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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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López, Ernesto G. “Guillermo Cabrera Infante y la otra historia de Cuba.” La historia en la literatura iberoamericana: Textos del XXVI Congreso del Instituto Internacional de Literatura Iberoamericana. Ed. Raquel Chang Rodríguez and Gabriella de Beer. New York: Ed. del Norte/City University of New York, 1989. 365-371.

Mac Adam, Alfred J. “Seeing Double: Cabrera Infante and Caín.” World Literature Today: A Literary Quarterly of the University of Oklahoma 61.4 (1987): 543-48.

---. “Confessio Amantis.” Revista Iberoamericana 57.154 (1991): 203-13.

---. “Delito por traducir el chachachá: Guillermo Cabrera Infante.” Cuadernos Hispanoamericanos:

Revista Mensual de Cultura Hispánica 651-652 (2004): 37-43.

Machover, Jacobo. “Tres tristes tigres, mythes et démythification.” América: Cahiers du CRICCAL.3 (1988).

---. El heraldo de las malas noticias: Guillermo Cabrera Infante (ensayo a dos Voces). Miami, FL:

Universal, 1996, 151.

---. “Bustrófedon o la locura verbal.” América: Cahiers du CRICCAL.20 (1998).

---. “La memoria frente al poder. Escritores cubanos del exilio: Guillermo Cabrera Infante, Severo Sarduy, Reinaldo Arenas.” Revista Hispano Cubana 10 (2001): 37-46.

Magnarelli, Sharon. “21 en el 21: Una entrevista de larga distancia con Guillermo Cabrera Infante.” Prismal/Cabral: Revista de Literatura Hispánica/Caderno Afro-Brasileiro Asiático Lusitano 5 (1979): 23-42.

Malcuzynski, M. Pierette. “Tres tristes tigres or the Treacherous Play on Carnival.” Ideologies and Literature: Journal of Hispanic and Lusophone Discourse Analysis 3.15 (1981): 33-56.

Manzoni, Celina. “Leer, escribir, reescribir: Fragmento y totalidad en Vista del amanecer en el trópico.” Ciberletras 7 (2002).

Masoliver Ródenas, Juan Antonio. “Placeres proscritos.” Letras Libres 2.23 (2000): 100-01.

Matas, Julio. “Guillermo Cabrera Infante: Caricaturas tempranas.” World Literature Today: A Literary Quarterly of the University of Oklahoma 61.4 (1987): 593-97.

Merrim, Stephanie. “A Secret Idiom: The Grammar and Role of Language in Tres tristes tigres.” Latin American Literary Review 8.16 (1980): 96-117.

---. “La Habana para un infante difunto y su teoría topográfica de las formas.” Revista Iberoamericana 48.118-119 (1982): 403-13.

---. “Through the Film Darkly: Grade ‘B’ Movies and Dreamwork in Tres tristes tigres and El beso de la mujer araña.” Modern Language Studies 15.4 (1985): 300-12.

Merrim, Stephanie, Alice Poust, and Manuel Delgado. “Tres tristes tigres: Antimundo, antilenguaje, antinovela.” Texto Crítico 11.33 (1985): 133-52.

Michelotti Cristóbal, Graciela. “Tres tristes tigres/La guaracha del Macho Camacho o el lenguaje como protagonista.” MACLAS: Latin American Essays 3 (1989): 107-11.

---. “Tres tristes tigres/La guaracha del Macho Camacho o el lenguaje como protagonista.” Selected Papers Presented at the 10th Conference of the Middle Atlantic Council of Latin American Studies: Lehigh University, 1989. Ed. Robert J. Alexander, Edith Couturier, and Juan Espadas. MACLAS Latin American Essays: 3. Middle Atlantic Council of Latin Amer. Studies & Rutgers University, 1991. 107-111.

Montenegro, Nivia. “Qué Dise/Mi/Nación: Island Vision in Guillermo Cabrera Infante’s Vista del amanecer en el trópico.” Cuban Studies 28 (1998): 125-53.

Montes Huidobro, Matías. “Itinerario del ebó.” Studies in Afro-Hispanic Literature 2-3 (1978): 1-13.

---. “Itinerario del ebó.” Círculo: Revista de Cultura 8 (1979): 105-14.

---. “Riqueza verbal de ‘Abril es el mes más cruel’.” Círculo: Revista de Cultura 13 (1984): 97-104.

Montoro, Adrián G. “Adivinanzas y trabalenguas: Deriva a partir de Tres tristes tigres.” Revista Chilena de Literatura 23 (1984): 135-40.

Morales, Juan Manuel. “TTT: El espejo en una pila de nombres impropios.” Creathis: Actes de la journée d’études sur le néo-baroque cubain. Ed. Norah Giraldi Dei Cas. Lille: Université de Lille, 1997. 55-59.

Moreno, Fernando. “Petronio, ¿ya era (neo) barroco?” Creathis: Actes de la journée d’études sur le néo-baroque cubain. Ed. Norah Giraldi Dei Cas. Lille: Université de Lille, 1997. 61-67.

Moulin Civil, Françoise. “Arriba el telón. teatro(s) y teatralidad en De dónde son los cantantes y Tres tristes tigres.” Creathis: Actes de la journée d’études sur le néo-baroque cubain. Ed. Norah Giraldi Dei Cas. Lille: Université de Lille, 1997. 101-07.

Moyano, Marisa. “Tres tristes tigres: La fiesta del lenguaje.” Espéculo: Revista de Estudios Literarios 28 (2004).

Nelson, Ardis Lorraine. “La Habana para un infante difunto: Cabrera Infante’s ‘Continuous Showing’.” Revista Canadiense de Estudios Hispánicos 5.2 (1981): 216-18.

---. Characterization and Menippean Satire in the Major Works of Guillermo Cabrera Infante.

Dissertation Abstracts International 41[9], 4052A. 1981.

---. “Tres tristes tigres y el cine.” Romance Quarterly 29.4 (1982): 391-404.

---. “El doble, el recuerdo y la muerte: Elementos de fugacidad en la narrativa de Guillermo Cabrera Infante.” Revista Iberoamericana 49.123-124 (1983): 509-21.





---. “Holy Smoke: Anatomy of a Vice.” World Literature Today: A Literary Quarterly of the University of Oklahoma 61.4 (1987): 590-93.

---. “From Bugsy to Bruegel: Cabrera Infante Essayist.” Ideas’92 10 (1992): 35-43.

---. Guillermo Cabrera Infante: Assays, Essays, and Other Arts. New York, NY: Twayne, 1999, xxv, 242.

Nelson, Ardis Lorraine and Guillermo Cabrera Infante. Cabrera Infante in the Menippean Tradition.

Newark, DE: Cuesta, 1983, xxviii, 124.

Nuessel, Frank H., Jr. “Eye Dialect in Spanish: Some Pedagogical Applications.” Hispania: A Journal Devoted to the Teaching of Spanish and Portuguese 65.3 (1982): 346-51.

Orr, Leonard. “Joyce and the Contemporary Cuban Novel: Lezama Lima and Cabrera Infante.” Neohelicon: Acta Comparationis Litterarum Universarum 19.2 (1992): 17-25.

Oviedo, José Miguel and David Draper Clark. “Nabokov/Cabrera Infante: True Imaginary Lives.” World Literature Today: A Literary Quarterly of the University of Oklahoma 61.4 (1987): 559-67.

Oviedo, José Miguel. “Cabrera Infante en el espejo de Nabokov.” Quimera: Revista de Literatura 78Padrón Bermejo, Violeta. Imaginando la habana: Identidad nacional en Guillermo Cabrera Infante, Reinaldo Arenas y Zoé Valdés. Dissertation Abstracts International 64[8], 2914. 2004.

University of North Carolina, Chapel Hill. 2003.

Pancrazio, James J. “You’Re All Guilty: Lo Cubano in the Confession.” Imagination beyond Nation:

Latin American Popular Culture. Ed. Eva Paulino Bueno and Terry Caesar. viii, Pitt Latin American Series. Pittsburgh, PA: University of Pittsburgh Press, 1998. 129-41.

Peavler, Terry J. “Guillermo Cabrera Infante’s Debt to Ernest Hemingway.” Hispania: A Journal Devoted to the Teaching of Spanish and Portuguese 62.3 (1979): 289-96.

---. “Matters of Ethical Inference: Cabrera Infante’s ‘Joséfina’.” Siglo XX/20th Century 11.1-2 (1993):

193-210.

---. “Cabrera Infante’s Undertow.” Structures of Power. Ed. Terry J. Peavler and Peter Standish. Latin American and Iberian Thought and Culture. Albany, NY: State University of New York Press, 1996. 125-43.

Peck, Kenneth Arthur. La fábrica de sueños: the Influence of North American Cinema of the 1930’s and 1940’s on Modern Latin American Literature: Carlos Fuentes, Guillermo Cabrera Infante y Manuel Puig. Dissertation University of Kentucky, 1994.

Pegenaute, Luis. “Three Trapped Tigers in Shandy Hall.” Laurence Sterne in Modernism and Postmodernism. Ed. David Pierce and Peter de Voogd. Postmodern Studies (PmdnS): 15.

Amsterdam: Rodopi, 1995. 133-45.

Pellicer, James O. “Guillermo Cabrera Infante (1929- ).” Multicultural Writers since 1945: An A-to-Z Guide. Ed. Alba Amoia and Bettina L. Knapp. Westport, CT: Greenwood, 2004. 114-20.

Pellón, Gustavo and Rosa M. Pereda. Portrait of the Cuban Writer As French Painter: Henri Rousseau, José Lezama Lima’s Alter Ego Guillermo Cabrera Infante. Madrid: EDAF, 1988, 260.

Pera, Cristóbal. “Three Trapped Tigers: Or, Literature as Translation.” Translation Perspectives 6 (1991): 249-57.

Pérez-Firmat, Gustavo. “Bilingual Blues, Bilingual Bliss: El caso Casey.” Modern Language Notes 117.2 (2002): 432-48.

Pérez Sarduy, Pedro. “An Infant in English Breeches: What Really Happened in Cuba.” Red Letters: A Journal of Cultural Politics 15 (1983): 24-34.

Phaf-Rheinberger, Ineke. “El bolero y la utopía popular: Fuentes, Chamoiseau, Martinus Arion, Cabrera Infante y Zavala.” La novela latinoamericana entre historia y utopía. Ed. Sonja M.

Steckbauer. Mesa Redonda: 13. Eichstätt: Katholische Universität Eichstätt, 1999. 161-77.

Polo García, Victorino. “De Tres tristes tigres a La Habana para un infante difunto, un espejo para el camino.” Revista Iberoamericana 58.159 (1992): 557-66.

---. “De Tres tristes tigres a La Habana para un infante difunto, un espejo para el camino.” Hispanoamérica en sus textos. Ed. Eva Valcárcel. Cursos, Congresos e Simposios: 6. La Coruña: Universidade da Coruña, 1993. 113-23.

Poppenberg, Gerhard. “Guillermo Cabrera Infante: Tres tristes tigres.” Der hispanoamerikanische Roman, II: Von Cortázar bis zur Gegenwart. Ed. Volker Roloff and Harald Wentzlaff Eggebert.

Darmstadt: Wissenschaftliche Buchgesellschaft, 1992. 91-103.

Porter, Thomas R. The Semiotics of Play in Tres tristes tigres and Cobra. Dissertation Abstracts International 56[5], 1806A. 1995. Pennsylvania State University, 1994.

Posner, Nancy. “La traición de la comunicación y el papel de Bustrófedon en Tres tristes tigres.” Tinta 1.3 (1983): 27-32.

Prieto Taboada, Antonio. “Idioma y ciudadanía literaria en Holy Smoke, de Guillermo Cabrera Infante.” Revista Iberoamericana 57.154 (1991): 257-64.

Prieto, René. “A Womb with a View: Sex and the Movies.” World Literature Today: A Literary Quarterly of the University of Oklahoma 61.4 (1987): 584-89.

Rey López, María A. “Así en la paz como en la guerra de Cabrera Infante: Cuando el diálogo engendra un círculo.” Torre de Papel 5.1 (1995): 31-46.

Ricaurte, Orlando. “Conversaciones con Guillermo Cabrera Infante.” Quimera: Revista de Literatura 96 (1990): 22-29.

Rich, Lawrence. “Tres tristes tigres: El lenguaje como anti-comunicación.” Dactylus (Department of Spanish and Portuguese, Universityof Texas) 14 (1995): 84-92.

Riera, Miguel. “Tres relatos de Guillermo Cabrera Infante: El chachachá y la revolución.” Quimera:

Revista de Literatura 136 (1995): 64-67.

Rivero, Eliana S. “Hacia un análisis feminista in Tres Tristes Tigres.” Theory and Practice of Feminist Literary Criticism. Ed. Gabriela Mora and Karen S. Van Hooft. Studies in Lit. Analysis.

Ypsilanti, MI: Bilingual, 1982. 279-91.

Rivers, Elias L. “Cabrera Infante’s Dialogue with Language.” Modern Language Notes 92.2 (1977):

331-35.

Ríos, Valeria de los. “El cine, el gramófono y máquina de escribir: TTT, novela mediática latinoamericana.” Espéculo: Revista de Estudios Literarios 28 (2004).

Rodríguez Luis, Julio. “Dos versiones de subdesarrollo: Tres tristes tigres, de Cabrera Infante, y Temporada de duendes, de Pedro Juan Soto.” Sin Nombre 12.1 (1981): 39-45.

Rodríguez Monegal, Emir. “Cabrera Infante: La novela como autobiografía total.” Revista Iberoamericana 47.116-117 (1981): 265-71.

Rodríguez Rivero, Manuel. “Loca Habana: De los años violentos, oscuros, prodigiosos.” Cuadernos Cervantes de la Lengua Española 6 (1996): 90-93.

Rowlandson, William. “Cabrera Infante and Parody: Tracking Hemingway in Tres tristes tigres.” The Modern Language Review 98.3 (2003): 620-33.

Ruiz Barrionuevo, Carmen. “Parodia y espejeo de la escritura en Tres tristes tigres: la muerte de Trostky referida por varios escritores cubanos, años después - o antes.” América: Cahiers du CRICCAL.20 (1998).

Santí, Enrico Mario. “El boom en Cuba: Guillermo Cabrera Infante.” Vuelta 21.243 (1997): 54-57.

Sánchez Boudy, José. La nueva novela hispanoamericana y Tres tigres. Miami: Universal, 1971, 176.

Serafin, Silvana. “Letteratura come traduzione: Tres Tristes Tigres di Guillermo Cabrera Infante e De

dónde son los cantantes di Severo Sarduy.” Del Tradurre, II. Ed. Teresa M. Rossi. Rome:

Bulzoni, 1995. 85-96.

Siemens, William L. “Mirrors and Metamorphosis: Lewis Carroll’s Presence in Tres tristes tigres.” Hispania: A Journal Devoted to the Teaching of Spanish and Portuguese 62.3 (1979): 297Guillermo Cabrera Infante: Man of Three Islands.” Review: Latin American Literature and Arts 28 (1981): 8-11.

---. “Serving up the Campbells: The ‘Los visitantes’ Segment of Guillermo Cabrera Infante’s Tres tristes tigres.” West Virginia University Philological Papers 30 (1984): 102-08.

---. “The Birth of the Author in the Recent Cuban Novel.” La Chispa ‘87: Selected Proceedings. Ed.

Gilbert Paolini. New Orleans: Tulane University, 1987. 291-296.

---. “Guillermo Cabrera Infante and the Divergence of Revolutions: Political Versus Textual.” Literature and Revolution. Ed. David Bevan. Rodopi Perspectives on Modern Literature (RPML): 2.

Amsterdam: Rodopi, 1989. 107-19.

---. “Deconstruction Reconstrued: Chaos Theory and the Works of Guillermo Cabrera-Infante.” Ometeca 1(2)-2(1) (1989): 53-60.

---. “Rayas extravagantes: Tres tristes tigres y el neobarroco cubano.” Revista Iberoamericana 57.154 (1991): 235-43.

---. “Un neobarroco cubano: Una metamorfosis semiótica.” Literatura del mundo hispánico: VIII Simposio Internacional de Literatura. Ed. Juana Alcira Arancibia. Alba de América.

Westminster, CA: Instituto Literario y Cultural Hispánico, 1992. 203-10.

Souza, Raymond D. “Yes, We Have no Havana(s): Requiem for a Lost City.” World Literature Today:

A Literary Quarterly of the University of Oklahoma 61.4 (1987): 579-83.



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