William. “Reading the master codes of Cuban culture in Cristina García’s Dreaming in Cuban.” Cuban Studies 26 (1996): 201-23.

Machado, Elena. Going Global in a Caribbean Locale: Traveling Home in the Works of Paule Marshall, Cristina García, Andrea Levy and Caryl Phillips. Dissertation Abstracts International 64[6], 2090. 2003. State University of New York, Stony Brook. 2003.

Manara, Alejandro. From Close(t) Spaces to the Performance of Hybridity. Dissertation Abstracts International 63[1], 188-89. 2002. Duke University, 2001.

Mariscal Hay, Beatriz. “De mayorías y minorías: Nacionalidades culturales en los Estados Unidos.” Inti: Revista de Literatura Hispánica 45 (1997): 175-80.

Marmolejo McWatt, Amparo. “De poderes, agüeros y amuletos en Las hermanas Agüero.” Hispanic Journal 24.1-2 (2003): 187-201.

Mendéz Rodenas, Adriana. “En búsqueda del paraíso perdido: La historia natural como imaginación diaspórica en Cristina García.” Modern Language Notes 116.2 (2001): 392-418.

Mitchell, David T. “National Families and Familial Nations: Communista Americans in Cristina García’s Dreaming in Cuban.” Tulsa Studies in Women’s Literature 15.1 (1996): 51-60.



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