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«Diana Castilleja, Lieven D’hulst, Krista Slagle, Katrien Van der Aa With the help of Marie Beels, Hanne Callewaert, Marjan De Smet, Sofie De ...»

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Boone, Linda R. “Si tú te llamaras Babel...: Love Poetry, Parody and Irony in Tres tristes tigres.” Siglo XX/20th Century 8.1-2 (1990): 31-40.

Bradu, Fabienne. “Mea Cuba de Guillermo Cabrera Infante.” Vuelta 17.198 (1993): 48-49.

Byron, Kristine A. “El éxtasis de la comunicación: La imagen en Tres tristes tigres.” Torre de Papel 4.1 (1994): 43-52.

Cabrera Infante, Guillermo. “Salsa para una ensalada.” Literatures in Transition: The Many Voices of the Caribbean Area: A Symposium. Ed. Rose S. Minc. Gaithersburg, MD; Upper Montclair, NJ: Hispam‚rica; Montclair State Coll., 1982. 21-36.

---. “Talent of 2WO Cities.” Review: Latin American Literature and Arts 35 (1985): 17-18.

---. Vidas para leerlas. Madrid: Alfaguara, 1998, 294.

---. “Ars poetica.” América: Cahiers du CRICCAL.20 (1998).

---. “English Profanities.” Review: Latin American Literature and Arts 61 (2000): 66-73.

Cachan, Manuel. “La Habana para un infante difunto: Choteo, erotismo y la nada.” La Chispa ‘85:

Selected Proceedings. Ed. Gilbert Paolini. New Orleans: Tulane University, 1985. 39-47.

---. “La Habana para un Infante difunto: Choteo, erotismo y la Nada.” Explicación de Textos Literarios 15.1 (1986): 33-45.

Caneda Cabrera, M. Teresa. “Cómo convertir barro en ceniza: Clay de James Joyce y Polvo y ceniza de Cabrera Infante: Una reflexión sobre la traducción del texto modernista.” Proceedings of

the 20th International AEDEAN Conference. Ed. P. Guardia and Jennifer Stone. Barcelona:

Universitat de Barcelona, 1997. 395-400.

Castañeda, Belén S. “Guillermo Cabrera Infante’s Cuba in View of Down in the Tropics.” Confluencia:

Revista Hispánica de Cultura y Literatura 12.1 (1996): 141-54.

Chen Sham, Jorge. “El enfrentamiento bélico en Así en la paz como en la guerra: Diálogos unamunianos.” Alba de América: Revista Literaria 21.39-40 (2002): 221-30.

Chiguluri, Rachel Roth. The Burden of History in the Contemporary Novel: National Pain and Narrative Techniques. Dissertation Abstracts International 63[1], 175. 2002. Vanderbilt University, 2001.

---. “The Politics of Discourse and the Discourse of Politics in Tres Tristes Tigres.” Revista de Estudios Hispánicos 37.2 (2003): 249-69.

Cirillo, Teresa. “Una lettura de La Habana para un infante difunto di Cabrera Infante.” Annali Istituto Universitario Orientale, Napoli, Sezione Romanza 25.2 (1983): 583-604.

Corral, Wilfrido H. “Cabrera Infante y las biografías del ‘otro’: Novás Calvo, Piñera y Arenas.” Studies in Honor of Myron Lichtblau. Ed. Fernando Burgos. Homenajes: 16. Newark, DE: Juan de la Cuesta, 2000. 37-51.

Corrales Egea, J. “Tres escritores hispanoamericanos en París: Con Guillermo Cabrera Infante.” Ínsula: Revista de Letras y Ciencias Humanas 18.195 (1963): 7.

Cuervo Hewitt, Julia. “In(ter)vención y (sub)versión de (E)cué en Tres tristes tigres.” La Chispa ‘95:

Selected Proceedings. Ed. Claire J. Paolini. New Orleans: Louisiana Conference on Hispanic Languages & Literatures, Tulane University, 1995. 117-132.

Damiani, Marcelo. “Caín que estás en los cielos.” Lateral: Revista de Cultura 6.69 (2000): 8.

Dei Cas, Norah Giraldi. Creathis: De dónde son los cantantes. Actes de la Journée d’études sur le néo-baroque cubain. Lille: Université de Lille, 1997, 107.

Delgado Batista, Yolanda. “Guillermo Cabrera Infante: La música de las palabras.” Espéculo: Revista de Estudios Literarios 4 (1996).

Egea, Corrales. “Diálogo con Cabrera Infante.” Casa de las Américas 17-18 (1963): 49.

Elena Ben-Ur, Lorraine. “Hacia la novela del Caribe: Guillermo Cabrera Infante y Luis Rafael Sánchez.” Revista de Estudios Hispánicos (1978): 129.

Enjuto, Esther and Eusebio Llácer Llorca. “Traducción y traición en Tres tristes tigres: Recreación de la no-novela de Cabrera Infante.” Cuadernos Americanos 14.4 [82] (2000): 89-104.

Feal, Rosemary Geisdorfer. “Autobiography and the Identity Game in Cabrera Infante’s La Habana para un infante difunto.” Folio: Essays on Foreign Languages and Literatures 16 (1984): 36Autobiography and Fiction: Cabrera Infante’s La Habana para un infante difunto and Vargas Llosa’s La tía Julia y el escribidor. Dissertation Abstracts International 45[8], 2540A. 1985.

---. Novel Lives: The Fictional Autobiographies of Guillermo Cabrera Infante and Mario Vargas Llosa.

Chapel Hill: University of North Carolina Department of Romance Languages, 1988, 175.

---. “The Duchamp Effect: G. Cabrera Infante and Readymade Art.” Criticism: A Quarterly for Literature and the Arts 31.4 (1989): 401-20.

Fernández, Adelfa. “Beyond the Tigers.” Americas 34.2 (1982): 11-14.

Fernández, Roberto. “El refranero en T.T.T.” Revista Iberoamericana 57.154 (1991): 265-72.

Fox, Arturo A. “Lectura de Vista del amanecer en el trópico.” Hispanic Journal 8.1 (1986): 147-56.

Frost, Derek Trowbridge. “Parallel Worlds, Convergent Aesthetics: Cabrera Infante’s Tres tristes tigres and Fellini’s La dolce vita.” Romance Notes 38.1 (1997): 3-14.

Gallagher, David P. “Guillermo Cabrera Infante (Cuba, 1929-).” Guillermo Cabrera Infante. Ed. Julián Ríos. Colección Espiral: 2. Madrid: Fundamentos, 1974. 47-79.





García Morales, Alfonso. “Visiones del trópico: Cuba en la narrativa de Guillermo Cabrera Infante.” Diversidad sociocultural en la literatura hispanoamericana (Siglo XX). Ed. Carmen de Mora.

Literatura: 8. Sevilla: Universidad de Sevilla, 1995. 61-85.

García Sánchez, Franklin B. “Vista del amanecer en el trópico como ficción historiográfica.” Actas Irvine-92, Asociación Internacional de Hispanistas, I: De historia, lingüísticas, retóricas y poéticas; II: La mujer y su representación en las literaturas hispánicas; III: Encuentros y desencuentros de culturas desde la edad media al siglo XVIII; IV: Encuentros y desencuentros de culturas siglos XIX y XX; V: Lecturas y relecturas de textos españoles, latino americanos y US latinos. Ed. Juan Villegas. Irvine: University of California, 1994. 297.

García Serrano, María Victoria. “In-advertencia.” Ariel 5 (1988): 30-34.

---. “La oposición sexual en Tres tristes tigres: Una diferencia lingüística.” Texto Crítico 15.40-41 (1989): 31-41.

---. Writing and Orality in Tres tristes tigres. Dissertation Abstracts International 49[12], 3742A. 1989.

---. “Un pre-texto problemático: La advertencia de Tres tristes tigres.” Hispanófila 34.2 [101] (1991):

87-92.

---. “La oposición sexual en Tres tristes tigres: Una diferencia lingüística.” Explicación de Textos Literarios 22.1 (1993): 11-19.

Gerard, Letvia and Juan Gerard. “Conversando con Caín.” Imágenes: Publicación Semestral de Teoría, Técnica, Crítica y Educación 2.2 (1986): 11-19.

Gibian, Jill Lisa. Three Ways of Rewriting a Text: Parody, Translation, and Criticism: The Latin American Model: A Sociocultural Analysis. Dissertation Abstracts International 51[11], 3732A.

1991. State University of New York, Binghamton.

Giordano, Jaime. “Función estructural del bilingüismo en algunos textos contemporáneos: Cabrera

Infante, Luis R. Sánchez.” Literatures in Transition: The Many Voices of the Caribbean Area:

A Symposium. Ed. Rose S. Minc. Gaithersburg, MD; Upper Montclair, NJ: Hispamérica;

Montclair State Coll., 1982. 161-75.

González Echevarría, Roberto. “Autobiography and Representation in La Habana para un infante difunto.” World Literature Today: A Literary Quarterly of the University of Oklahoma 61.4 (1987): 568-74.

González, Eloy R. and Barbara G. Sandborn. “Un nuevo burlador: La fantasía erótica de La Habana para un infante difunto de Guillermo Cabrera Infante.” Explicación de Textos Literarios 14.1 (1985): 85-90.

Goytisolo, Juan and Norma Helsper. “A Cervantine Reading of Three Trapped Tigers.” The Review of Contemporary Fiction 4.2 (1984): 20-34.

Graham Jones, Jean and Duleep Deosthale. “Interview with Guillermo Cabrera Infante.” Mester 16.2 (1987): 53-63.

Grifo, Luis. “Laura y la identidad en Tres tristes tigres.” Cuadernos Hispanoamericanos: Revista Mensual de Cultura Hispánica 538 (1995): 88-94.

Hall, Kenneth Estes. The Function of Cinema in the Works of Guillermo Cabrera Infante and Manuel Puig. Dissertation Abstracts International 47[4], 1343A-4a. 1986.

---. “Cabrera Infante and the Work of Alfred Hitchcock.” World Literature Today: A Literary Quarterly of the University of Oklahoma 61.4 (1987): 598-600.

---. Guillermo Cabrera Infante and the Cinema. Newark, DE: Juan de la Cuesta, 1989, xxiii, 240.

---. “Cain: A Job Description.” Ideas’92 10 (1992): 25-34.

---. “Entrevista con Guillermo Cabrera Infante.” Confluencia: Revista Hispánica de Cultura y Literatura 10.1 (1994): 152-57.

---. “Cabrera Infante and Classical History.” Classical and Modern Literature: A Quarterly 14.4 (1994):

323-33.

---. “Dandyism and Holy Smoke.” Hispanófila 111 (1994): 73-82.

---. “Cabrera Infante as Biographer.” Biography: An Interdisciplinary Quarterly 19.4 (1996): 394-403.

---. “Movies and Mock Encomia.” Guillermo Cabrera Infante: Assays, Essays, and Other Arts. Ed.

Ardis Lorraine Nelson. New York, NY: Twayne, 1999. 66-87.

---. “Life With the Silver Screen: Cine o Sardina.” Guillermo Cabrera Infante: Assays, Essays, and Other Arts. Ed. Ardis Lorraine Nelson. New York, NY: Twayne, 1999. 88-99.

Hammerschmidt, Claudia. “A la búsqueda de los pasos perdidos. G.C.I. visitando los Campbell.” América: Cahiers du CRICCAL.20 (1998).

Hartman, Carmen Teresa. Cabrera Infante’s Tres tristes tigres: The Trapping Effect of the Signifier over Subject and Text. Dissertation Abstracts International 61[7], 2727. 2001. State University of New York, Albany. 2000.

---. Cabrera Infante’s Tres Tristes Tigres: The Trapping Effect of the Signifier Over Subject and Text.

New York, NY: Peter Lang, 2003, 139.

Hasson, Liliane. “Tres Tristes Tigres: Le KO?” Creathis: Actes de la journée d’études sur le néobaroque cubain. Ed. Norah Giraldi Dei Cas. Lille: Université de Lille, 1997. 47-54.

---. “Tres tristes tigres, est-il écrit en cubain ?” América: Cahiers du CRICCAL.20 (1998).

Hazera, Lydia D. “Cinematic Influences in the Works of Cabrera Infante, Puig, and Vargas Llosa.” New Orleans Review 12.3 (1985): 43-52.

Hernández Chiroldes, J. Alberto. “La distorsión del ánima en Tres tristes tigres.” Selected Proceedings of the Thirty-Ninth Annual Mountain Interstate Foreign Language Conference. Ed. Sixto E.

Torres and S. Carl King. Clemson: Clemson University Press, 1991. 44-53.

Hernández Lima, Dinorah. Versiones y re-versiones históricas en la obra de Cabrera Infante. Madrid:

Pliegos, 1990, 183.

Hijuelos, Oscar. “Guillermo Cabrera Infante.” BOMB 70 (2000): 52-57.

Infante, Guillermo Cabrera. “The Invisible Exile.” Literature in Exile. Ed. John Glad. Durham: Duke University Press, 1990. 34-40.

Ivask, Ivar and William L. Siemens. “Focus on Guillermo Cabrera Infante.” World Literature Today: A Literary Quarterly of the University of Oklahoma 61.4 (1987).

James, Regina. “Infante Monogatari.” World Literature Today: A Literary Quarterly of the University of Oklahoma 61.4 (1987): 574-79.

---. “From 5 to 7: An Interview with Guillermo Cabrera Infante.” Salgamundi: A Quarterly of the Humanities and Social Sciences 52-53 (1981): 30-56.

---. “Ta(l)king Liberties: On Guillermo Cabrera Infante.” Salgamundi: A Quarterly of the Humanities and Social Sciences 82-83 (1989): 222-39.

Jiménez, Reynaldo L. Guillermo Cabrera Infante y Tres tristes tigres. Miami: Universal, 1977, 136.

Johnson, Maribel Dicker. Thematic and Stylistic Development in Three Contemporary Cuban Novels.

Dissertation Abstracts International 46[2], 436A. 1985.

Levine, Suzanne Jill. “Writing as Translation: Three Trapped Tigers and a Cobra.” Modern Language Notes 90.2 (1975): 265-77.

---. “Translation as (Sub)Version: On Translating Infante’s Inferno.” SubStance: A Review of Theory and Literary Criticism 13.1 [42] (1983): 85-94.

---. “Vistas of Dawn in the (Tristes) Tropics: History, Fiction, Translation.” World Literature Today: A Literary Quarterly of the University of Oklahoma 61.4 (1987): 548-53.

---. “Translation As (Sub)Version: On Translating Infante’s Inferno.” Rethinking Translation: Discourse, Subjectivity, Ideology. Ed. Lawrence Venuti. London: Routledge, 1992. 75-85.

---. “Infante’s Inferno.” Voice-Overs: Translation and Latin American Literature. Ed. Daniel Balderston and Marcy Schwartz. SUNY Series in Latin American and Iberian Thought and Culture.

Albany, NY: State University of New York Press, 2002. 92-99.

---. “Vistas of Dawn in the (Tristes) Tropics: History, Fiction, Translation.” Twayne Companion to

Contemporary World Literature: From the Editors of World Literature Today, I: Parts 1-5; II:

Parts 6-8, Appendices, Index. Ed. Pamela A. Genova. New York, NY: Twayne; Thomson Gale, 2003. 506-11.

Levine, Suzanne Jill and Mario Ojeda Revak. “El traductor en la guarida del escritor.” Vuelta 17.198 (1993): 59-63.

Levine, Suzanne Jill and Luis Castañeda. “Wit and Wile with Guillermo Cabrera Infante.” Americas 47.4 (1995): 25-29.

Lewis, Elizabeth M. F. “Huellas en el hielo: Hemingway en Tres tristes tigres.” Revista Hispánica Moderna 46.1 (1993): 131-40.

Lezra, Jacques. “Squared Circles, Encircling Bowls: Reading Figures in Tres tristes tigres.” Latin American Literary Review 16.31 (1988): 6-23.

Lima, Dinorah H. “La Habana pre-revolucionaria.” Discurso: Revista de Estudios Iberoamericanos 12.2 (1995): 53-64.



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